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General Kuropatkin in a safe place, Kobayashi, Kiyochika, 1847-1915, artist, [1904

General Kuropatkin in a safe place, Kobayashi, Kiyochika, 1847-1915, artist, [1904


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Liszt Collection

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General Kuropatkin in a safe place, Kobayashi, Kiyochika, 1847-1915, artist, [1904

General Kuropatkin in a safe place, Kobayashi, Kiyochika, 1847-1915, artist, [1904 or 1905], 1 print : woodcut, color. Print shows Russian general A.N. Kuropatkin holding a rifle and a lantern, sitting on a chair, encircled by fencing

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12669979

© Quint Lox Limited

1847 1915 1904 1905 Chair Fencing General Holding Kiyochika Kobayashi Kuropatkin Lantern Place Rifle Russian Safe Shows Sitting Encircled


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EDITORS COMMENTS
In this woodcut print titled "General Kuropatkin in a Safe Place" the renowned Japanese artist Kobayashi Kiyochika transports us to a moment of tension and solitude during the early 20th century. Created around 1904 or 1905, this artwork showcases General A. N. Kuropatkin, a prominent Russian military figure, finding solace within the confines of an enclosed space. The composition portrays General Kuropatkin seated on a chair, his stern gaze fixed ahead as he holds both a rifle and lantern in his hands. The vibrant colors employed by Kiyochika add depth and intensity to the scene, emphasizing the general's resolute demeanor amidst uncertain times. Surrounded by fencing that encircles him like protective armor, General Kuropatkin appears to have sought refuge in this safe haven. The juxtaposition between his militaristic attire and the serene atmosphere created by Kiyochika's masterful use of light and shadow evokes contemplation about war's toll on individuals caught up in its chaos. This print from the Liszt Collection not only captures a historical moment but also reflects upon themes of isolation, resilience, and introspection. Quint Lox's mention at the end adds an intriguing layer to our understanding of how art can be interpreted differently by each viewer.

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