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1847 1915 Collection

"1847-1915

Background image1847 1915 Collection: Chinese or Korean bookseller holding a mirror in conversation with a Russian soldier

Chinese or Korean bookseller holding a mirror in conversation with a Russian soldier
528404 Chinese or Korean bookseller holding a mirror in conversation with a Russian soldier. Kobayashi Kiyochika (1847-1915) Japanese artist. Print c1904.; Universal History Archive/UIG.

Background image1847 1915 Collection: Russo-Japanese War 1904-1905: Two men (Russia and Japan) fighting with boxing gloves as a Japanese

Russo-Japanese War 1904-1905: Two men (Russia and Japan) fighting with boxing gloves as a Japanese torpedo blows up a
528401 Russo-Japanese War 1904-1905: Two men (Russia and Japan) fighting with boxing gloves as a Japanese torpedo blows up a Russian battleship. Kobayashi Kiyochika (1847-1915) Japanese artist

Background image1847 1915 Collection: Russo-Japanese War 1904-1905: A huge Japanese hand crushing Port Arthur (Lushun) 25 July 1904

Russo-Japanese War 1904-1905: A huge Japanese hand crushing Port Arthur (Lushun) 25 July 1904
528385 Russo-Japanese War 1904-1905: A huge Japanese hand crushing Port Arthur (Lushun) 25 July 1904. Russia finally surrendered Port Arthur on 2 January 1905

Background image1847 1915 Collection: Russo-Japanese War 1904-1905: Russian doctor and nurse attending man with a sore head in the form

Russo-Japanese War 1904-1905: Russian doctor and nurse attending man with a sore head in the form of a battleship
528403 Russo-Japanese War 1904-1905: Russian doctor and nurse attending man with a sore head in the form of a battleship. Japanese navy attacked Russian navy at Port Arthur in February 1904

Background image1847 1915 Collection: Tehidoi tsubushigata, Pressure from a heavy hand. Kobayashi, Kiyochika, 1847-1915

Tehidoi tsubushigata, Pressure from a heavy hand. Kobayashi, Kiyochika, 1847-1915, artist, [ca. 1904], 1 print : woodcut, color; 36.6 x 24.6 cm

Background image1847 1915 Collection: A strange visitor brings a war telegram to the Czar, Kobayashi, Kiyochika, 1847-1915

A strange visitor brings a war telegram to the Czar, Kobayashi, Kiyochika, 1847-1915, artist, [1904 or 1905], 1 print : woodcut, color

Background image1847 1915 Collection: Sign board says, Do not climb this tree (black pine tree), Kobayashi, Kiyochika

Sign board says, Do not climb this tree (black pine tree), Kobayashi, Kiyochika, 1847-1915, artist, [1904 or 1905], 1 print : woodcut, color

Background image1847 1915 Collection: General Kuropatkin & his staff joyfully leaving St. Petersburg for the front, Kobayashi

General Kuropatkin & his staff joyfully leaving St. Petersburg for the front, Kobayashi, Kiyochika, 1847-1915, artist, [1904 or 1905], 1 print : woodcut, color. Print shows the Russian general A.N

Background image1847 1915 Collection: Genl. Kuropatkin ready for anything awaits the coming of the Japanese, Kobayashi

Genl. Kuropatkin ready for anything awaits the coming of the Japanese, Kobayashi, Kiyochika, 1847-1915, artist, [1904 or 1905], 1 print : woodcut, color. Print shows the Russian General A.N

Background image1847 1915 Collection: Dreams of a Russian general, Kobayashi, Kiyochika, 1847-1915, artist, [1904 or 1905]

Dreams of a Russian general, Kobayashi, Kiyochika, 1847-1915, artist, [1904 or 1905], 1 print : woodcut, color. Print shows a Russian general standing among ruined gabions dreaming of surrender to

Background image1847 1915 Collection: [Old man carrying a flag is leading a group of male citizens in a procession at night]

[Old man carrying a flag is leading a group of male citizens in a procession at night], Kobayashi, Kiyochika, 1847-1915, artist, [1904 or 1905], 1 print : woodcut, color

Background image1847 1915 Collection: The Czar sees his forces returning, Kobayashi, Kiyochika, 1847-1915, artist, [1904

The Czar sees his forces returning, Kobayashi, Kiyochika, 1847-1915, artist, [1904 or 1905], 1 print : woodcut, color. Print shows Nicholas II waking from a nightmare showing the battered

Background image1847 1915 Collection: General Kuropatkin in a safe place, Kobayashi, Kiyochika, 1847-1915, artist, [1904

General Kuropatkin in a safe place, Kobayashi, Kiyochika, 1847-1915, artist, [1904 or 1905], 1 print : woodcut, color. Print shows Russian general A.N

Background image1847 1915 Collection: Kuropatkin plays too roughly with his toys, Kobayashi, Kiyochika, 1847-1915, artist

Kuropatkin plays too roughly with his toys, Kobayashi, Kiyochika, 1847-1915, artist, [1904 or 1905], 1 print : woodcut, color. Print shows the Russian general A.N

Background image1847 1915 Collection: The army of the north melts away before the Rising Sun, Kobayashi, Kiyochika, 1847-1915

The army of the north melts away before the Rising Sun, Kobayashi, Kiyochika, 1847-1915, artist, [1904 or 1905], 1 print : woodcut, color

Background image1847 1915 Collection: Japan splits the Russian torpedo fleet, Kobayashi, Kiyochika, 1847-1915, artist

Japan splits the Russian torpedo fleet, Kobayashi, Kiyochika, 1847-1915, artist, [1904 or 1905], 1 print : woodcut, color. Print shows a Japanese sailor splitting a Russian torpedo boat

Background image1847 1915 Collection: A scheme to save the Russian fleet when Japanese torpedo boats come, Kobayashi, Kiyochika

A scheme to save the Russian fleet when Japanese torpedo boats come, Kobayashi, Kiyochika, 1847-1915, artist, [1904 or 1905], 1 print : woodcut, color

Background image1847 1915 Collection: Such mild news comes from the war that Nicholas says, I will go to the front

Such mild news comes from the war that Nicholas says, I will go to the front. Where shall I go? To Harbin, Little Father, Kobayashi, Kiyochika, 1847-1915, artist, 1905

Background image1847 1915 Collection: Japan takes away Kinchow Castle, Kobayashi, Kiyochika, 1847-1915, artist, [1904 or 1905]

Japan takes away Kinchow Castle, Kobayashi, Kiyochika, 1847-1915, artist, [1904 or 1905], 1 print : woodcut, color. Print shows a Japanese soldier holding the Kinchow Castle with wall

Background image1847 1915 Collection: Sina kurofune nihon shirofune -- buta no taibyAc, Chinese black boat-Japanese white boat

Sina kurofune nihon shirofune -- buta no taibyAc, Chinese black boat-Japanese white boat and the pigs big wound. Kobayashi, Kiyochika, 1847-1915, artist, 1895

Background image1847 1915 Collection: Tako no asirai, Octopus treading. Kobayashi, Kiyochika, 1847-1915, artist, 1904

Tako no asirai, Octopus treading. Kobayashi, Kiyochika, 1847-1915, artist, 1904. 1 print : woodcut, color; 36.9 x 24.9 cm

Background image1847 1915 Collection: GA no ne mo denpAc, The crying sounds of a telegram. Kobayashi, Kiyochika, 1847-1915

GA no ne mo denpAc, The crying sounds of a telegram. Kobayashi, Kiyochika, 1847-1915, artist, 1904. 1 print : woodcut, color; 36.9 x 24.4 cm

Background image1847 1915 Collection: Fukuro no nezumi, Rats in a bag. Kobayashi, Kiyochika, 1847-1915, artist, 1895

Fukuro no nezumi, Rats in a bag. Kobayashi, Kiyochika, 1847-1915, artist, 1895. 1 print : woodcut, color; 37.4 x 25.1 cm. Print shows a Japanese ship, as a cat, chasing two Chinese battleships

Background image1847 1915 Collection: Chin en no keshAc - shin nippon, Applying make-up and new Japan. Kobayashi, Kiyochika

Chin en no keshAc - shin nippon, Applying make-up and new Japan. Kobayashi, Kiyochika, 1847-1915, artist, 1895. 1 print : woodcut, color; 37.7 x 24.7 cm

Background image1847 1915 Collection: ShakkyAc no shinikyAcgen, Farce of the lions at stone bridge. Kobayashi, Kiyochika

ShakkyAc no shinikyAcgen, Farce of the lions at stone bridge. Kobayashi, Kiyochika, 1847-1915, artist, 1904. 1 print : woodcut, color; 37 x 24.8 cm

Background image1847 1915 Collection: Buruburu taishAc, Electrified Manchurian. Kobayashi, Kiyochika, 1847-1915, artist, 1895

Buruburu taishAc, Electrified Manchurian. Kobayashi, Kiyochika, 1847-1915, artist, 1895. 1 print : woodcut, color; 37.3 x 24.8 cm

Background image1847 1915 Collection: Chinese or Korean bookseller holding a mirror in conversation with a Russian soldier

Chinese or Korean bookseller holding a mirror in conversation with a Russian soldier. Kobayashi Kiyochika (1847-1915) Japanese artist. Print c1904

Background image1847 1915 Collection: Russo-Japanese War 1904-1905: Two men (Russia and Japan) fighting with boxing gloves

Russo-Japanese War 1904-1905: Two men (Russia and Japan) fighting with boxing gloves as a Japanese torpedo blows up a Russian battleship. Kobayashi Kiyochika (1847-1915) Japanese artist

Background image1847 1915 Collection: Russo-Japanese War 1904-1905: A huge Japanese hand crushing Port Arthur (Lushun) 25 July 1904

Russo-Japanese War 1904-1905: A huge Japanese hand crushing Port Arthur (Lushun) 25 July 1904. Russia finally surrendered Port Arthur on 2 January 1905. Kobayashi Kiyochika (1847-1915) Japanese artist



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"1847-1915: Capturing the Russo-Japanese War through Kobayashi Kiyochika's Art" Step into the tumultuous era of the late 19th and early 20th century as we explore the captivating artwork of Kobayashi Kiyochika (1847-1915), a renowned Japanese artist. Through his brushstrokes, he vividly depicts significant moments from the Russo-Japanese War (1904-1905), offering us a glimpse into this historic conflict. In one striking image, two formidable opponents, Russia and Japan, engage in an intense boxing match while a Japanese torpedo devastates a Russian battleship. The power dynamics are further emphasized by another piece where a colossal Japanese hand crushes Port Arthur on that fateful day of July 25th, 1904. This pivotal event ultimately led to Russia surrendering Port Arthur on January 2nd, 1905. Kobayashi also captures poignant scenes depicting the aftermath of battle. A Russian doctor and nurse tend to an injured man whose head takes on the form of a battleship—a powerful symbol representing both destruction and healing. Meanwhile, General Kuropatkin eagerly awaits the arrival of his Japanese adversaries while dreaming about their impending encounter. Amidst these war-torn landscapes, there are glimpses of everyday life woven into Kiyochika's artistry. An old man leads citizens in a nighttime procession carrying flags with unwavering patriotism. In another intriguing piece titled "A Strange Visitor, " we witness an enigmatic figure delivering a war telegram to none other than Czar himself—an ominous sign for what lies ahead. Kobayashi's attention to detail is evident even in seemingly mundane scenes such as "Do not climb this tree. " Here, he reminds us that amidst chaos and conflict, rules still govern our lives—no matter how small or inconsequential they may seem.