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Anguish Collection (page 4)

In the etching "Beggar seated on a bank, 1630, " anguish is palpable as the destitute figure's eyes reflect a lifetime of struggle and despair

Background imageAnguish Collection: Fol. 70v Jesus, in Jerusalem it is Said that They Intent to Kill the Prophets (vellum)

Fol. 70v Jesus, in Jerusalem it is Said that They Intent to Kill the Prophets (vellum)
ALI142380 Fol.70v Jesus, in Jerusalem it is Said that They Intent to Kill the Prophets (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont

Background imageAnguish Collection: Faint heart (?) never won fair lady (colour litho)

Faint heart (?) never won fair lady (colour litho)
2798156 Faint heart (?) never won fair lady (colour litho) by English School, (20th century); Private Collection; (add.info.: Faint heart (?) never won fair lady

Background imageAnguish Collection: A wedding party devoured by wolves in Hungary (colour litho)

A wedding party devoured by wolves in Hungary (colour litho)
2782171 A wedding party devoured by wolves in Hungary (colour litho) by French School, (20th century); Private Collection; (add.info.: A wedding party devoured by wolves in Hungary)

Background imageAnguish Collection: The brute (chromolitho)

The brute (chromolitho)
1094251 The brute (chromolitho) by French School, (19th century); Private Collection; (add.info.: The brute. French educational card, late 19th or early 20th century.); © Look and Learn

Background imageAnguish Collection: The Troubles of an Artists Wife (engraving)

The Troubles of an Artists Wife (engraving)
1596368 The Troubles of an Artists Wife (engraving) by English School, (19th century); Private Collection; (add.info.: The Troubles of an Artists Wife)

Background imageAnguish Collection: Illustration after George Cruikshank for the poem A Lat of St

Illustration after George Cruikshank for the poem A Lat of St. Nicholas, from The Ingoldsby Legends or Mirth
KW366264 Illustration after George Cruikshank for the poem A Lat of St. Nicholas, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby, published in 1865 (litho) by English School

Background imageAnguish Collection: Saint Anthony Beaten by the Devils, (pen and brown ink, brown wash)

Saint Anthony Beaten by the Devils, (pen and brown ink, brown wash)
827546 Saint Anthony Beaten by the Devils, (pen and brown ink, brown wash) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 21x26.5

Background imageAnguish Collection: Russian Cossacks marauding through a Korean village (colour litho)

Russian Cossacks marauding through a Korean village (colour litho)
2795822 Russian Cossacks marauding through a Korean village (colour litho) by French School, (20th century); Private Collection; (add.info)

Background imageAnguish Collection: A wedding in Hungary attacked by wolves (colour litho)

A wedding in Hungary attacked by wolves (colour litho)
2818592 A wedding in Hungary attacked by wolves (colour litho) by French School, (19th century); Private Collection; (add.info.: A wedding in Hungary attacked by wolves. En Hongrie)

Background imageAnguish Collection: Bluebeard (chromolitho)

Bluebeard (chromolitho)
2817034 Bluebeard (chromolitho) by French School, (19th century); Private Collection; (add.info.: Bluebeard. Educational card, late 19th or early 20th century)

Background imageAnguish Collection: Gunshots in the corridors of the French Chamber of Deputies (colour litho)

Gunshots in the corridors of the French Chamber of Deputies (colour litho)
2795669 Gunshots in the corridors of the French Chamber of Deputies (colour litho) by French School, (20th century); Private Collection; (add.info)

Background imageAnguish Collection: Study for a decorative panel, 1908 (gelatin silver print)

Study for a decorative panel, 1908 (gelatin silver print)
3702683 Study for a decorative panel, 1908 (gelatin silver print) by Mucha, Alphonse Marie (1860-1939); Metropolitan Museum of Art, New York

Background imageAnguish Collection: Tragic bullfight on the outskirts of Paris (colour litho)

Tragic bullfight on the outskirts of Paris (colour litho)
2819100 Tragic bullfight on the outskirts of Paris (colour litho) by Tofani, Oswaldo (1849-1915) (after); Private Collection; (add.info.: Tragic bullfight on the outskirts of Paris)

Background imageAnguish Collection: Battle between a tiger and a bull in a bullring in San Sebastian, Spain (colour litho)

Battle between a tiger and a bull in a bullring in San Sebastian, Spain (colour litho)
2795860 Battle between a tiger and a bull in a bullring in San Sebastian, Spain (colour litho) by French School, (20th century); Private Collection; (add.info)

Background imageAnguish Collection: Orang-Outang Et Mias (engraving)

Orang-Outang Et Mias (engraving)
2788924 Orang-Outang Et Mias (engraving) by French School, (19th century); Private Collection; (add.info.: Orang-Outang Et Mias. Illustration for Journal Des Voyages, 12 January 1893)

Background imageAnguish Collection: Troubles in Astrakhan (colour litho)

Troubles in Astrakhan (colour litho)
2818313 Troubles in Astrakhan (colour litho) by Meyer, Henri (1841-99) (after); Private Collection; (add.info.: Troubles in Astrakhan. Riots during an outbreal of cholera in Russia)

Background imageAnguish Collection: Violent robbery of a farm near Aalst, Belgium (colour litho)

Violent robbery of a farm near Aalst, Belgium (colour litho)
2795700 Violent robbery of a farm near Aalst, Belgium (colour litho) by French School, (20th century); Private Collection; (add.info.: Violent robbery of a farm near Aalst, Belgium)

Background imageAnguish Collection: Chivalry, 1885 (oil on canvas)

Chivalry, 1885 (oil on canvas)
1767284 Chivalry, 1885 (oil on canvas) by Dicksee, Frank (1853-1928); 182.7x136.6 cm; Private Collection; Photo © Christies Images

Background imageAnguish Collection: The Wall Street Bomb, New York City, 16th September 1920 (b / w photo)

The Wall Street Bomb, New York City, 16th September 1920 (b / w photo)
PNP253878 The Wall Street Bomb, New York City, 16th September 1920 (b/w photo) by American Photographer, (20th century); Private Collection; (add.info)

Background imageAnguish Collection: Drunk Husband, 1894 (oil on canvas)

Drunk Husband, 1894 (oil on canvas)
BAL347494 Drunk Husband, 1894 (oil on canvas) by Lemoch, Kirill Vikentievich (1841-1910); Art Gallery of Taganrog, Russia

Background imageAnguish Collection: George and the Dragon, c. 1925 (colour litho)

George and the Dragon, c. 1925 (colour litho)
STC308565 George and the Dragon, c.1925 (colour litho) by Michael, Arthur C. (d.1945) (after); Private Collection; The Stapleton Collection

Background imageAnguish Collection: Cripps the Carrier (engraving)

Cripps the Carrier (engraving)
1059085 Cripps the Carrier (engraving) by Green, Charles (1840-98) (after); Private Collection; (add.info.: Cripps the Carrier)

Background imageAnguish Collection: In Cupids Surgery (colour litho)

In Cupids Surgery (colour litho)
979733 In Cupids Surgery (colour litho) by Ehrenberger, Ludwig Lutz (1878-1950); Private Collection; (add.info.: In Cupids Surgery.); © Look and Learn

Background imageAnguish Collection: 2nd of May 1808, Insurrection in Madrid, from Histoire de Napoleon by M

2nd of May 1808, Insurrection in Madrid, from Histoire de Napoleon by M. de Norvins, 1839 (engraving) (b / w photo)
CHT163797 2nd of May 1808, Insurrection in Madrid, from Histoire de Napoleon by M. de Norvins, 1839 (engraving) (b/w photo) by Raffet

Background imageAnguish Collection: Death of the Strong Wicked Man, pl. 6, illustration from The Grave

Death of the Strong Wicked Man, pl. 6, illustration from The Grave, A Poem by William Blake (1757-1827)
XYC290776 Death of the Strong Wicked Man, pl.6, illustration from The Grave, A Poem by William Blake (1757-1827), engraved by Luigi Schiavonetti (1765-1810), 1808 (etching) by Blake

Background imageAnguish Collection: Hercules Killing Cacus, (woodcut)

Hercules Killing Cacus, (woodcut)
659519 Hercules Killing Cacus, (woodcut) by Goltzius, Hendrik (1558-1617); 41x33 cm; Private Collection; (add.info.: Hercules Killing Cacus. Hendrik Goltzius (1558-1617). Woodcut

Background imageAnguish Collection: A Glimpse into Hell, or Fear, 1888-98 (oil on canvas)

A Glimpse into Hell, or Fear, 1888-98 (oil on canvas)
5861350 A Glimpse into Hell, or Fear, 1888-98 (oil on canvas) by Vedder, Elihu (1836-1923); 40--52.4 cm; The Art Institute of Chicago, IL, USA; (add.info.: Elihu Vedder (1836-1923))

Background imageAnguish Collection: Violette and Ourson, illustration for Ourson from Les Nouveaux Contes de Fees by Comtesse de Segur

Violette and Ourson, illustration for Ourson from Les Nouveaux Contes de Fees by Comtesse de Segur (1799-1874)
XIR287749 Violette and Ourson, illustration for Ourson from Les Nouveaux Contes de Fees by Comtesse de Segur (1799-1874) (engraving) (b/w photo) by Dore

Background imageAnguish Collection: A Tiger attacking an Arab Stallion, 1824 (oil on canvas)

A Tiger attacking an Arab Stallion, 1824 (oil on canvas)
CH400949 A Tiger attacking an Arab Stallion, 1824 (oil on canvas) by Towne, Charles (1763-1840); Private Collection; Photo © Christies Images

Background imageAnguish Collection: La Vertu Irresolue, engraved by Louis Dennel (1741-86) (engraving)

La Vertu Irresolue, engraved by Louis Dennel (1741-86) (engraving)
1202216 La Vertu Irresolue, engraved by Louis Dennel (1741-86) (engraving) by Vigee-Lebrun, Elisabeth Louise (1755-1842) (after); 39x26 cm; Private Collection; Photo © Christies Images

Background imageAnguish Collection: Chlotaire I (497-561) Burns his Rebellious Son and Family, from Histoire de France by Colart

Chlotaire I (497-561) Burns his Rebellious Son and Family, from Histoire de France by Colart, published c
KW177705 Chlotaire I (497-561) Burns his Rebellious Son and Family, from Histoire de France by Colart, published c.1840 (engraving) by French School

Background imageAnguish Collection: King Lear and Cordelia, 1776 (etching and aquatint with India ink)

King Lear and Cordelia, 1776 (etching and aquatint with India ink)
XYC290770 King Lear and Cordelia, 1776 (etching and aquatint with India ink) by Barry, James (1741-1806); 55.6x54.9 cm; Yale Center for British Art, Paul Mellon Collection

Background imageAnguish Collection: Perseus and Andromeda (oil on canvas)

Perseus and Andromeda (oil on canvas)
475534 Perseus and Andromeda (oil on canvas) by Matteis, Paolo de (1662-1728) (circle of); 127.9x101.3 cm; Private Collection; Photo © Christies Images



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In the etching "Beggar seated on a bank, 1630, " anguish is palpable as the destitute figure's eyes reflect a lifetime of struggle and despair. Anne Louis Girodet de Roucy-Trioson's oil painting, "Deluge scene, " captures the overwhelming anguish of humanity amidst chaos and destruction, reminding us of our vulnerability in the face of nature's wrath. With an engraving depicting Tom's deep hoarse voice saying, "It is coming, Maggie. " while clasping her tightly, we witness their shared anguish as they brace themselves for an impending catastrophe. The marble sculpture of Laocoon with his extended arm portrays agony frozen in time, evoking empathy for his suffering and highlighting the universal experience of pain throughout history. Wellington's rallying cry to his troops at the Battle of Waterloo echoes with determination but also reveals underlying anguish as he leads them into a fierce conflict that will forever change lives. In an engraving from The Taming of the Shrew performance at Clapham, music and discord intertwine to depict emotional turmoil within relationships - a vivid portrayal of inner strife and torment. The lithograph titled "Douleur de Marie-Madeleine" conveys Mary Magdalene's grief with raw intensity; her anguished expression speaks volumes about loss and sorrow that transcends time. Maxwell Gordon Lightfoot's portrait study captures a young girl lost in thought. Her pensive gaze hints at hidden depths within her soul where untold stories may reside - perhaps ones filled with personal anguish or longing. Giulio Sanuto's engraved depiction of Tantalus reflects eternal torment. Forever reaching for unattainable desires just out of reach serves as a metaphor for perpetual suffering and frustration endured by mankind. In Richard Coeur de Lion’s wife Berengaria’s alarmed expression captured in oil on canvas from 1850, we see profound distress over her husband's safety, showcasing the anguish of love and fear for a cherished partner.