Fraud Blocker Skip to main content

Albrecht Dürer German Collection

Albrecht Dürer, a renowned German artist of the 15th and 16th centuries, left an indelible mark on the art world with his diverse range of masterpieces

Background imageAlbrecht Dürer German Collection: Melencolia I, 1514. Creator: Albrecht Dürer (German, 1471-1528)

Melencolia I, 1514. Creator: Albrecht Dürer (German, 1471-1528)
Melencolia I, 1514. Although the title indentifies the subject as melancholy, the means by which Durer demonstrates this emotional state is complex

Background imageAlbrecht Dürer German Collection: The Four Horsemen, from The Apocalypse, c. 1498. Creator: Albrecht Dürer (German, 1471-1528)

The Four Horsemen, from The Apocalypse, c. 1498. Creator: Albrecht Dürer (German, 1471-1528)
The Four Horsemen, from The Apocalypse, c. 1498. In 1498 Durer published a book illustrating the Revelation of John or the Apocalypse of John, the last book of the New Testament

Background imageAlbrecht Dürer German Collection: St. Jerome in His Study, 1514. Creator: Albrecht Dürer (German, 1471-1528)

St. Jerome in His Study, 1514. Creator: Albrecht Dürer (German, 1471-1528)
St. Jerome in His Study, 1514

Background imageAlbrecht Dürer German Collection: The Four Witches (Four Naked Women), 1497. Creator: Albrecht Dürer (German, 1471-1528)

The Four Witches (Four Naked Women), 1497. Creator: Albrecht Dürer (German, 1471-1528)
The Four Witches (Four Naked Women), 1497. Licentious witches occupied a precarious place during the 16th and 17th centuries

Background imageAlbrecht Dürer German Collection: Cardinal Albrecht of Brandenburg - The Large Plate, 1523. Creator: Albrecht Dürer (German)

Cardinal Albrecht of Brandenburg - The Large Plate, 1523. Creator: Albrecht Dürer (German)
Cardinal Albrecht of Brandenburg - The Large Plate, 1523

Background imageAlbrecht Dürer German Collection: The Flagellation, 1512. Creator: Albrecht Dürer (German, 1471-1528)

The Flagellation, 1512. Creator: Albrecht Dürer (German, 1471-1528)
The Flagellation, 1512

Background imageAlbrecht Dürer German Collection: St. George Killing the Dragon, 1500s. Creator: Albrecht Dürer (German, 1471-1528)

St. George Killing the Dragon, 1500s. Creator: Albrecht Dürer (German, 1471-1528)
St. George Killing the Dragon, 1500s

Background imageAlbrecht Dürer German Collection: Revelation of St. John: The Four Destroying Angels, 1511. Creator: Albrecht Dürer (German)

Revelation of St. John: The Four Destroying Angels, 1511. Creator: Albrecht Dürer (German)
Revelation of St. John: The Four Destroying Angels, 1511

Background imageAlbrecht Dürer German Collection: The Beast with Seven Heads and the Beast with Lambs Horns. Creator: Albrecht Dürer (German)

The Beast with Seven Heads and the Beast with Lambs Horns. Creator: Albrecht Dürer (German)
The Beast with Seven Heads and the Beast with Lambs Horns

Background imageAlbrecht Dürer German Collection: The Offer of Love (or The Ill-Assorted Couple), 1495-1496. Creator: Albrecht Dürer (German)

The Offer of Love (or The Ill-Assorted Couple), 1495-1496. Creator: Albrecht Dürer (German)
The Offer of Love (or The Ill-Assorted Couple), 1495-1496. In the late 15th century, moralizing scenes of mismatched lovers were popular subjects for prints

Background imageAlbrecht Dürer German Collection: The Nativity, c. 1502-1503. Creator: Albrecht Dürer (German, 1471-1528)

The Nativity, c. 1502-1503. Creator: Albrecht Dürer (German, 1471-1528)
The Nativity, c. 1502-1503. These eight woodcuts (1959.99.8-15) progress from Gabriels announcement to Mary that she would bear the Son of God, to the events of her early motherhood and beyond

Background imageAlbrecht Dürer German Collection: The Nativity, 1504. Creator: Albrecht Dürer (German, 1471-1528)

The Nativity, 1504. Creator: Albrecht Dürer (German, 1471-1528)
The Nativity, 1504

Background imageAlbrecht Dürer German Collection: Virgin Crowned by an Angel, 1520. Creator: Albrecht Dürer (German, 1471-1528)

Virgin Crowned by an Angel, 1520. Creator: Albrecht Dürer (German, 1471-1528)
Virgin Crowned by an Angel, 1520. The boundary between heaven and earth is obscured in this engraving as an angel descends to crown the Virgin with a simple diadem

Background imageAlbrecht Dürer German Collection: The Flight into Egypt, c. 1503-1505. Creator: Albrecht Dürer (German, 1471-1528)

The Flight into Egypt, c. 1503-1505. Creator: Albrecht Dürer (German, 1471-1528)
The Flight into Egypt, c. 1503-1505. These eight woodcuts (1959.99.8-15) progress from Gabriels announcement to Mary that she would bear the Son of God

Background imageAlbrecht Dürer German Collection: The Small Passion: The Last Supper. Creator: Albrecht Dürer (German, 1471-1528)

The Small Passion: The Last Supper. Creator: Albrecht Dürer (German, 1471-1528)
The Small Passion: The Last Supper

Background imageAlbrecht Dürer German Collection: The Small Passion: Pilate Washing His Hands, 1509-1511. Creator: Albrecht Dürer (German)

The Small Passion: Pilate Washing His Hands, 1509-1511. Creator: Albrecht Dürer (German)
The Small Passion: Pilate Washing His Hands, 1509-1511

Background imageAlbrecht Dürer German Collection: The Small Passion: Christ Washing St. Peters Feet. Creator: Albrecht Dürer (German

The Small Passion: Christ Washing St. Peters Feet. Creator: Albrecht Dürer (German
The Small Passion: Christ Washing St. Peters Feet

Background imageAlbrecht Dürer German Collection: The Small Passion: Christ Taking Leave of the Virgin. Creator: Albrecht Dürer (German

The Small Passion: Christ Taking Leave of the Virgin. Creator: Albrecht Dürer (German
The Small Passion: Christ Taking Leave of the Virgin

Background imageAlbrecht Dürer German Collection: The Small Passion: Christ Being Nailed to the Cross, 1509-1511. Creator: Albrecht Dürer

The Small Passion: Christ Being Nailed to the Cross, 1509-1511. Creator: Albrecht Dürer
The Small Passion: Christ Being Nailed to the Cross, 1509-1511

Background imageAlbrecht Dürer German Collection: The Small Passion: Christ Before Pilate, c. 1509-1511. Creator: Albrecht Dürer (German)

The Small Passion: Christ Before Pilate, c. 1509-1511. Creator: Albrecht Dürer (German)
The Small Passion: Christ Before Pilate, c. 1509-1511

Background imageAlbrecht Dürer German Collection: The Small Horse, 1505. Creator: Albrecht Dürer (German, 1471-1528)

The Small Horse, 1505. Creator: Albrecht Dürer (German, 1471-1528)
The Small Horse, 1505

Background imageAlbrecht Dürer German Collection: The Ravisher, c. 1495. Creator: Albrecht Dürer (German, 1471-1528)

The Ravisher, c. 1495. Creator: Albrecht Dürer (German, 1471-1528)
The Ravisher, c. 1495. The Ravisher portrays a chaotic struggle between a woman and Death, personified here as a wild-eyed corpse-like man

Background imageAlbrecht Dürer German Collection: The Small Passion: The Resurrection, 1509-1511. Creator: Albrecht Dürer (German, 1471-1528)

The Small Passion: The Resurrection, 1509-1511. Creator: Albrecht Dürer (German, 1471-1528)
The Small Passion: The Resurrection, 1509-1511

Background imageAlbrecht Dürer German Collection: The Small Passion: The Nativity. Creator: Albrecht Dürer (German, 1471-1528)

The Small Passion: The Nativity. Creator: Albrecht Dürer (German, 1471-1528)
The Small Passion: The Nativity

Background imageAlbrecht Dürer German Collection: The Presentation of the Virgin in the Temple, c. 1502-1503. Creator: Albrecht Dürer (German)

The Presentation of the Virgin in the Temple, c. 1502-1503. Creator: Albrecht Dürer (German)
The Presentation of the Virgin in the Temple, c. 1502-1503. Durer devoted three woodcuts (1959.99.5-7) to the significant events in Marys youth prior to her sacred calling

Background imageAlbrecht Dürer German Collection: The Prodigal Son, c. 1496. Creator: Albrecht Dürer (German, 1471-1528)

The Prodigal Son, c. 1496. Creator: Albrecht Dürer (German, 1471-1528)
The Prodigal Son, c. 1496

Background imageAlbrecht Dürer German Collection: The Penance of St. John Chrysostom, c. 1497. Creator: Albrecht Dürer (German, 1471-1528)

The Penance of St. John Chrysostom, c. 1497. Creator: Albrecht Dürer (German, 1471-1528)
The Penance of St. John Chrysostom, c. 1497. In the late Middle Ages an unusual legend was assigned to John Chrysostom, a hermit saint who lived in the wilderness

Background imageAlbrecht Dürer German Collection: The Peasants at Market, 1519. Creator: Albrecht Dürer (German, 1471-1528)

The Peasants at Market, 1519. Creator: Albrecht Dürer (German, 1471-1528)
The Peasants at Market, 1519. This quasi-market scene presents Durers commentary on the social and economic role of women in the rural marketplace

Background imageAlbrecht Dürer German Collection: The Small Passion: The Betrayal of Christ. Creator: Albrecht Dürer (German, 1471-1528)

The Small Passion: The Betrayal of Christ. Creator: Albrecht Dürer (German, 1471-1528)
The Small Passion: The Betrayal of Christ

Background imageAlbrecht Dürer German Collection: The Small Passion: The Ascension, 1509-1511. Creator: Albrecht Dürer (German, 1471-1528)

The Small Passion: The Ascension, 1509-1511. Creator: Albrecht Dürer (German, 1471-1528)
The Small Passion: The Ascension, 1509-1511

Background imageAlbrecht Dürer German Collection: The Small Passion: Lamentation, c. 1509-1510. Creator: Albrecht Dürer (German, 1471-1528)

The Small Passion: Lamentation, c. 1509-1510. Creator: Albrecht Dürer (German, 1471-1528)
The Small Passion: Lamentation, c. 1509-1510

Background imageAlbrecht Dürer German Collection: The Small Passion: Christ Before Annas, 1509-1511. Creator: Albrecht Dürer (German

The Small Passion: Christ Before Annas, 1509-1511. Creator: Albrecht Dürer (German
The Small Passion: Christ Before Annas, 1509-1511

Background imageAlbrecht Dürer German Collection: The Small Passion: Christ Bearing the Cross, 1509. Creator: Albrecht Dürer (German

The Small Passion: Christ Bearing the Cross, 1509. Creator: Albrecht Dürer (German
The Small Passion: Christ Bearing the Cross, 1509

Background imageAlbrecht Dürer German Collection: The Promenade, c. 1497. Creator: Albrecht Dürer (German, 1471-1528)

The Promenade, c. 1497. Creator: Albrecht Dürer (German, 1471-1528)
The Promenade, c. 1497. Unbeknownst to this fashionable couple, the figure of Death lurks behind a tree in the background, awaiting his moment to overcome them

Background imageAlbrecht Dürer German Collection: The Presentation of Christ in the Temple, c. 1504-1505. Creator: Albrecht Dürer (German)

The Presentation of Christ in the Temple, c. 1504-1505. Creator: Albrecht Dürer (German)
The Presentation of Christ in the Temple, c. 1504-1505. These eight woodcuts (1959.99.8-15) progress from Gabriels announcement to Mary that she would bear the Son of God

Background imageAlbrecht Dürer German Collection: The Penance of St. John Chrysostom. Creator: Albrecht Dürer (German, 1471-1528)

The Penance of St. John Chrysostom. Creator: Albrecht Dürer (German, 1471-1528)
The Penance of St. John Chrysostom

Background imageAlbrecht Dürer German Collection: The Annunciation, c. 1503-1505. Creator: Albrecht Dürer (German, 1471-1528)

The Annunciation, c. 1503-1505. Creator: Albrecht Dürer (German, 1471-1528)
The Annunciation, c. 1503-1505. These eight woodcuts (1959.99.8-15) progress from Gabriels announcement to Mary that she would bear the Son of God, to the events of her early motherhood and beyond

Background imageAlbrecht Dürer German Collection: The Adoration of the Magi, c. 1501-1503. Creator: Albrecht Dürer (German, 1471-1528)

The Adoration of the Magi, c. 1501-1503. Creator: Albrecht Dürer (German, 1471-1528)
The Adoration of the Magi, c. 1501-1503. These eight woodcuts (1959.99.8-15) progress from Gabriels announcement to Mary that she would bear the Son of God

Background imageAlbrecht Dürer German Collection: The Adoration of the Magi, 1511. Creator: Albrecht Dürer (German, 1471-1528)

The Adoration of the Magi, 1511. Creator: Albrecht Dürer (German, 1471-1528)
The Adoration of the Magi, 1511

Background imageAlbrecht Dürer German Collection: The Mens Bath House, c. 1496-1497. Creator: Albrecht Dürer (German, 1471-1528)

The Mens Bath House, c. 1496-1497. Creator: Albrecht Dürer (German, 1471-1528)
The Mens Bath House, c. 1496-1497. The Mens Bath House could be a simple genre scene or be interpreted as an allegory. The bathers could represent the four temperaments

Background imageAlbrecht Dürer German Collection: The Life of the Virgin: Joachim and the Angel, c. 1504. Creator: Albrecht Dürer (German)

The Life of the Virgin: Joachim and the Angel, c. 1504. Creator: Albrecht Dürer (German)
The Life of the Virgin: Joachim and the Angel, c. 1504

Background imageAlbrecht Dürer German Collection: The Martyrdom of St. Catherine. Creator: Albrecht Dürer (German, 1471-1528)

The Martyrdom of St. Catherine. Creator: Albrecht Dürer (German, 1471-1528)
The Martyrdom of St. Catherine

Background imageAlbrecht Dürer German Collection: The Man of Sorrows Standing, with Hands Raised, c. 1500. Creator: Albrecht Dürer (German)

The Man of Sorrows Standing, with Hands Raised, c. 1500. Creator: Albrecht Dürer (German)
The Man of Sorrows Standing, with Hands Raised, c. 1500

Background imageAlbrecht Dürer German Collection: The Little Fortune, c. 1497. Creator: Albrecht Dürer (German, 1471-1528)

The Little Fortune, c. 1497. Creator: Albrecht Dürer (German, 1471-1528)
The Little Fortune, c. 1497. With the help of a staff, Fortuna, the goddess of fortune or chance, balances on a sphere and holds a sprig of flowers in her left hand

Background imageAlbrecht Dürer German Collection: The Little Courier, c. 1496. Creator: Albrecht Dürer (German, 1471-1528)

The Little Courier, c. 1496. Creator: Albrecht Dürer (German, 1471-1528)
The Little Courier, c. 1496

Background imageAlbrecht Dürer German Collection: The Large Horse, 1505. Creator: Albrecht Dürer (German, 1471-1528)

The Large Horse, 1505. Creator: Albrecht Dürer (German, 1471-1528)
The Large Horse, 1505

Background imageAlbrecht Dürer German Collection: The Lamentation, 1504. Creator: Albrecht Dürer (German, 1471-1528)

The Lamentation, 1504. Creator: Albrecht Dürer (German, 1471-1528)
The Lamentation, 1504

Background imageAlbrecht Dürer German Collection: The Lady Riding and the Landsknecht, c. 1497. Creator: Albrecht Dürer (German, 1471-1528)

The Lady Riding and the Landsknecht, c. 1497. Creator: Albrecht Dürer (German, 1471-1528)
The Lady Riding and the Landsknecht, c. 1497. At first the subject of this early print appears to be simple courtly love; in it a noblewoman and infantryman share a private moment of farewell



All Professionally Made to Order for Quick Shipping

Albrecht Dürer, a renowned German artist of the 15th and 16th centuries, left an indelible mark on the art world with his diverse range of masterpieces. From his enigmatic engraving "Melencolia I" to the serene depiction of "St. Jerome in His Study, " Dürer's works captivate viewers with their intricate details and profound symbolism. In "The Four Witches, " Dürer challenges societal norms by portraying four naked women, each representing different aspects of femininity. This provocative piece showcases his ability to push boundaries and provoke thought through art. Dürer's talent for capturing human emotion is evident in "Cardinal Albrecht of Brandenburg - The Large Plate. " With meticulous precision, he portrays the cardinal's regal presence while hinting at inner turmoil beneath the surface. "The Flagellation" depicts Christ's suffering with raw intensity, showcasing Dürer's mastery of anatomy and composition. Similarly, in "St. George Killing the Dragon, " he captures a moment of heroic triumph as St. George slays a menacing beast. Intriguingly dark yet mesmerizingly beautiful, "The Beast with Seven Heads and the Beast with Lambs Horns" delves into themes of good versus evil. Through this work, Dürer explores humanity's eternal struggle between lightness and darkness. Dürer also delves into matters of love and relationships in pieces like "The Offer of Love (or The Ill-Assorted Couple). " Here, he presents an unconventional pairing that challenges conventional notions about compatibility. Religious themes are prominent throughout Durer’s oeuvre; both “The Nativity” pieces depict scenes from Christ’s birth but offer contrasting interpretations – one exuding serenity while the other evokes dramatic tension. "The Flight into Egypt" transports viewers to a biblical scene filled with emotional depth as Mary cradles baby Jesus during their escape.