Awaiting Collection (page 3)

Isn t he coming soon?, 1917 (oil on canvas)
OVR362920 Isn t he coming soon?, 1917 (oil on canvas) by Munthe, Gerhard Peter Frantz Vilhelm (1849-1929); 67.5x98 cm; Private Collection; Photo © O. Vaering

L Europe en 1871, 1871 (colour litho)
XCF290996 L Europe en 1871, 1871 (colour litho) by Hadol, Paul (1835-1875); Private Collection; French, out of copyright

Fishermen, Stranded Boats, Valencia; Pescadores, barcas varadas, Valencia
1197488 Fishermen, Stranded Boats, Valencia; Pescadores, barcas varadas, Valencia, (oil on canvas) by Sorolla y Bastida, Joaquin (1863-1923)

Krishna leaning against a tree, awaiting Radha, c. 1780
1196867 Krishna leaning against a tree, awaiting Radha, c.1780 () by Indian School, (18th century); 15x23.5 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

The Rajahs Favourite, 1884-89 (oil on canvas)
989571 The Rajahs Favourite, 1884-89 (oil on canvas) by Weeks, Edwin Lord (1849-1903); 100.5x80 cm; Private Collection; (add.info.: The Rajahs Favourite. Edwin Lord Weeks (1849-1903). Oil on canvas

Carriage in Waiting, (oil on canvas)
989369 Carriage in Waiting, (oil on canvas) by Latouche, Gaston de (1854-1913); 86.4x92.7 cm; Private Collection; Photo eChristies Images; French, out of copyright

Ballet Scene, c. 1885 (oil on canvas)
987429 Ballet Scene, c.1885 (oil on canvas) by Degas, Edgar (1834-1917); 81.3x56.3 cm; Private Collection; (add.info.: Ballet Scene; Scene de Ballet. Edgar Degas (1834-1917). Oil on canvas

Spring Showers, (oil on canvas)
650794 Spring Showers, (oil on canvas) by Boughton, George Henry (1833-1905); 33x22.5 cm; Private Collection; (add.info.: Spring Showers. George Henry Boughton (1833-1905). Oil on canvas

The Common Vapourer, (watercolour with pen and black ink over pencil)
989783 The Common Vapourer, (watercolour with pen and black ink over pencil) by Carse, Andreas Duncan (1876-1938); 27x21.4 cm; Private Collection; (add.info.: The Common Vapourer. A)

Wash Day, 1890 (watercolour and pencil on paper)
985357 Wash Day, 1890 (watercolour and pencil on paper) by Henry, Edward Lamson (1841-1919); 18.5x31 cm; Private Collection; (add.info.: Wash Day. Edward Lamson Henry (1841-1919)

On the Sands, Morecombe, (oil on canvas)
659775 On the Sands, Morecombe, (oil on canvas) by Woodhouse, William (1857-1935); 71.1x91.5 cm; Private Collection; (add.info.: On the Sands, Morecombe. William Woodhouse (1857-1939). Oil on canvas

At the Garden Gate, 1902 (oil on canvas)
659669 At the Garden Gate, 1902 (oil on canvas) by Ancher, Michael Peter (1849-1927); 78.8x111.1 cm; Private Collection; (add.info.: At the Garden Gate. Michael Ancher (1849-1927). Oil on canvas

Three Muses, (oil on canvas)
657328 Three Muses, (oil on canvas) by Philpot, Glyn Warren (1884-1937); 75.5x48 cm; Private Collection; (add.info.: Three Muses. Glyn Warren Philpot (1884-1937). Oil on canvas

The Derby, 1922 (oil on canvas)
657171 The Derby, 1922 (oil on canvas) by Lavery, John (1856-1941); 63.5x77 cm; Private Collection; (add.info.: The Derby. Sir John Lavery (1856-1941). Oil on canvas. Signed and dated 1922

Waiting and Watching, (oil on canvas)
658498 Waiting and Watching, (oil on canvas) by Fowler, Robert (1853-1926); 122x61 cm; Private Collection; (add.info.: Waiting and Watching. Robert Fowler (1853-1926). Oil on canvas

Backstage, (oil on panel)
658346 Backstage, (oil on panel) by Duverger, Theophile Emmanuel (1821-86); 46x37.8 cm; Private Collection; (add.info.: Backstage. Theophile Emmanuel Duverger (1821-1886). Oil on panel

The Conference, (oil on panel)
658562 The Conference, (oil on panel) by Croegaert, Georges (1848-1923); 65.4x53.3 cm; Private Collection; (add.info.: The Conference. Georges Croegaert (1848-1923). Oil on panel

Look Out for the Engine While the Bell Rings, 1863 (oil on canvas)
822751 Look Out for the Engine While the Bell Rings, 1863 (oil on canvas) by Brown, John George (1831-1913); 41x66.5 cm; Private Collection; (add.info.: Look Out for the Engine While the Bell Rings)

The 9. 45 A. M. Accomodation, Stratford, Connecticut, 1864 (oil on board)
822671 The 9.45 A.M. Accomodation, Stratford, Connecticut, 1864 (oil on board) by Henry, Edward Lamson (1841-1919); 25.5x45.7 cm; Private Collection; (add.info.: The 9.45 A.M)

Garden Cafe on the Elbe, 1902 (oil on canvas)
656344 Garden Cafe on the Elbe, 1902 (oil on canvas) by Liebermann, Max (1847-1935); 40.5x50.7 cm; Private Collection; (add.info.: Gartencafe an der Elbe); Photo eChristies Images; German

Awaiting the Call (oil on canvas)
827327 Awaiting the Call (oil on canvas) by Chavez, Jose de (19th century); 61x47 cm; Private Collection; (add.info.: Awaiting the Call. Jose de Chavez (19th Century). Oil on canvas

The Saffron Cake, 1920 (oil on canvas)
827254 The Saffron Cake, 1920 (oil on canvas) by Forbes, Stanhope Alexander (1857-1947); 76.2x101.6 cm; Private Collection; (add.info.: The Saffron Cake. Stanhope Alexander Forbes (1857-1947)

Awaiting the Arrival of the St Paul with Ohio Troops on board bound for Cuba (b / w photo)
5215079 Awaiting the Arrival of the St Paul with Ohio Troops on board bound for Cuba (b/w photo) by American Photographer

New Years Day, "First Footing"in Scotland (engraving)
1059054 New Years Day, " First Footing" in Scotland (engraving) by English School, (19th century); Private Collection; (add.info.: New Years Day, " First Footing" in Scotland)

Sketches from the Camp of Exercise of the Indian Army in the Punjaub (engraving)
1052864 Sketches from the Camp of Exercise of the Indian Army in the Punjaub (engraving) by Corbould, Alfred Chantrey (1852-1920); Private Collection; (add.info)

In the Environs of Moscow, awaiting the Postman (colour litho)
1092979 In the Environs of Moscow, awaiting the Postman (colour litho) by Haenen, Frederic de (1853-1928); Private Collection; (add.info.: In the Environs of Moscow, awaiting the Postman)

Awaiting royalty (photo)
558036 Awaiting royalty (photo) by English Photographer, (19th century); Private Collection; (add.info.: Awaiting royalty. Original photograph.); Look and Learn / Peter Jackson Collection

Lord Palmerston at Dover, General Mansel and Staff awaiting the Arrival of the New Lord Warden (engraving)
2773588 Lord Palmerston at Dover, General Mansel and Staff awaiting the Arrival of the New Lord Warden (engraving) by English School

Timber stacked at the docks awaiting transportation. Date: circa 1930s

London chauffeur and car
A London chauffeur stands by his car awaiting instructions. Date: circa 1950s

A Young boy playing cricket in a suburban garden - he awaits for a delivery to arrive... Date: circa 1920

Out with the London Scottish Volunteers, a Reminiscence of Last Easter (litho)
1594800 Out with the London Scottish Volunteers, a Reminiscence of Last Easter (litho) by English School, (19th century); Private Collection; (add.info.: Out with the London Scottish Volunteers)

The Prometheus and the Melpomene in the Gulf of Riga to meet the British Squadron, August
STC234774 The Prometheus and the Melpomene in the Gulf of Riga to meet the British Squadron, August, 1809, engraved by D. Havell for The Naval Chronology of Great Britain by J

The Casino, Monte Carlo, 1884 (oil on canvas)
1766759 The Casino, Monte Carlo, 1884 (oil on canvas) by Bokelman, Christian Ludwig (1844-94); Private Collection; (add.info.: The Casino, Monte Carlo. Christian Ludwig Bokelmann (1844-1894)

Watching Ships, Gloucester, 1875 (watercolour and gouache on paper)
1764675 Watching Ships, Gloucester, 1875 (watercolour and gouache on paper) by Homer, Winslow (1836-1910); 21.6x35.6 cm; Private Collection; (add.info.: Watching Ships, Gloucester)

The Shadow of a Rock (oil on canvas)
1197501 The Shadow of a Rock (oil on canvas) by Webbe or Webb, William J. (1831-1904); 121.9x96.5 cm; Private Collection; (add.info.: Webbe)

A Street in Newlyn, (oil on panel)
657590 A Street in Newlyn, (oil on panel) by Langley, Walter (1852-1922); Private Collection; (add.info.: A Street in Newlyn. Walter Langley (1852-1922). Oil on panel

Penelope, (oil on canvas)
657247 Penelope, (oil on canvas) by Philpot, Glyn Warren (1884-1937); 136x91.8 cm; Private Collection; (add.info.: Penelope. Glyn Warren Philpot (1884-1937). Oil on canvas. 136 x 91.8cm

Man with a pipe; L Homme a La Pipe, c. 1890-92 (oil on canvas)
656823 Man with a pipe; L Homme a La Pipe, c.1890-92 (oil on canvas) by Cezanne, Paul (1839-1906); 43.2x34.3 cm; Private Collection; (add.info.: Man with a pipe; L Homme a La Pipe)

The Mariners Wife, (pencil and watercolour)
828410 The Mariners Wife, (pencil and watercolour) by Todd, Ralph (1856-1932); 43.2x29.3 cm; Private Collection; (add.info.: The Mariners Wife. Ralph Todd (1856-1932). Pencil and watercolour

Low Tide - Shore and Fishermen at Sunset; Maree Basse - Rivage et Pecheurs au Coucher du
825570 Low Tide - Shore and Fishermen at Sunset; Maree Basse - Rivage et Pecheurs au Coucher du Soleil, 1862 (oil on panel) by Boudin

On the Pier, Deauville, 1889 (oil on panel)
989052 On the Pier, Deauville, 1889 (oil on panel) by Boudin, Eugene Louis (1824-98); 33x42 cm; Private Collection; (add.info.: On the Pier, Deauville; Deauville, sur la Jetee)

Woman with an Umbrella, 1881 (oil on canvas)
988477 Woman with an Umbrella, 1881 (oil on canvas) by Morisot, Berthe (1841-95); 92x72.5 cm; Private Collection; (add.info.: Woman with an Umbrella; Dame a l Ombrelle. Berthe Morisot (1841-1895)

Seated Girl; Sitzendes Madchen, 1927 (oil on canvas)
1769320 Seated Girl; Sitzendes Madchen, 1927 (oil on canvas) by Schrimpf, Georg (1889-1938); 77.5x55.2 cm; Private Collection; (add.info.: Seated Girl; Sitzendes Madchen. Georg Schrimpf (1889-1938)

Scene of Figures (watercolour over pencil on paper)
1769148 Scene of Figures (watercolour over pencil on paper) by Pascin, Jules (1885-1930); 19.7x28.9 cm; Private Collection; (add.info.: Scene of Figures. Jules Pascin (1885-1930)

Making Ready, 1917 (oil on canvas)
1767634 Making Ready, 1917 (oil on canvas) by Ufer, Walter (1876-1936); 76.2x91.4 cm; Private Collection; (add.info.: Making Ready. Walter Ufer (1876-1936). Oil on canvas. Painted in 1917

Bowling (oil on canvasboard)
1767538 Bowling (oil on canvasboard) by Pyle, Howard (1853-1911); 35.6x50.8 cm; Private Collection; (add.info.: Bowling. Howard Pyle (1853-1911). Oil on canvasboard

Memories of Capri; Ricordi di Capri, 1878 (oil on panel)
1767320 Memories of Capri; Ricordi di Capri, 1878 (oil on panel) by Sargent, John Singer (1856-1925); 35x26.7 cm; Private Collection; (add.info.: Memories of Capri; Ricordi di Capri)

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Awaiting the arrival of Sir William Wallace, the air crackled with anticipation. The crowd gathered in a tractor pattern, eager to catch a glimpse of the legendary warrior. As they waited, a guiding Christmas angel seemed to hover above them, spreading hope and joy. In the distance, "A Peep at the Train" revealed an India from 1892, captured delicately in pencil and watercolor on paper. Its vibrant colors transported everyone's minds to far-off lands as they patiently awaited their hero. Meanwhile, "The Blue Boat" painted in 1929 depicted serene waters that mirrored their own calm patience. The stillness was broken only by whispers about "The Kings Cup Air Race - The Competitors at Hanworth, " where adrenaline-fueled aviators raced through the sky. Outside The Old King Cross Inn stood a vintage lorry, symbolizing both nostalgia and progress. It reminded them that even while awaiting greatness, life continued its journey forward. Suddenly sirens blared as firefighters rushed past Middlesex Street in Aldgate. Their bravery served as a reminder that heroes come in many forms; sometimes it is those who protect us daily who deserve our admiration most. Across continents and time periods lay reminders of history's weight: Chicago Stockyards bustling with industry and Clerkenwell Prison hauntingly silent yet ever-present. They reminded all present that waiting often meant bearing witness to change itself. Amidst this eclectic mix of scenes emerged Dr. A Ortman of South Dakota—a chiropractor offering relief from physical burdens—reminding them that even during moments of anticipation or distress, there were healers among us ready to ease our pain. Finally came British stretcher cases from Salonika during WW1—an image etched into collective memory forevermore—a testament to resilience amidst chaos and proof that hope can be found even when awaiting salvation itself.