Audience Collection (page 16)

Moliere Reading Tartuffe at the home of Ninon de Lenclos, 1802 (oil on canvas)
7390309 Moliere Reading Tartuffe at the home of Ninon de Lenclos, 1802 (oil on canvas) by Monsiau, Nicolas Andre (1754-1837); 97 x 146.7 cm; Private Collection; (add.info.: Moliere)

The regatta, with the royal yacht squadron, 1851, (oil on canvas)
7130123 The regatta, with the royal yacht squadron, 1851, (oil on canvas) by Turner, Joseph Mallord William (1775-1851); Victoria & Albert Museum, London, UK; (add.info.: The regatta)

The Box at the Theatre, 1923 (oil on card)
896511 The Box at the Theatre, 1923 (oil on card) by Valtat, Louis (1869-1952); 31.5x21 cm; Private Collection; (add.info.: La Loge au theatre. )

His Real Audience (litho)
6001932 His Real Audience (litho) by Christy, Howard Chandler (1873-1952) (after); Private Collection; (add.info.: His Real Audience)

At the Theatre, 1895 (pastel on paper)
896502 At the Theatre, 1895 (pastel on paper) by Valtat, Louis (1869-1952); 57x47 cm; Private Collection; (add.info.: Au Theatre. )

Dance of the nymphs, 1725, (oil on canvas)
7130054 Dance of the nymphs, 1725, (oil on canvas) by Creti, Donato (1671-1749); Museo Nazionale del Palazzo di Venezia, Rome, Italy; (add.info.: Dance of the nymphs, 1725, Donato Creti)

Snake Dancers entering the Plaza, 1921, photogravure by John Andrew & Son (photogravure)
STC225370 Snake Dancers entering the Plaza, 1921, photogravure by John Andrew & Son (photogravure) by Curtis, Edward Sheriff (1868-1952) (after); Private Collection; The Stapleton Collection

Sketch for a ceiling painting depicting a scene from a series on the History of the Theatre
XAM74826 Sketch for a ceiling painting depicting a scene from a series on the History of the Theatre by Matsch, Franz von (1861-1942); Burgtheater, Vienna, Austria; (add.info.: by Franz von Matsch)

The Greek Theatre at Taormina, Sicily from a series on The History of Theatre (ceiling painting)
XAM74828 The Greek Theatre at Taormina, Sicily from a series on The History of Theatre (ceiling painting) by Matsch, Franz von (1861-1942); Burgtheater, Vienna

Queen Victoria receiving Crimean War veterans in audience, 1854
3062061 Queen Victoria receiving Crimean War veterans in audience, 1854. by English School, (19th century); Private Collection; (add.info.: After the painting by Sir John Gilbert)

The Youthful Prodigy (litho)
6001920 The Youthful Prodigy (litho) by Christy, Howard Chandler (1873-1952) (after); Private Collection; (add.info.: The Youthful Prodigy)

Winning the hearts of his royal audience: Mozart's first appearance in the Austrian Court (colour litho)
1265911 Winning the hearts of his royal audience: Mozart's first appearance in the Austrian Court (colour litho) by Tennant, C

Kensington Rhymes: The Punch And Judy Show (colour litho)
5990085 Kensington Rhymes: The Punch And Judy Show (colour litho) by Monsell, John Robert (1877-1952) (after); Private Collection; (add.info.: The Punch And Judy Show)

Appeal to the People (litho)
3620554 Appeal to the People (litho) by Bac, Ferdinand Sigismund (1859-1952); Private Collection; (add.info.: Appeal to the People.); © Look and Learn

The Clown, 1868 (oil on canvas)
7352486 The Clown, 1868 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); Rijksmuseum Kroller-Muller, Otterlo, Netherlands; (add.info.: by Renoir Pierre-Auguste (1841-1919))

Buffalo Dance at Hano, Arizona, 1921, photogravure by John Andrew & Son (photogravure)
STC225365 Buffalo Dance at Hano, Arizona, 1921, photogravure by John Andrew & Son (photogravure) by Curtis, Edward Sheriff (1868-1952) (after); Private Collection; (add.info)

The Fanfare, 1927 (oil on canvas)
XIR207078 The Fanfare, 1927 (oil on canvas) by Adler, Jules (1865-1952); Musee de la Chartreuse, Douai, France

The Coliseum (ink & w/c on paper)
473941 The Coliseum (ink & w/c on paper) by Ginner, Charles (1878-1952); 32.4x45.1 cm; Laing Art Gallery, Newcastle-upon-Tyne

Roger Lapebie, Tour de France, 1933 (b/w photo)
1731220 Roger Lapebie, Tour de France, 1933 (b/w photo) by French Photographer (20th century); (add.info.: Roger Lapebie (16 January 1911 - 11 October 1996)

The dancing pair, that simply sought renown, by holding out to tire each other down (colour litho)
955948 The dancing pair, that simply sought renown, by holding out to tire each other down (colour litho) by Hankey, William Lee (1869-1952); Private Collection; (add.info)

Illustration for Bel-Ami by Guy de Maupassant (1850-93), published by Paul Ollendorff, Paris
CHT163493 Illustration for Bel-Ami by Guy de Maupassant (1850-93), published by Paul Ollendorff, Paris, 1895 (engraving) (b/w photo) by Bac

Jarnac's coup: Duel of Guy Chabot de Jarnac and Francois de Vivonne de la Chataignerie before the Court at
ELD4925949 Jarnac's coup: Duel of Guy Chabot de Jarnac and Francois de Vivonne de la Chataignerie before the Court at Saint-Germain-en-Laye, 1547 (engraving) by French School

The Punch and Judy Show, 1912 (oil on canvas)
CH251432 The Punch and Judy Show, 1912 (oil on canvas) by Elsley, Arthur John (1861-1952); 112x169 cm; Private Collection; Photo © Christie's Images

Coronation of Harold as English King, Bayeux Tapestry (wool embroidery on linen)
XIR160100 Coronation of Harold as English King, Bayeux Tapestry (wool embroidery on linen) by English School, (11th century); Musee de la Tapisserie, Bayeux

The Clown, 1898-99 (oil on canvas)
LAF470958 The Clown, 1898-99 (oil on canvas) by Evenepoel, Henri Jacques Edouard (1872-99); 100x50.5 cm; Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders

At theatre, 1885-86 (pastel on paper)
7332002 At theatre, 1885-86 (pastel on paper) by Boldini, Giovanni (1842-1931); Private Collection; (add.info.: Artist: Giovanni Boldini); Ghigo Roli

At the Opera in Paris, c. 1880 (striped on paper)
7332021 At the Opera in Paris, c.1880 (striped on paper) by Boldini, Giovanni (1842-1931); Museo Boldini, Ferrara, Italy; (add.info.: Artist: Giovanni Boldini); Ghigo Roli

American satire predicting the future dominance of women in society, 1897 (litho)
5208533 American satire predicting the future dominance of women in society, 1897 (litho) by American School, (19th century); Private Collection; (add.info)

Descent of Madame Saqui, surrounded by fireworks, published by Thomas Kelly (fl. 1820-55) London, 1822 (aquatint)
GHL32141 Descent of Madame Saqui, surrounded by fireworks, published by Thomas Kelly (fl.1820-55) London, 1822 (aquatint) by English School, (19th century); London Metropolitan Archives

Cecile de Volanges and; Marquise Isabelle de Merteuil at the theatre, illustration from Les Liaisons Dangereuses by
3025983 Cecile de Volanges and; Marquise Isabelle de Merteuil at the theatre, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) pub

An Evening at the Meistersingers Club, St. Jamess Street. Creator: Unknown
An Evening at the Meistersingers Club, St. Jamess Street

Final ballet of L Euleo festeggiante nel ritorno d Alessandro dall India, 1699. Creator: Johann Ulrich Kraus
Final ballet of L Euleo festeggiante nel ritorno d Alessandro dall India, 1699

Entry of Maximilian II into Nuremberg, June 7, 1570 Creator: Jost Ammon
Entry of Maximilian II into Nuremberg, June 7, 1570

The royal family sitting under a canopy, watching dancers perform the final ballet of... ca. 1700
The royal family sitting under a canopy, watching dancers perform the final ballet of La Costanza d Ulisse, ca. 1700

Suerte XI: The death of the bull, ca. 1850-80. ca. 1850-80. Creator: Anon
Suerte XI: The death of the bull, ca. 1850-80

Suerte X: A torero prepares to stab the bull, ca. 1850-80. ca. 1850-80. Creator: Anon
Suerte X: A torero prepares to stab the bull, ca. 1850-80

Suerte VI: The toreros assistant sets dogs on the bull, ca. 1850-80. ca. 1850-80. Creator: Anon
Suerte VI: The toreros assistant sets dogs on the bull, ca. 1850-80

Suerte II: Picador on horseback about to stab a bull with a pique; two toreros behi... ca. 1850-80. Creator: Anon
Suerte II: Picador on horseback about to stab a bull with a pique; two toreros behind him to left (two impressions on the same sheet), ca. 1850-80

Plate H: Election and Coronation of Emperor Maximilian II, 1612. 1612. Creator: Anon
Plate H: Election and Coronation of Emperor Maximilian II, 1612

Plate B: Election and Coronation of Emperor Maximilian II, 1612. 1612. Creator: Anon
Plate B: Election and Coronation of Emperor Maximilian II, 1612

Plate D: Election and Coronation of Emperor Maximilian II, 1612. 1612. Creator: Anon
Plate D: Election and Coronation of Emperor Maximilian II, 1612

Firework display, Nuremberg 1649, reduced copy of Kurze Beschreibung dess kunstlich... after 1649. Creator: Anon
Firework display, Nuremberg 1649, reduced copy of Kurze Beschreibung dess kunstlichen Feuerwerkes... after 1649

Interior of the House of Commons before 1834
The interior of the House of Commons, London, before 1834 when the old Houses of Parliament were destroyed by fire. The current buildings were designed by Charles Barry and Augustus Pugin

Europe (coloured engraving)
3630129 Europe (coloured engraving) by German School, (19th century); Private Collection; (add.info.: Europe. Illustration from Die Welt in Bildern (Braun & Schneider, Munich)

Performing animal troupe in Germany (coloured engraving)
3630123 Performing animal troupe in Germany (coloured engraving) by German School, (19th century); Private Collection; (add.info.: Performing animal troupe in Germany)

Altarpiece from the main altar, detail of the predella with St. Paul preaching (alabaster)
IND47292 Altarpiece from the main altar, detail of the predella with St. Paul preaching (alabaster) by Johan, Pere (1398-1458); Tarragona Cathedral, Catalonia, Spain

Page from the manuscript Fuero Juzgo (vellum)
IND351686 Page from the manuscript Fuero Juzgo (vellum) by Spanish School, (13th century); Biblioteca Nacional, Madrid, Spain; (add.info)

The audience at a lecture enjoying the effects of laughing gas (nitrous oxide)
527511 The audience at a lecture enjoying the effects of laughing gas (nitrous oxide). Illustration by George Cruikshank for John Scoffern Chemistry No Mystery: or, a Lecturers Bequest, London, 1834

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In the realm of human experiences, the concept of "audience" transcends time and boundaries. From the iconic Hippy Bus at the Woodstock Music Festival in 1969 to Amitabha, the Buddha of Sukhavati, we witness how diverse audiences have shaped history. Vasco da Gama's arrival in India drew a curious crowd eager to embrace new cultures and ideas. Sports enthusiasts unite as they cheer on their teams during thrilling Test cricket matches at Sydney Cricket Ground and Melbourne Cricket Ground in Australia. The rhythmic movements of Irish Dancers captivate an audience with their mesmerizing performances. Judy Garland's enchanting voice resonates through The Talk of the Town concert hall, leaving her adoring fans spellbound. In a world where individuality reigns supreme, some artists perform for an Audience Of One - pouring their hearts out to connect with that singular soul who understands them completely. The grandeur of Teatro San Carlo in Naples sets the stage for captivating dramas that transport audiences into different eras and realities. Centuries ago, actors performed on wooden stages during Shakespearean times, captivating crowds with tales that still resonate today. Beyond entertainment lies another facet: National Sporting Clubs bring together passionate supporters who create an electric atmosphere as they rally behind their favorite athletes or teams. Music knows no bounds; it unites people across continents. The Count Basie Orchestra's performance at London's Royal Festival Hall in 1980 showcased this universal language that can move even those who don't share a common tongue. Audiences throughout history have witnessed moments both profound and mundane; they have laughed together, cried together, celebrated victories and mourned losses side by side, and are not mere spectators but active participants shaping our collective narrative - reminding us that regardless of time or place, we are all connected through shared experiences as partakers in this grand theater called life.