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Art Style Collection (page 4)

"Exploring the Timeless Beauty of Art Styles: From Hesperus to Tetrahedra" Art style has always been a captivating aspect of human expression

Background imageArt Style Collection: Still life of flowers with a nosegay of roses, marigolds, larkspur, a bumblebee and other insects

Still life of flowers with a nosegay of roses, marigolds, larkspur, a bumblebee and other insects, 1695 (oil on canvas)
8777679 Still life of flowers with a nosegay of roses, marigolds, larkspur, a bumblebee and other insects, 1695 (oil on canvas) by Ruysch

Background imageArt Style Collection: Virgin and Child Adored by Saint Francis, c.1600-07 (oil on copper)

Virgin and Child Adored by Saint Francis, c.1600-07 (oil on copper)
5860618 Virgin and Child Adored by Saint Francis, c.1600-07 (oil on copper) by Albani, Francesco (1578-1660); 32.2--25.7 cm; The Art Institute of Chicago, IL, USA; (add.info.: By Francesco Albani)

Background imageArt Style Collection: Aeneas Rescuing Anchises from Burning Troy, 1605-20 (oil on panel)

Aeneas Rescuing Anchises from Burning Troy, 1605-20 (oil on panel)
5860619 Aeneas Rescuing Anchises from Burning Troy, 1605-20 (oil on panel) by Steenwijck, Hendrick van, the younger (c.1580-1649); 22.6--31.5 cm; The Art Institute of Chicago, IL

Background imageArt Style Collection: Brandenburg Gate, 1929 (oil on canvas)

Brandenburg Gate, 1929 (oil on canvas)
8832997 Brandenburg Gate, 1929 (oil on canvas) by Kirchner, Ernst Ludwig (1880-1938); 121x149.5 cm; Stadel Museum, Frankfurt am Main, Germany; (add.info.: By Ernst Ludwig Kirchner)

Background imageArt Style Collection: Romantic Landscape 1835 (Oil on canvas)

Romantic Landscape 1835 (Oil on canvas)
8766624 Romantic Landscape 1835 (Oil on canvas) by Shaw, Joshua (1776-1860); 71.1x107.5 cm; High Museum of Art, Atlanta, Georgia

Background imageArt Style Collection: Pavillon des Forets - Universal Exhibition in Paris, 1900 (b/w photo)

Pavillon des Forets - Universal Exhibition in Paris, 1900 (b/w photo)
PER358984 Pavillon des Forets - Universal Exhibition in Paris, 1900 (b/w photo) by French Photographer, (20th century); Private Collection; (add.info.: exposition universelle; world fair;)

Background imageArt Style Collection: D: Letter D vegetale - Woman picking flowers at the end of a branch

D: Letter D vegetale - Woman picking flowers at the end of a branch, boy taking a picture of a little girl - Art
DUV4221700 D: Letter D vegetale - Woman picking flowers at the end of a branch, boy taking a picture of a little girl - Art Nouveau Alphabet - Fashion 1904

Background imageArt Style Collection: U: Letter U vegetale - Woman holding two flowered branches above her head

U: Letter U vegetale - Woman holding two flowered branches above her head
DUV4221623 U: Letter U vegetale - Woman holding two flowered branches above her head, two girls sitting - Art Nouveau Alphabet - Fashion 1904

Background imageArt Style Collection: W: Letter W vegetal - Woman playing flute, two children in Greek dress

W: Letter W vegetal - Woman playing flute, two children in Greek dress and wearing spartan feet - Art Nouveau Alphabet
DUV4221619 W: Letter W vegetal - Woman playing flute, two children in Greek dress and wearing spartan feet - Art Nouveau Alphabet - Fashion 1904

Background imageArt Style Collection: Y: Letter Y vegetale - Young woman holding a dove by her legs, another on her shoulder

Y: Letter Y vegetale - Young woman holding a dove by her legs, another on her shoulder
DUV4221607 Y: Letter Y vegetale - Young woman holding a dove by her legs, another on her shoulder, child kneeling showing a bird has a small dog - Art Nouveau Alphabet - Fashion 1904

Background imageArt Style Collection: X: Letter X vegetale - Woman and two children, one of whom leads two faunas musicians - Art

X: Letter X vegetale - Woman and two children, one of whom leads two faunas musicians - Art Nouveau Alphabet - Fashion
DUV4221605 X: Letter X vegetale - Woman and two children, one of whom leads two faunas musicians - Art Nouveau Alphabet - Fashion 1904

Background imageArt Style Collection: Letter Z Vegetale - Woman wearing a flower dress, wearing a big hat and holding a closed umbrella

Letter Z Vegetale - Woman wearing a flower dress, wearing a big hat and holding a closed umbrella
DUV4221595 Letter Z Vegetale - Woman wearing a flower dress, wearing a big hat and holding a closed umbrella, Art Nouveau Alphabet - Fashion 1904

Background imageArt Style Collection: H: Vegetal letter H - Two women and a girl in traditional costume and headdress

H: Vegetal letter H - Two women and a girl in traditional costume and headdress
DUV4221678 H: Vegetal letter H - Two women and a girl in traditional costume and headdress. One carries a pot of hyacinths on his head - Art Nouveau Alphabet - Fashion 1904

Background imageArt Style Collection: Villa Les Glycines, 5 rue des Brices in Nancy (Meurthe and Moselle)

Villa Les Glycines, 5 rue des Brices in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933)
TED4640857 Villa Les Glycines, 5 rue des Brices in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933) in 1904 and Jacques Philippon in 1924

Background imageArt Style Collection: A concierge lodge, 2 rue des Brices (architects Emile Andre and Joseph Hornecker)

A concierge lodge, 2 rue des Brices (architects Emile Andre and Joseph Hornecker, 1903) in Nancy (Meurthe and Moselle)
TED4640922 A concierge lodge, 2 rue des Brices (architects Emile Andre and Joseph Hornecker, 1903) in Nancy (Meurthe and Moselle)

Background imageArt Style Collection: Detail of the grid of Villa Les Glycines, 5 rue des Brices in Nancy (Meurthe and Moselle)

Detail of the grid of Villa Les Glycines, 5 rue des Brices in Nancy (Meurthe and Moselle)
TED4640907 Detail of the grid of Villa Les Glycines, 5 rue des Brices in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) in 1904 and Jacques Philippon in 1924

Background imageArt Style Collection: Detail of the grid of Villa Les Glycines, 5 rue des Brices in Nancy (Meurthe and Moselle)

Detail of the grid of Villa Les Glycines, 5 rue des Brices in Nancy (Meurthe and Moselle)
TED4640903 Detail of the grid of Villa Les Glycines, 5 rue des Brices in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) in 1904 and Jacques Philippon in 1924

Background imageArt Style Collection: Villa Les Glycines, 5 rue des Brices (architect Emile Andre, 1904 and Jacques Philippon in 1924)

Villa Les Glycines, 5 rue des Brices (architect Emile Andre, 1904 and Jacques Philippon in 1924)
TED4640867 Villa Les Glycines, 5 rue des Brices (architect Emile Andre, 1904 and Jacques Philippon in 1924) in Nancy (Meurthe and Moselle)

Background imageArt Style Collection: Immeuble Margo, 86 rue Stanislas (Architect Eugene Vallin, 1906) in Nancy (Meurthe et Moselle)

Immeuble Margo, 86 rue Stanislas (Architect Eugene Vallin, 1906) in Nancy (Meurthe et Moselle)
TED4640744 Immeuble Margo, 86 rue Stanislas (Architect Eugene Vallin, 1906) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy

Background imageArt Style Collection: Detail of Maison Houot in Nancy, France designed in 1903 (photo)

Detail of Maison Houot in Nancy, France designed in 1903 (photo)
TED4641165 Detail of Maison Houot in Nancy, France designed in 1903 (photo) by Andre, Emile (1871-1933); (add.info.: La Maison Houot, 92 bis Quai le Lorrain in Nancy (Meurthe and Moselle)

Background imageArt Style Collection: Villa Majorelle, 1 Rue Majorelle (architect Henri Sauvage, 1902) in Nancy (Meurthe et Moselle)

Villa Majorelle, 1 Rue Majorelle (architect Henri Sauvage, 1902) in Nancy (Meurthe et Moselle)
TED4640584 Villa Majorelle, 1 Rue Majorelle (architect Henri Sauvage, 1902) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy

Background imageArt Style Collection: Villa Majorelle, 1 Rue Majorelle (architect Henri Sauvage, 1902) in Nancy (Meurthe et Moselle)

Villa Majorelle, 1 Rue Majorelle (architect Henri Sauvage, 1902) in Nancy (Meurthe et Moselle)
TED4640577 Villa Majorelle, 1 Rue Majorelle (architect Henri Sauvage, 1902) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy

Background imageArt Style Collection: Les Pins building, 2 rue Albin Haller in Nancy (Meurthe and Moselle)

Les Pins building, 2 rue Albin Haller in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1912
TED4641105 Les Pins building, 2 rue Albin Haller in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1912. In Nancy, Art Nouveau takes the name of Ecole de Nancy

Background imageArt Style Collection: French postcard with an art nouveu image of a woman holding flowers, 1900

French postcard with an art nouveu image of a woman holding flowers, 1900
3665508 French postcard with an art nouveu image of a woman holding flowers, 1900; Universal History Archive/UIG

Background imageArt Style Collection: Bay of Acapulco, Mexico, 19th century Costumbrism (lithograph)

Bay of Acapulco, Mexico, 19th century Costumbrism (lithograph)
AIS5331517 Bay of Acapulco, Mexico, 19th century Costumbrism (lithograph); Photo © JBP/AIC

Background imageArt Style Collection: The yacht Royal Escape lags in the wind, formerly known as Surprise

The yacht Royal Escape lags in the wind, formerly known as Surprise, in which Charles II of England (1630-1685)
MMM5466035 The yacht Royal Escape lags in the wind, formerly known as Surprise, in which Charles II of England (1630-1685) escaped to France after his defeat against Olivier Cromwell (1599-1658)

Background imageArt Style Collection: Embarkation of Spanish troops, a Dutch interpretation of a Spanish expedition

Embarkation of Spanish troops, a Dutch interpretation of a Spanish expedition
MMM5459391 Embarkation of Spanish troops, a Dutch interpretation of a Spanish expedition, depicted on an imaginary coast of the Mediterranean Sea by Eertvelt

Background imageArt Style Collection: A Dutch ship coming to anchor, probably that of Prince Frederik Hendrik of Orange (1584-1647)

A Dutch ship coming to anchor, probably that of Prince Frederik Hendrik of Orange (1584-1647)
MMM5459919 A Dutch ship coming to anchor, probably that of Prince Frederik Hendrik of Orange (1584-1647). Oil on canvas, circa 1658, by Willem van de Velde (1633-1707)

Background imageArt Style Collection: Ruins in a Rocky Landscape, c.1640 (oil on canvas)

Ruins in a Rocky Landscape, c.1640 (oil on canvas)
XOS5874554 Ruins in a Rocky Landscape, c.1640 (oil on canvas) by Rosa, Salvator (1615-73); 157.5x189.2 cm; Cleveland Museum of Art, OH, USA; (add.info.: By Salvator Rosa)

Background imageArt Style Collection: Filippo Lauri, Italian painter

Filippo Lauri, Italian painter
5893201 Filippo Lauri, Italian painter.; (add.info.: Portrait of Filippo Lauri, Italian painter of the Baroque period 1623-1694. Philippe Lauri)

Background imageArt Style Collection: Giovanni Francesco Romanelli, Italian painter

Giovanni Francesco Romanelli, Italian painter
5893199 Giovanni Francesco Romanelli, Italian painter.; (add.info.: Portrait of Giovanni Francesco Romanelli, Italian painter of the Baroque period, 1610-1662. Francois Romanelli)

Background imageArt Style Collection: Tuscan Landscape with House (oil on canvas)

Tuscan Landscape with House (oil on canvas)
6336354 Tuscan Landscape with House (oil on canvas) by Salvarani, Arcangelo (1882-1953); 54x90 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageArt Style Collection: Sactuary church (eglise Notre-Dame de Foy). Exterior. 1622-1624

Sactuary church (eglise Notre-Dame de Foy). Exterior. 1622-1624
7141973 Sactuary church (eglise Notre-Dame de Foy). Exterior. 1622-1624.; (add.info.: Eglise Notre-Dame de Foy, Foy-Notre-Dame, Namur, Belgium); © Paul Maeyaert. All rights reserved 2024

Background imageArt Style Collection: Cathedral (Cathedrale Saint-Aubain). Interior. The organ. 1844-1849. Wilhelm Korfmacher. Detail

Cathedral (Cathedrale Saint-Aubain). Interior. The organ. 1844-1849. Wilhelm Korfmacher. Detail
7141967 Cathedral (Cathedrale Saint-Aubain). Interior. The organ. 1844-1849. Wilhelm Korfmacher. Detail.; (add.info.: Cathedrale Saint-Aubain, Namur, Namur, Belgium); © Paul Maeyaert

Background imageArt Style Collection: Cathedral (Cathedrale Saint-Aubain). Interior. The crossing and the dome

Cathedral (Cathedrale Saint-Aubain). Interior. The crossing and the dome
7141964 Cathedral (Cathedrale Saint-Aubain). Interior. The crossing and the dome.; (add.info.: Cathedrale Saint-Aubain, Namur, Namur, Belgium); © Paul Maeyaert. All rights reserved 2024

Background imageArt Style Collection: Cathedral (Cathedrale Saint-Aubain). Exterior. Architect Gaetano Matteo Pisoni. 1751-1767

Cathedral (Cathedrale Saint-Aubain). Exterior. Architect Gaetano Matteo Pisoni. 1751-1767
7141963 Cathedral (Cathedrale Saint-Aubain). Exterior. Architect Gaetano Matteo Pisoni. 1751-1767.; (add.info.: Cathedrale Saint-Aubain, Namur, Namur, Belgium); © Paul Maeyaert

Background imageArt Style Collection: Parish church (Parochiekerk Sint-Bertinus). Interior. The pulpit. Ca 1710. Detail

Parish church (Parochiekerk Sint-Bertinus). Interior. The pulpit. Ca 1710. Detail
7142184 Parish church (Parochiekerk Sint-Bertinus). Interior. The pulpit. Ca 1710. Detail.; (add.info.: Parochiekerk Sint-Bertinus, Poperinge, West-Vlaanderen, Belgium); © Paul Maeyaert

Background imageArt Style Collection: Mosteiro de Santa Maria, Alcobaca, Portugal (photo)

Mosteiro de Santa Maria, Alcobaca, Portugal (photo)
6436254 Mosteiro de Santa Maria, Alcobaca, Portugal (photo); (add.info.: Alcobaca, Leiria District, Portugal. Folkloric dancing group performing in front of Mosteiro de Santa Maria)

Background imageArt Style Collection: Mosteiro de Santa Maria, Alcobaca, Portugal (photo)

Mosteiro de Santa Maria, Alcobaca, Portugal (photo)
6436214 Mosteiro de Santa Maria, Alcobaca, Portugal (photo); (add.info.: Alcobaca, Leiria District, Portugal. Mosteiro de Santa Maria. Santa Maria Monastery)

Background imageArt Style Collection: The Baroque Stairway of the Five Senses, Bom Jesus do Monte sanctuary, Braga, Portugal (photo)

The Baroque Stairway of the Five Senses, Bom Jesus do Monte sanctuary, Braga, Portugal (photo)
6436175 The Baroque Stairway of the Five Senses, Bom Jesus do Monte sanctuary, Braga, Portugal (photo); Bom Jesus do Monte, Minho, Portugal; Photo © Ken Welsh. All rights reserved 2024

Background imageArt Style Collection: Parish church (Parochiekerk Sint-Jakob). Interior. The pulpit. Bonaventure de Lannoy. 1685-1694

Parish church (Parochiekerk Sint-Jakob). Interior. The pulpit. Bonaventure de Lannoy. 1685-1694
7142839 Parish church (Parochiekerk Sint-Jakob). Interior. The pulpit. Bonaventure de Lannoy. 1685-1694.; (add.info.: Brugge, West-Vlaanderen, Belgium); © Paul Maeyaert. All rights reserved 2024

Background imageArt Style Collection: Abbey church (Abdijkerk Sint-Servatius). Interior. Confessional. Hendrik Frans Verbruggen (?)

Abbey church (Abdijkerk Sint-Servatius). Interior. Confessional. Hendrik Frans Verbruggen (?)
7142828 Abbey church (Abdijkerk Sint-Servatius). Interior. Confessional. Hendrik Frans Verbruggen (?).; (add.info.: Grimbergen, Belgium); © Paul Maeyaert. All rights reserved 2024

Background imageArt Style Collection: Abbey church (Abdijkerk Sint-Servatius). Exterior

Abbey church (Abdijkerk Sint-Servatius). Exterior
7142821 Abbey church (Abdijkerk Sint-Servatius). Exterior.; (add.info.: Grimbergen, Belgium); © Paul Maeyaert. All rights reserved 2024

Background imageArt Style Collection: Sactuary church (eglise Notre-Dame de Foy). Exterior. 1622-1624

Sactuary church (eglise Notre-Dame de Foy). Exterior. 1622-1624
7141974 Sactuary church (eglise Notre-Dame de Foy). Exterior. 1622-1624.; (add.info.: Eglise Notre-Dame de Foy, Foy-Notre-Dame, Namur, Belgium); © Paul Maeyaert. All rights reserved 2024

Background imageArt Style Collection: Batalha Monastery. Late Gothic architecture, intermingled with the Manueline style

Batalha Monastery. Late Gothic architecture, intermingled with the Manueline style. Western portal. Sculpture. Portugal
7141095 Batalha Monastery. Late Gothic architecture, intermingled with the Manueline style. Western portal. Sculpture. Portugal.; © Pascal Deloche/Godong

Background imageArt Style Collection: Batalha Monastery. Late Gothic architecture, intermingled with the Manueline style

Batalha Monastery. Late Gothic architecture, intermingled with the Manueline style. Western portal. Apostle. Portugal
7141094 Batalha Monastery. Late Gothic architecture, intermingled with the Manueline style. Western portal. Apostle. Portugal.; © Pascal Deloche/Godong

Background imageArt Style Collection: The Basilica of Saint Mary Major or church of Santa Maria Maggiore, Rome, Italy

The Basilica of Saint Mary Major or church of Santa Maria Maggiore, Rome, Italy
7301590 The Basilica of Saint Mary Major or church of Santa Maria Maggiore, Rome, Italy; Private Collection; (add.info.: The Basilica of Saint Mary Major or church of Santa Maria Maggiore, Rome)

Background imageArt Style Collection: Fashion, clothing, traditional costumes in France at the time of the Rococo around 1730-1745

Fashion, clothing, traditional costumes in France at the time of the Rococo around 1730-1745
7278107 Fashion, clothing, traditional costumes in France at the time of the Rococo around 1730-1745; Private Collection; (add.info.: Fashion, clothing)



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"Exploring the Timeless Beauty of Art Styles: From Hesperus to Tetrahedra" Art style has always been a captivating aspect of human expression, transcending time and evoking emotions. Take, for instance, "Hesperus, the Evening Star, Sacred to Lovers, " an enchanting oil painting from 1855 by an unknown artist on millboard. This piece transports us to a world where love and celestial beauty intertwine. Moving forward in time but still immersed in the realm of paintings, we encounter "Saint Luke healing the hydropic child, " a mesmerizing 17th-century masterpiece that showcases both artistic skill and religious devotion. The intricate brushstrokes bring life to this scene of miraculous healing. The power of art continues with "Penitent Magdalen, " an oil-on-canvas creation that captures the essence of remorse and redemption. Its emotional depth resonates through every stroke, inviting viewers into a contemplative journey. Shifting gears slightly towards printmaking, Ferdinand Victor Eugene Delacroix's work captivates with its unique interpretation of various subjects. His prints are windows into his creative mind – each one telling a story or conveying an idea through masterful techniques. Branching out further into different mediums brings us to "Tetrahedra, " an intriguing oil-on-canvas artwork from around 1910. With geometric shapes merging harmoniously on the canvas, this piece represents avant-garde exploration within art styles during its time. While paintings have their allure, photography also plays a significant role in capturing architectural wonders such as Dyrham Park's west front or Eaton Hall's Entrance Hall showcased in black-and-white photographs from books like "Country Houses of the Cotswolds" or "The English Country House. " These images transport us back in time while highlighting grandeur and elegance preserved within these historic structures.