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Anguish Collection (page 9)

In the etching "Beggar seated on a bank, 1630, " anguish is palpable as the destitute figure's eyes reflect a lifetime of struggle and despair

Background imageAnguish Collection: Scared, (etching and aquatint, printed in colours)

Scared, (etching and aquatint, printed in colours)
1195022 Scared, (etching and aquatint, printed in colours) by Icart, Louis (1888-1950); 27x37.5 cm; Private Collection; Photo © Christies Images

Background imageAnguish Collection: Kattea women fleeing in front of the photographer. Engraving by Y

Kattea women fleeing in front of the photographer. Engraving by Y. Pranishnikoff to illustrate the story Huit mois au
LSE4334377 Kattea women fleeing in front of the photographer. Engraving by Y.Pranishnikoff to illustrate the story Huit mois au Kalahari, by M.Farini, in le tour du monde 1886

Background imageAnguish Collection: Draupadi dragged from her chamber, 1912 (colour litho)

Draupadi dragged from her chamber, 1912 (colour litho)
1122642 Draupadi dragged from her chamber, 1912 (colour litho) by Paul, Evelyn (1870-1945); Private Collection; (add.info.: Stories of Indian Gods and Heroes published by George Harrap & Company 1912)

Background imageAnguish Collection: Cordelia, Cordelia, King Lear, Act V Scene 3, illustration from Tales from Shakespeare by Charles

Cordelia, Cordelia, King Lear, Act V Scene 3, illustration from Tales from Shakespeare by Charles and Mary Lamb
STC308582 Cordelia, Cordelia, King Lear, Act V Scene 3, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho) by Price

Background imageAnguish Collection: Refugees, 1927 (oil on canvas)

Refugees, 1927 (oil on canvas)
5917393 Refugees, 1927 (oil on canvas) by Bauer, Konstantin (1852-1928); 150x221 cm; Vychodoslovenska Galeria, Kosice, Slovakia; (add.info.: Szilard Bauer Vychodoslovenska galeria, VSG); German

Background imageAnguish Collection: Illustration by Emile Courtet dit Cohl (1857-1938) for the Cover of La Nouvelle Lune

Illustration by Emile Courtet dit Cohl (1857-1938) for the Cover of La Nouvelle Lune
ICA4938723 Illustration by Emile Courtet dit Cohl (1857-1938) for the Cover of La Nouvelle Lune, 1882-10-1 - Times (newspaper) - Blowitz, Duclerc

Background imageAnguish Collection: The French in Venice, a Scene outside the Cathedral of St Mark in 1797 (engraving)

The French in Venice, a Scene outside the Cathedral of St Mark in 1797 (engraving)
1056308 The French in Venice, a Scene outside the Cathedral of St Mark in 1797 (engraving) by Baude, Charles (1853-1935); Private Collection; (add.info.: The French in Venice)

Background imageAnguish Collection: A Giant with Midgets (colour woodblock prrint)

A Giant with Midgets (colour woodblock prrint)
1766569 A Giant with Midgets (colour woodblock prrint) by Yoshitora, Utagawa (fl.c.1836-87); 37.1x24.5 cm; Private Collection; (add.info.: A Giant with Midgets. Utagawa Yoshitora (fl.1840-1880)

Background imageAnguish Collection: Last Council of Former Ministers. Cartoon by Honore Daumier, following the revolution of 1848

Last Council of Former Ministers. Cartoon by Honore Daumier, following the revolution of 1848. Lithography, 1848
ELD4830914 Last Council of Former Ministers. Cartoon by Honore Daumier, following the revolution of 1848. Lithography, 1848

Background imageAnguish Collection: The Colossus Silhouette of a giant walking through the plains of a very dark landscape

The Colossus Silhouette of a giant walking through the plains of a very dark landscape and sowing fear, death
JLJ4667846 The Colossus Silhouette of a giant walking through the plains of a very dark landscape and sowing fear, death, misery and flight of the Spanish people

Background imageAnguish Collection: The blue bird. Tale by Marie Catherine d Aulnoy (1651-1705). Illustration of Vaccari

The blue bird. Tale by Marie Catherine d Aulnoy (1651-1705). Illustration of Vaccari
XEE4181671 The blue bird. Tale by Marie Catherine d Aulnoy (1651-1705). Illustration of Vaccari and Carrey in " Les beaux tales" collection " Nos loisirs" around 1910

Background imageAnguish Collection: A Perilous Moment, illustration from The Romance of Canada (colour litho)

A Perilous Moment, illustration from The Romance of Canada (colour litho)
IL283078 A Perilous Moment, illustration from The Romance of Canada (colour litho) by Stott, W.R.S. (1878-1939); Private Collection

Background imageAnguish Collection: Anti-free trade postcard (colour litho)

Anti-free trade postcard (colour litho)
818349 Anti-free trade postcard (colour litho) by Moreland, Arthur (1876-1951); Private Collection; (add.info.: Anti-free trade postcard.); Look and Learn / Elgar Collection

Background imageAnguish Collection: John Bulls International Dumping Ground (colour litho)

John Bulls International Dumping Ground (colour litho)
818337 John Bulls International Dumping Ground (colour litho) by Moreland, Arthur (1876-1951); Private Collection; (add.info.: John Bulls International Dumping Ground)

Background imageAnguish Collection: Oh Ma, Oh Ma! I see Mr Fox a-comin! (colour litho)

Oh Ma, Oh Ma! I see Mr Fox a-comin! (colour litho)
IL335177 Oh Ma, Oh Ma! I see Mr Fox a-comin! (colour litho) by Rountree, Harry (Herbert R.) (1878-1950); Private Collection; (add.info)

Background imageAnguish Collection: Who rubs it, stings it. A boy wants to eat honey, ran away by the bees. 1908 (chromolithograph)

Who rubs it, stings it. A boy wants to eat honey, ran away by the bees. 1908 (chromolithograph)
DUV4202202 Who rubs it, stings it. A boy wants to eat honey, ran away by the bees. 1908 (chromolithograph) by Bigot-Valentin (fl. 19th); 24.5x20.5 cm; (add.info.: Who rubs it, stings it)

Background imageAnguish Collection: Agitation during the screening, in France, of a film with a magic lantern

Agitation during the screening, in France, of a film with a magic lantern
LSE4112029 Agitation during the screening, in France, of a film with a magic lantern. by Huyot, Jules (1841-1921); Private Collection; (add.info.: Agitation during the screening, in France)

Background imageAnguish Collection: Crusoe and Man Friday, illustration for Robinson Crusoe by Daniel Defoe (1660-1731) (colour litho)

Crusoe and Man Friday, illustration for Robinson Crusoe by Daniel Defoe (1660-1731) (colour litho)
IL193467 Crusoe and Man Friday, illustration for Robinson Crusoe by Daniel Defoe (1660-1731) (colour litho) by Davie, Howard (fl.1914-44); Private Collection

Background imageAnguish Collection: The little Koreans were frightened, illustration from Josephine Keeps House

The little Koreans were frightened, illustration from Josephine Keeps House, published by Blackie & Co
IL288827 The little Koreans were frightened, illustration from Josephine Keeps House, published by Blackie & Co. 1930s (colour litho) by Appleton, Honor Charlotte (1879-1951); Private Collection

Background imageAnguish Collection: The Knights Return, poem by Charles Kingsley (colour litho)

The Knights Return, poem by Charles Kingsley (colour litho)
7185375 The Knights Return, poem by Charles Kingsley (colour litho) by Spooner, Minnie Didbin (1867-1949); Private Collection; (add.info.: The Knights Return, poem by Charles Kingsley)

Background imageAnguish Collection: Seated female nude, 1892 (oil on canvas)

Seated female nude, 1892 (oil on canvas)
XIR386439 Seated female nude, 1892 (oil on canvas) by Rothenstein, William (1872-1945); 34x45 cm; Musee d Orsay, Paris, France; (add.info.: Naked woman sitting; )

Background imageAnguish Collection: No. 0456c Joseph making himself known to his brethren, plate 3 of The Story of Joseph, c

No. 0456c Joseph making himself known to his brethren, plate 3 of The Story of Joseph, c
FIT77535 No.0456c Joseph making himself known to his brethren, plate 3 of The Story of Joseph, c.1785 (pencil, w/c, pen and ink on paper) by Blake

Background imageAnguish Collection: Death and the Hypochondriac. 1827 (engraving)

Death and the Hypochondriac. 1827 (engraving)
7233000 Death and the Hypochondriac. 1827 (engraving) by Dagley, Richard (c.1761-1841); Private Collection; (add.info.: Death and the Hypochondriac)

Background imageAnguish Collection: 'The women were surveying him curiously'(engraving)

"The women were surveying him curiously"(engraving)
7191003 " The women were surveying him curiously" (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageAnguish Collection: 'The Dog was still pawing the Snow'(engraving)

"The Dog was still pawing the Snow"(engraving)
7188320 " The Dog was still pawing the Snow" (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageAnguish Collection: Christs agony in the garden of Gethsemene (colour litho)

Christs agony in the garden of Gethsemene (colour litho)
7153787 Christs agony in the garden of Gethsemene (colour litho) by English School, (19th century); Private Collection; (add.info.: Christs agony in the garden of Gethsemene)

Background imageAnguish Collection: The despair of Madame Bertrand, 1815 (coloured engraving)

The despair of Madame Bertrand, 1815 (coloured engraving)
7186151 The despair of Madame Bertrand, 1815 (coloured engraving) by French School, (19th century); Private Collection; (add.info.: The despair of Madame Bertrand, 1815)

Background imageAnguish Collection: Ducklings on their way to the pond (colour litho)

Ducklings on their way to the pond (colour litho)
7201765 Ducklings on their way to the pond (colour litho) by English School, (20th century); Private Collection; (add.info.: Ducklings on their way to the pond)

Background imageAnguish Collection: Friend or Foe? (engraving)

Friend or Foe? (engraving)
1038157 Friend or Foe? (engraving) by Schjerfbeck, Helene (1862-1946); Private Collection; (add.info.: Friend or Foe? Illustration for The Graphic)

Background imageAnguish Collection: Young orphan in the cemetery, c. 1824 (oil on canvas)

Young orphan in the cemetery, c. 1824 (oil on canvas)
YOU4419253 Young orphan in the cemetery, c.1824 (oil on canvas) by Delacroix, Ferdinand Victor Eugene (1798-1863); Louvre, Paris, France; Photo © Kim Young Tae

Background imageAnguish Collection: Single Spout Vessel in the Form of a Crossed-Legged Figure, Probably Deceased, 180 B. C. / A

Single Spout Vessel in the Form of a Crossed-Legged Figure, Probably Deceased, 180 B. C. / A
Single Spout Vessel in the Form of a Crossed-Legged Figure, Probably Deceased, 180 B.C./A.D. 500

Background imageAnguish Collection: Handle Spout Vessel with Composite Relief Depicting a Human Head, Owl, and Serpent

Handle Spout Vessel with Composite Relief Depicting a Human Head, Owl, and Serpent, 100 B.C./A.D. 500

Background imageAnguish Collection: Mask, 100 B. C. / A. D. 500. Creator: Unknown

Mask, 100 B. C. / A. D. 500. Creator: Unknown
Mask, 100 B.C./A.D. 500

Background imageAnguish Collection: Heraclitus, the Weeping Philosopher, c. 1630. Creator: Unknown

Heraclitus, the Weeping Philosopher, c. 1630. Creator: Unknown
Heraclitus, the Weeping Philosopher, c. 1630

Background imageAnguish Collection: The Lamentation, 1500 / 10. Creator: Unknown

The Lamentation, 1500 / 10. Creator: Unknown
The Lamentation, 1500/10

Background imageAnguish Collection: Triptych of the Crucifixion with Saints Anthony, Christopher, James and George

Triptych of the Crucifixion with Saints Anthony, Christopher, James and George, About 1400

Background imageAnguish Collection: The Persecution of Job. Creator: Georg Pencz

The Persecution of Job. Creator: Georg Pencz
The Persecution of Job

Background imageAnguish Collection: A Trip to Scarbro: A coach overladen with luggage and passengers drives into a pond

A Trip to Scarbro: A coach overladen with luggage and passengers drives into a pond
FLO4690639 A Trip to Scarbro: A coach overladen with luggage and passengers drives into a pond. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J

Background imageAnguish Collection: The skeleton of Death sits in the porters chair of a great house

The skeleton of Death sits in the porters chair of a great house, as the terrified servants come down the stairs to
FLO4690164 The skeleton of Death sits in the porters chair of a great house, as the terrified servants come down the stairs to investigate

Background imageAnguish Collection: The skeleton of Death comes for Miss Mustard, one of the old Maiden Ladies playing cards in a

The skeleton of Death comes for Miss Mustard, one of the old Maiden Ladies playing cards in a parlour
FLO4690485 The skeleton of Death comes for Miss Mustard, one of the old Maiden Ladies playing cards in a parlour. Handcoloured copperplate drawn

Background imageAnguish Collection: Watching the comet on the Boulevards in 1857, 1898 (litho)

Watching the comet on the Boulevards in 1857, 1898 (litho)
5913086 Watching the comet on the Boulevards in 1857, 1898 (litho) by Courboin, Francois (1865-1926); (add.info.: Fashionable people watching the comet of 1857 from a boulevard balcony, Paris)

Background imageAnguish Collection: Three women in classical dress, bust length, with anguished expressions

Three women in classical dress, bust length, with anguished expressions
3610413 Three women in classical dress, bust length, with anguished expressions, 1819 (black chalk on paper) by David, Jacques Louis (1748-1825)

Background imageAnguish Collection: I saw another angel fly in the midst of heaven, Revelation XIV, 6, 7 (engraving)

I saw another angel fly in the midst of heaven, Revelation XIV, 6, 7 (engraving)
5218286 I saw another angel fly in the midst of heaven, Revelation XIV, 6, 7 (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageAnguish Collection: The Seaman in a Storm (engraving)

The Seaman in a Storm (engraving)
3646506 The Seaman in a Storm (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: The Seaman in a Storm. From Holbeins Totentanz (Danse Macabre)

Background imageAnguish Collection: The family of Fear (engraving)

The family of Fear (engraving)
3624364 The family of Fear (engraving) by Dore, Gustave (1832-83) (after); Private Collection; (add.info.: The family of Fear)

Background imageAnguish Collection: Superstitious People (colour litho)

Superstitious People (colour litho)
3621889 Superstitious People (colour litho) by Emmerson, Henry Hetherington (1831-95); Private Collection; (add.info.: Superstitious People)

Background imageAnguish Collection: Scene from Prospice by Robert Browning (colour litho)

Scene from Prospice by Robert Browning (colour litho)
3621852 Scene from Prospice by Robert Browning (colour litho) by Partridge, Bernard (1861-1945) (after); Private Collection; (add.info.: Scene from Prospice)

Background imageAnguish Collection: Little Miss Muffet (colour litho)

Little Miss Muffet (colour litho)
3631229 Little Miss Muffet (colour litho) by Greenaway, Kate (1846-1901) (after); Private Collection; (add.info.: Little Miss Muffet)



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In the etching "Beggar seated on a bank, 1630, " anguish is palpable as the destitute figure's eyes reflect a lifetime of struggle and despair. Anne Louis Girodet de Roucy-Trioson's oil painting, "Deluge scene, " captures the overwhelming anguish of humanity amidst chaos and destruction, reminding us of our vulnerability in the face of nature's wrath. With an engraving depicting Tom's deep hoarse voice saying, "It is coming, Maggie. " while clasping her tightly, we witness their shared anguish as they brace themselves for an impending catastrophe. The marble sculpture of Laocoon with his extended arm portrays agony frozen in time, evoking empathy for his suffering and highlighting the universal experience of pain throughout history. Wellington's rallying cry to his troops at the Battle of Waterloo echoes with determination but also reveals underlying anguish as he leads them into a fierce conflict that will forever change lives. In an engraving from The Taming of the Shrew performance at Clapham, music and discord intertwine to depict emotional turmoil within relationships - a vivid portrayal of inner strife and torment. The lithograph titled "Douleur de Marie-Madeleine" conveys Mary Magdalene's grief with raw intensity; her anguished expression speaks volumes about loss and sorrow that transcends time. Maxwell Gordon Lightfoot's portrait study captures a young girl lost in thought. Her pensive gaze hints at hidden depths within her soul where untold stories may reside - perhaps ones filled with personal anguish or longing. Giulio Sanuto's engraved depiction of Tantalus reflects eternal torment. Forever reaching for unattainable desires just out of reach serves as a metaphor for perpetual suffering and frustration endured by mankind. In Richard Coeur de Lion’s wife Berengaria’s alarmed expression captured in oil on canvas from 1850, we see profound distress over her husband's safety, showcasing the anguish of love and fear for a cherished partner.