1510 Collection (page 9)

Correggio, The Mystic Marriage of Saint Catherine, Italian, 1489-1494-1534, 1510-1515, oil on panel

Giannicola di Paolo, Italian (c. 1460-1544), The Annunciation, 1510-1515, oil on panel

Master of the Saint Lucy Legend, Mary, Queen of Heaven, Netherlandish, active c. 1480-c. 1510, c. 1485-1500, oil on panel

Giovanni Bellini, The Infant Bacchus, Italian, c. 1430-1435-1516, probably 1505-1510, oil on panel transferred to panel

Gerard David, The Rest on the Flight into Egypt, Netherlandish, c. 1460-1523, c. 1510, oil on panel

Giorgione and Titian, Portrait of a Venetian Gentleman, Italian, 1477-1478-1510, c. 1510, oil on canvas

Master of the Saint Bartholomew Altar, The Baptism of Christ, German, active c. 1475-1510, c. 1485-1500, oil on panel

Hans Burgkmair I and Johann Geiler von Kaysersberg (author), German (1473-1531), Das buch granatapfel im latin genant Malogranatus

Italian 16th Century, The Death of Virginia, c. 1500-1510, engraving

Albrecht DaOErer, The Betrayal of Christ, German, 1471-1528, 1510, woodcut

Antonio Fantuzzi after Rosso Fiorentino, Sacrifice to Priapus, Italian, c. 1510-1550 or after, 1542, etching in brown on laid paper

Raphael, Italian (1483-1520), The Alba Madonna, c. 1510, oil on panel transferred to canvas

Giorgione, Italian (1477-1478-1510), The Holy Family, probably c. 1500, oil on panel transferred to hardboard

Giorgione, Italian (1477-1478-1510), The Adoration of the Shepherds, 1505-1510, oil on panel

Circle of Andrea Mantegna (Possibly Correggio), Madonna and Child, c. 1505-1510, oil on canvas

Jacopino del Conte, Italian (1510-1598), Madonna and Child with Saint Elizabeth and Saint John the Baptist, c. 1535, oil on panel

Hieronymus Cock after Pieter Bruegel the Elder (Flemish, c. 1510 - 1570), Landscape with the Temptation of Christ, etching

Adriaan de Weerdt (Flemish, c. 1510 - c. 1590), The Annunciation, 1573, engraving

Jacopo Francia (Italian, 1486 or before - 1557), Lucretia, c. 1510, engraving

Lambert Suavius (Flemish, c. 1510 - 1567), Saint Matthias (?), engraving

NiccolA Boldrini after Titian (Italian, 1510 - 1566 or after), Saint Jerome in the Wilderness
Niccol Boldrini after Titian (Italian, 1510 - 1566 or after), Saint Jerome in the Wilderness, c. 1530, woodcut on laid paper

Albrecht DaOErer (German, 1471 - 1528), The Last Supper, 1510, woodcut

A family of fauns, c. 1510 (engraving)
XJF472237 A family of fauns, c.1510 (engraving) by Palumba, Giovanni Battista (fl.1500-20); Private Collection; (add.info.: Palumba was previously known as Master IB with the Bird)

Jacopo Bassano (Italian, c. 1510 - 1592), The Mocking of Christ, 1568, colored chalks on green-gray paper

Circle of Giorgione (Italian, 1477-1478 - 1510), Rustic Houses Built among Ruins, 1510-1513, pen and brown ink on laid paper

after Correggio, Madonna and Child with the Infant Saint John, c. 1510, oil on panel

Attributed to Giorgione, Giovanni Borgherini and His Tutor, Italian, 1477-1478 - 1510, oil on canvas

Sandro Botticelli (Italian, 1446 - 1510), Head of a Youth Wearing a Cap; a Right Forearm with the Hand Clutching a Stone; and a Left Hand Holding a Drapery, 1480-1485

Sandro Botticelli, Madonna and Child, Italian, 1446 - 1510, c. 1470, tempera on panel

Temperance, between 1540 and 1610, Vicentino, Giuseppe Niccolo, approximately 1510-

Hope, Vicentino, Giuseppe Niccolo, approximately 1510, Date Created between 1540 and 1560, chiaroscuro woodcut, color, 5 x 7 cm, Allegorical print showing a woman as Hope

The adoration of the Magi, Vicentino, Giuseppe Niccolo, approximately 1510, Date Created between 1540 and 1560, chiaroscuro woodcut, color, 7 x 1 cm

The holy family with St. Margaret and a bishop, Trento, Antonio da, approximately 1508-approximately 1550, artist, Vicentino, Giuseppe Niccolo, approximately 1510-, Parmigianino, 1503-1540

Charity, between 1540 and 1610, Vicentino, Giuseppe Niccolo, approximately 1510-

Ritual in honor of Psyche / a [monogram of Andrea Andreani] in Mantoua 1602. Vicentino, Giuseppe Niccolo, approximately 1510-, artist, Salviati, Francesco, 1510-1563

Temperance / a [monogram of Andrea Andreani], between 1540 and 1560. Vicentino, Giuseppe Niccolo, approximately 1510-, artist, Parmigianino, 1503-1540. Andreani, Andrea, approximately 1560-1623

Christ healing the paralytic man, between 1540 and 1560, Vicentino, Giuseppe Niccolo, approximately 1510-

The adoration of the Magi / a [monogram of Andrea Andreani] MDCV. Vicentino, Giuseppe Niccolo, approximately 1510-, artist, Parmigianino, 1503-1540. Andreani, Andrea, approximately 1560-1623

Virgin and Child, attributed to Giampetrino, 1510 - 1525

Holy Family, attributed to Lorenzo Costa, 1490 - 1510

Annunciation to the Virgin, Meester van het Salemer Altaar, 1490 - 1510

Two Wings of a Triptych with the Donor, Thomas Isaacq, accompanied by Saint Thomas, left, outer wing, and the Donors Wife accompanied by Saint Margaret, right, outer wing

Meeting of Abraham and Melchizedek, inner, left wing of a triptych, Anonymous, c. 1510 - c. 1520

Gathering of Manna, inner, right wing of a triptych, Anonymous, c. 1510 - c. 1520

Christ on the Cross with the Virgin, Saint John, Mary Magdalene and Saints Cecilia and Barbara, left and Peter, Francis and Jerome, right, Cornelis Engebrechtsz, c. 1505 - c. 1510

The Lamentation of Christ, Colijn de Coter, c. 1510 - c. 1515

Christ Carrying the Cross, Quinten Massijs (I), c. 1510 - c. 1515

Woman Standing at Waters Edge, formerly entitled Ariadne on Naxos, attributed to Girolamo dai Libri, 1510 - 1530

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In the year 1510, Leonardo da Vinci's remarkable talent and curiosity knew no bounds. Through his pen and ink studies, he delved into the intricate details of human anatomy, capturing the essence of life itself. His c1510 sketches of a human fetus reveal his relentless pursuit to understand the beginnings of existence. Meanwhile, in the Eastern Netherlands, an artist depicted Christ on a cold stone around the same time. The chilling portrayal evokes a sense of solemnity and contemplation as we witness Christ's sacrifice for humanity. Leonardo continued his exploration with pen and ink studies of various body parts - from hands to thorax, pelvic bones to leg bones. Each stroke captured not only their physical structure but also hinted at their hidden secrets. The human spinal column became another subject that fascinated da Vinci during this period. His meticulous attention to detail shines through in these c1510-11 drawings, showcasing both its complexity and beauty. Not limited to anatomy alone, Leonardo expanded his artistic repertoire by studying arm muscles and superficial vessels. With every stroke of his pen, he unraveled layers upon layers of knowledge about our own bodies. Beyond anatomical studies lay other captivating works from 1510. St Francisco De Borgia emerges as a figure shrouded in mystery while Tournament Tents transport us back to an era filled with chivalry and grandeur. An intriguing glimpse into history comes in the form of heart anatomy from the 16th century - a testament to mankind's enduring fascination with understanding our most vital organ. Anonymous yet enchanting is "Woman with Unicorn, " painted circa 1510. This enigmatic artwork invites us into a world where reality merges seamlessly with mythological symbolism. Virtues triumph over vices in Flemish tapestry created around 1510 - an exquisite weaving that reminds us how timeless moral lessons can be conveyed through artistry alone. Lastly, Villa Farnesina stands proudly in Rome, Italy, a testament to architectural brilliance.