1575 Collection (page 6)

Drawings Prints, Print, Christ, giving, keys, church, Saint, Peter, kneels, before
Drawings and Prints, Print, Christ giving the keys of the church to Saint Peter who kneels before him, after Guido Reni, Artist, After, Gian Battista Bolognini, Guido Reni, Italian

Drawings Prints, Print, head, Mary, Magdalene, looking, down, right, oval frame, Reni
Drawings and Prints, Print, The head of Mary Magdalene looking down to the right, in an oval frame, after Reni, Artist, After, Engraved by, Guido Reni, Domenico Cunego, Italian

Portrait Man Oil wood 7 x 5 1 / 2 17. 8 14 cm Paintings
Artokoloro

Drawings Prints, Print, Saint, Christopher, walking, infant, Christ, left, shoulder
Drawings and Prints, Print, Saint Christopher walking with the infant Christ on his left shoulder, counterproof, Artist, Guido Reni, Italian, Bologna 1575-1642 Bologna, Reni, Guido, Italian, 1575

Two Studies Man ca 1575 Black chalk recto rulings
Artokoloro

MAP: WORLD, c1575. Italian world map; note that North America and Asia are portrayed as being part of the same continent. Map by Antoine Lafrry, c1575

CARAVAN, 1575. Merchants with their camel caravans (foreground and background) in Asia. French woodcut, 1575

French 16th Century, Holofernes Interrogating Achior, c. 1575, hand-colored woodcut on laid paper

Etienne Delaune, French (1518-1519-1583), Africa, 1575, engraving

Andrea Vicentino after Titian, Italian (c. 1539-1614), The Battle of Spoleto, c. 1575, red chalk on laid paper

Follower of Pieter Bruegel the Elder, The Temptation of Saint Anthony, c. 1550-1575, oil on panel

Joris Hoefnagel, Animalia Volatilia et Amphibia (Aier): Plate I, Flemish, 1542-1600, c. 1575-1580, watercolor and gouache, with oval border in gold, on vellum

Joris Hoefnagel, Flemish (1542-1600), Animalia Aqvatilia et Cochiliata (Aqva): Plate I, c. 1575-1580, watercolor and gouache, with oval border in gold, on vellum

Karel van Sichem after Christoffel van Sichem I (Dutch, c. 1575 - active 1604), Robert Dudley, Earl of Leicester, engraving

Cornelis Cort after Federico Barocci (Netherlandish, 1533 - 1578), The Rest on the Return from Egypt, 1575, engraving on laid paper

Cornelis Floris II (Flemish, 1514 - 1575), Ornament, 1557, etching and engraving

Johann Matthias Kager (German, 1575 - 1634), Without Ceres and Bacchus, Venus Freezes, 1590s, pen and black ink with gray wash over graphite on laid paper

Jacques Bellange (French, c. 1575 - died 1616), The Virgin and Child with a Rose, c. 1616-1617, etching

Etienne Delaune (French, 1518-1519 - 1583), Asia, 1575, engraving

Guido Reni (Italian, 1575 - 1642), The Head of Christ, c. 1623, black, red, and white chalks on gray-green laid paper

Francesco Brizio (Italian, c. 1575 - 1623), An Elegant Young Man Personifying Vanity, pen and brown ink over black chalk on laid paper

Benjamin Wright (English, born c. 1575), Royal Progeny of King James, 1619, engraving

Giovanni Mauro della Rovere (Italian, 1575 - 1640), Three Herms, pen and black ink with gray wash and white heightening over black chalk on gray laid paper

Caspar Meneller (German, 1575 - 1630), Christ as Salvator Mundi, 1595, pen and brown ink with gray wash on laid paper

Corneille de Lyon, Portrait of a Man, active 1533 - 1575, c. 1536-1540, oil on walnut

Giovanni Battista Moroni (Italian, c. 1525 - 1578), Titians Schoolmaster"
Giovanni Battista Moroni (Italian, c. 1525 - 1578), " Titians Schoolmaster", c. 1575, oil on canvas

Jacques Bellange, Dancer with a Tambourine, French, c. 1575 - died 1616, c. 1615, black chalk and graphite on light brown paper, laid down, with later framing line in black ink

The infant Christ prefiguring the passion / BFCA. Reni, Guido, 1575-1642, artist, between ca. 1600 and 1750, chiaroscuro woodcut

The Dead Cart, engraved by Davenport, 1st July 1835 (engraving) (b / w photo)
XJF270045 The Dead Cart, engraved by Davenport, 1st July 1835 (engraving) (b/w photo) by Cruikshank, George (1792-1878) (after); Private Collection; English, out of copyright

Lot and his daughters, Balthazar van den Bos, Frans Floris (I), 1575

Archangel Michael trampled Satan, Samuel van Hoogstraten, A. Huberti, unknown, 1575

The Healing of the Paralytic, Pool of Bethesda, Pieter Aertsen, 1575

Portrait of a man, Anonymous, c. 1575, Portrait miniature

Arabella Stuart, died 1615, Daughter of Charles Lennox, Isaac Oliver, 1575 - 1615, Portrait miniature

Portrait of a woman, attributed to Isaac Oliver, 1575 - 1617, Portrait miniature

Portrait of a Woman with Squirrel, attributed to Francesco Montemezzano, 1565 - 1575

Holy Family with Young Saint John, workshop of Paolo Veronese, 1550 - 1575

Portrait of a Man, circle of Jacopo Tintoretto, 1550 - 1575

Portrait of a Man, Corneille de Lyon, 1520 - 1575

Venus and Cupid, workshop of Paolo Veronese, 1575 - 1590

Noahs Ark, Anonymous, 1575 - 1599

Portrait of Paulus van Vianen, Goldsmith, Cornelis Ketel, c. 1575 - c. 1613

Two emergency coins beaten during the siege of Schoonhoven in 1575, Eberhard Cornelis Rahms, 1875

Landscape with vision of St. Francis of Assisi, print maker: Cornelis Cort, Girolamo Muziano, Carlo Losi, 1575 and or 1774

Bartolomeo Coriolano (Italian, ca. 1599-1676) after Guido Reni (Italian, 1575 - 1642). Sibyl, ca. 1640. Chiaroscuro woodcut printed from two blocks in grey-green and black

Holy Family with an Angel; Guido Reni, Italian, 1575 - 1642; mid - late 1590s; Pen and brown ink; 14.1 x 20 cm (5 9/16 x 7 7/8 in.)

Study of a Franciscan Monk (Possibly Saint Francis); Cerano (Giovanni Battista Crespi), Italian, 1575 - 1632; about 1600; Red chalk; 20.8 x 17.5 cm (8 3/16 x 6 7/8 in.)

Study of an Apostle; Bernardino Gatti, Italian, about 1495 - 1575; about 1560 - 1570; Black and red chalk, brush and gray-black ink, gray wash heightened with white gouache

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In the year 1575, Rome was bustling with pilgrims who flocked to its majestic churches. The line engraving from that time captures the awe-inspiring sight of these devout individuals immersed in their spiritual journey. Meanwhile, across the English Channel, Stonehenge stood tall and mysterious as ever in 1575. Its ancient stones held secrets yet to be unraveled, captivating all who laid eyes upon them. At sea, sailors relied on the stars for navigation during their nightly voyages. In 1575, this celestial guidance guided them through treacherous waters and ensured safe passage to their destinations. Venturing further afield, South American cannibals roamed the land during the 16th century. Their existence served as a reminder of both humanity's diversity and its darker side. Back in London, an engraved map provided a glimpse into England's capital city in 1575. This intricate depiction showcased the evolving urban landscape and hinted at London's future grandeur. The zodiac fresco from Villa Farnese in Caprarola transported viewers back to Italy in 1575. Taurus dominated this celestial artwork, symbolizing strength and determination amidst life's challenges. Astronomy enthusiasts marveled at another fresco from Villa Farnese depicting Orion, the Hunter. This timeless constellation captivated minds then as it does now with its mythical allure and stellar beauty. James Ist Earl Abercorn made his mark on history during this period with his notable achievements leaving an indelible legacy for generations to come. Across the English Channel once again resided Queen Elizabeth I herself - a powerful ruler whose reign brought prosperity and cultural advancement to her kingdom. A snapshot of her royal picnic captured her regal grace amidst nature's splendor. In matters of warfare, cannons played a pivotal role in shaping military strategies during this era. Bombards mounted on mobile gun-carriages were depicted vividly through wood engravings, showcasing the technological advancements of 1575.