Art Style Collection (page 8)

The south front, Newark Park, from Country Houses of the Cotswolds (b/w photo)
CLF320629 The south front, Newark Park, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info)

Entrance to the gatehouse, Beverston Castle, from Country Houses of the Cotswolds (b/w photo)
CLF320666 Entrance to the gatehouse, Beverston Castle, from Country Houses of the Cotswolds (b/w photo) by English Photographer

The east range, Sudeley Castle, from Country Houses of the Cotswolds (b/w photo)
CLF320612 The east range, Sudeley Castle, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info.: first built c.1442 by Ralph Boteler)

The west end of the chapel, Sudeley Castle, from Country Houses of the Cotswolds (b/w photo)
CLF320611 The west end of the chapel, Sudeley Castle, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info.: St)

Country Kermis (oil on panel)
7414901 Country Kermis (oil on panel) by Dusart, Cornelis (1660-1704); 36.5--32.5 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: by Cornelis Dusart)

De Waag (Weighing House) and Crane on the Spaarne, Haarlem, 1660-98 (oil on panel)
7414900 De Waag (Weighing House) and Crane on the Spaarne, Haarlem, 1660-98 (oil on panel) by Berckheyde, Gerrit Adriaensz (1638-98); 35--45.5 cm; Rijksmuseum, Amsterdam

Abstract-futurist Composition, c. 1912 (oil on canvas)
7412139 Abstract-futurist Composition, c.1912 (oil on canvas) by Lanooy, Chris (1881-1948); 56.5--66.5 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: attributed to Chris Lanooy)

The dream, 1878-82 (etching)
7414919 The dream, 1878-82 (etching) by Redon, Odilon (1840-1916); 188--121 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: by Odilon Redon)

Dame mit Facher (Lady with a Fan), 1917-18 (oil on canvas)
7419844 Dame mit Facher (Lady with a Fan), 1917-18 (oil on canvas) by Klimt, Gustav (1862-1918); 100.2x100.2 cm; Private Collection; (add.info.: The artist's final portrait)

Sick woman in a bed, maybe Saskia, wife of the painter, 1640 (pen, brush & gouache)
7414366 Sick woman in a bed, maybe Saskia, wife of the painter, 1640 (pen, brush & gouache) by Rembrandt Harmensz. van Rijn (1606-69); 16.5x14.5 cm; Musee de la Ville de Paris, Musee du Petit-Palais

Ewer and basin, c. 1781-93 (porcelain)
BAL1263 Ewer and basin, c.1781-93 (porcelain) by French School, (18th century); Victoria & Albert Museum, London, UK; (add.info.: by Duc d'Angouleme's porcelain factory, Paris)

Vase, c. 1800 (porcelain & gilt)
BAL1261 Vase, c.1800 (porcelain & gilt) by French School, (18th century); Victoria & Albert Museum, London, UK; (add.info.: Porcelain vase)

View of a Town (oil on panel)
7414902 View of a Town (oil on panel) by Vrel or Frel, Jacobus (fl.1654-62); 36--27.5 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: by Jacob Vrel)

Imaginary renaissance palace, 1602 (oil on canvas)
7412459 Imaginary renaissance palace, 1602 (oil on canvas) by Aerts, Hendrick (1570-1628); 93--127.5 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: by Hendrick Aerts)

The Dream has Ended in Death, from The Juror, 1887 (litho)
5858943 The Dream has Ended in Death, from The Juror, 1887 (litho) by Redon, Odilon (1840-1916); 23.7 -- 18.7 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Odilon Redon)

The Bathers, after 1847 (oil on wood)
XOS5886599 The Bathers, after 1847 (oil on wood) by Diaz de la Pena, Narcisse Virgile (1807-76); 21.8x32.6 cm; Cleveland Museum of Art, OH, USA; (add.info.: by Narcisse Diaz de la Pena)

The Bell Tower at Noisy-le-Roi, Autumn, 1874 (oil on canvas)
3550965 The Bell Tower at Noisy-le-Roi, Autumn, 1874 (oil on canvas) by Sisley, Alfred (1839-99); 45.7x61 cm; Glasgow Museums, UK; (add.info.: Painting entitled Le Clocher de Noisy-le-Roi)

Hampstead Heath, Looking Toward Harrow, c. 1821 (oil on paper, mounted on canvas)
XOS5886579 Hampstead Heath, Looking Toward Harrow, c. 1821 (oil on paper, mounted on canvas) by Constable, John (1776-1837); 39x44.5 cm; Cleveland Museum of Art, OH

A seated academic nude with his hands clasped, c. 1723-24 (red & white chalk on light brown paper)
7415867 A seated academic nude with his hands clasped, c.1723-24 (red & white chalk on light brown paper) by Lemoyne, Francois (1688-1737); 30x18.1 cm; Private Collection; (add.info)

Glory and Praise to You, Satan, in the Heights of Heaven, Where You Reigned, and in the Depths of Hell, Where
5858951 Glory and Praise to You, Satan, in the Heights of Heaven, Where You Reigned, and in the Depths of Hell, Where, Vanquished, You Dream in Silence

Philip IV and his Queen in a Colonnade, c. 1630 (oil on canvas)
7223711 Philip IV and his Queen in a Colonnade, c.1630 (oil on canvas) by Corte, Juan de la (c.1585-1660); 181 x 303.8 cm; Pollok House Museum, Glasgow

Perseus and Andromeda, c. 1723 (oil on canvas)
7415814 Perseus and Andromeda, c.1723 (oil on canvas) by Lemoyne, Francois (1688-1737); 92, 5x74, 5 cm; (add.info.: by Francois Lemoyne Original title)

Dream Vision, c. 1880 (etching & drypoint on ivory wove paper)
5858931 Dream Vision, c.1880 (etching & drypoint on ivory wove paper) by Redon, Odilon (1840-1916); 8.8 -- 10.2 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Odilon Redon)

The Resurrection of Christ, 1622 (oil on copper)
XOS5885646 The Resurrection of Christ, 1622 (oil on copper) by Konig, Johann or Hans (1586-1642); 61x46 cm; Cleveland Museum of Art, OH

Portrait of a Man Holding a Watch, c. 1665-70 (oil on wood)
XOS5885471 Portrait of a Man Holding a Watch, c. 1665-70 (oil on wood) by Slingelandt, Pieter van (1640-91); Cleveland Museum of Art, OH, USA; (add.info.: by Pieter Cornelisz van Slingelandt)

Cottages Near Larchant (oil on wood panel)
XOS5885376 Cottages Near Larchant (oil on wood panel) by Rousseau, Theodore (1812-67); 13.6x17.6 cm; Cleveland Museum of Art, OH, USA; (add.info.: by Theodore Rousseau)

7422747

Panel (stained glass)
GLS219822 Panel (stained glass) by Walton, George (1867-1933); People's Palace, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

A Town Gate in Leerdam, c. 1868-70 (oil on canvas)
7414914 A Town Gate in Leerdam, c.1868-70 (oil on canvas) by Weissenbruch, Jan (1822-80); 77--104 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: by Jan Weissenbruch)

Head studies (oil on panel)
7413299 Head studies (oil on panel) by Rubens, Peter Paul (1577-1640) (circle of); 46.7 x 75 cm; Private Collection; Photo © Christie's Images

A Mask Sounds the Death Knell, 1882 (lithograph)
7413257 A Mask Sounds the Death Knell, 1882 (lithograph) by Redon, Odilon (1840-1916); Private Collection; (add.info.: Series: For Edgar Poe); Photo © Fine Art Images

Path Near the Pond of Vipers, Fontainebleau Forest, c. 1860s (oil on wood panel)
XOS5886600 Path Near the Pond of Vipers, Fontainebleau Forest, c. 1860s (oil on wood panel) by Diaz de la Pena, Narcisse Virgile (1807-76); 26.7x36.2 cm; Cleveland Museum of Art, OH

Peasants Smoking in an Inn, c. 1640 (oil on wood)
XOS5886595 Peasants Smoking in an Inn, c. 1640 (oil on wood) by Teniers, David the Younger (1610-90); 46.5x37 cm; Cleveland Museum of Art, OH, USA; (add.info.: by David Teniers)

The Dew, 1900 (silvered lead)
GLS314100 The Dew, 1900 (silvered lead) by MacDonald Mackintosh, Margaret (1865-1933); 122.5x29.8 cm; Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Mirror, known as the Honesty Mirror, c. 1896 (tin, wood, & glass)
GLS314098 Mirror, known as the Honesty Mirror, c.1896 (tin, wood, & glass) by Macdonald, Frances (1874-1921); 73x73.6 cm; Art Gallery and Museum, Kelvingrove, Glasgow

The Colosseum, with an artist sketching (oil on canvas)
7417457 The Colosseum, with an artist sketching (oil on canvas) by Lemaire, Jean (1597-1659); 144.5 x 212 cm; Private Collection; Photo © Christie's Images

The Ford Crossing, c. 1703-70 (oil on canvas)
7415869 The Ford Crossing, c.1703-70 (oil on canvas) by Boucher, Francois (1703-70) (and studio); Private Collection; (add.info.: Original title)

River view with large rock, 1601 (oil on copper)
7412458 River view with large rock, 1601 (oil on copper) by Brill or Bril, Paul (1554-1626) (after); 22.8x29.3 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: copy after Paul Bril)

Misty Sea, 1899 (oil on canvas)
7412140 Misty Sea, 1899 (oil on canvas) by Toorop, Jan Theodore (1858-1928); 39.5--43.5 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: by Jan Toorop)

Woman Selling Herrings, 1675-80 (oil on panel)
7411434 Woman Selling Herrings, 1675-80 (oil on panel) by Schalken or Schalcken, Godfried (1643-1706); 19--15.5 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: by Godfried Schalcken)

The Dam in Amsterdam with the new Town Hall under Construction, 1652-89 (oil on canvas)
7414905 The Dam in Amsterdam with the new Town Hall under Construction, 1652-89 (oil on canvas) by Ulft, Jacob van der (1627-89); 81--100 cm; Rijksmuseum, Amsterdam

The Quack, c. 1619-25 (oil on panel)
7414904 The Quack, c.1619-25 (oil on panel) by Anonymous; 67--90.7 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: by anonymous artist)

Madame Valentine Fray, 1901 (oil on canvas)
7238035 Madame Valentine Fray, 1901 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 64.8 x 54 cm; Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

Mirror in repousse frame, decorated with peacocks, c. 1902 (metal)
GLS314099 Mirror in repousse frame, decorated with peacocks, c.1902 (metal) by Morris, Talwin (1865-1911); 56x35.6 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Under the wave of Kanagawa, or The great Wave from the series 36 Views of Mt. Fuji, c. 1830-31 (woodblock print)
7413464 Under the wave of Kanagawa, or The great Wave from the series 36 Views of Mt.Fuji, c.1830-31 (woodblock print) by Hokusai

7214695

Decorative wall panel (painted oak)
3551054 Decorative wall panel (painted oak) by Walton, George (1867-1933); Glasgow Museums, UK; (add.info.: Decorative section of wall panelling from the Luncheon Room at Miss Cranston's Argyle)

Face of Mystery (In my dream I saw in the Sky a FACE OF MYSTERY), plate 1 from Homage to Goya, 1885 (litho)
5858937 Face of Mystery (In my dream I saw in the Sky a FACE OF MYSTERY), plate 1 from Homage to Goya, 1885 (litho) by Redon, Odilon (1840-1916); 29 -- 23.9 cm; The Art Institute of Chicago, IL

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"Exploring the Timeless Beauty of Art Styles: From Hesperus to Tetrahedra" Art style has always been a captivating aspect of human expression, transcending time and evoking emotions. Take, for instance, "Hesperus, the Evening Star, Sacred to Lovers, " an enchanting oil painting from 1855 by an unknown artist on millboard. This piece transports us to a world where love and celestial beauty intertwine. Moving forward in time but still immersed in the realm of paintings, we encounter "Saint Luke healing the hydropic child, " a mesmerizing 17th-century masterpiece that showcases both artistic skill and religious devotion. The intricate brushstrokes bring life to this scene of miraculous healing. The power of art continues with "Penitent Magdalen, " an oil-on-canvas creation that captures the essence of remorse and redemption. Its emotional depth resonates through every stroke, inviting viewers into a contemplative journey. Shifting gears slightly towards printmaking, Ferdinand Victor Eugene Delacroix's work captivates with its unique interpretation of various subjects. His prints are windows into his creative mind – each one telling a story or conveying an idea through masterful techniques. Branching out further into different mediums brings us to "Tetrahedra, " an intriguing oil-on-canvas artwork from around 1910. With geometric shapes merging harmoniously on the canvas, this piece represents avant-garde exploration within art styles during its time. While paintings have their allure, photography also plays a significant role in capturing architectural wonders such as Dyrham Park's west front or Eaton Hall's Entrance Hall showcased in black-and-white photographs from books like "Country Houses of the Cotswolds" or "The English Country House. " These images transport us back in time while highlighting grandeur and elegance preserved within these historic structures.