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1510 Collection (page 4)

In the year 1510, Leonardo da Vinci's remarkable talent and curiosity knew no bounds

Background image1510 Collection: Reclining Male Nude Francesco Salviati Italian

Reclining Male Nude Francesco Salviati Italian
Reclining Male Nude; Francesco Salviati (Italian, 1510 - 1563); about 1550; Red chalk with stumping, heightened with white; 27 x 39.7 cm (10 5, 8 x 15 5, 8 in.)

Background image1510 Collection: Christ Taking Leave Mother Hans Schaufelein

Christ Taking Leave Mother Hans Schaufelein
Christ Taking Leave of His Mother; Hans Schaufelein (German, 1480, 1485 - 1540); 1510; Pen and brown ink and black chalk; 27.5 x 21.1 cm (10 13, 16 x 8 5, 16 in.)

Background image1510 Collection: Swooning Virgin Supported Three Holy Women Three Studies

Swooning Virgin Supported Three Holy Women Three Studies
The Swooning Virgin Supported by Three Holy Women and Three Studies of Men (recto); Saint George and the Dragon (verso); Cesare da Sesto (Italian)

Background image1510 Collection: Madonna Child Saints Fra Bartolommeo Baccio della

Madonna Child Saints Fra Bartolommeo Baccio della
Madonna and Child with Saints; Fra Bartolommeo (Baccio della Porta) (Italian, 1472 - 1517); Italy; 1510 - 1513; Black chalk with traces of white chalk; 37.5 × 28.3 cm (14 3, 4 × 11 1, 8 in.)

Background image1510 Collection: Life Virgin Assumption Coronation 1510 Albrecht Dürer

Life Virgin Assumption Coronation 1510 Albrecht Dürer
The Life of the Virgin: The Assumption and Coronation of the Virgin, 1510. Albrecht Durer (German, 1471-1528). Woodcut; platemark: 29 x 20.6 cm (11 7/16 x 8 1/8 in.); paper

Background image1510 Collection: Life Virgin Death 1510 Albrecht Dürer German

Life Virgin Death 1510 Albrecht Dürer German
The Life of the Virgin: The Death of the Virgin, 1510. Albrecht Durer (German, 1471-1528). Woodcut

Background image1510 Collection: Large Passion Christ Descending Limbo 1510 Albrecht Dürer

Large Passion Christ Descending Limbo 1510 Albrecht Dürer
The Large Passion: Christ Descending into Limbo, 1510. Albrecht Durer (German, 1471-1528). Woodcut

Background image1510 Collection: Cutting antiphonal Master B. F. Italian active

Cutting antiphonal Master B. F. Italian active
Cutting from an antiphonal; Master B.F. (Italian, active about 1495 - 1510); Italy; early 16th century; Tempera and gold leaf on parchment; Leaf: 16.5 x 16.5 cm (6 1, 2 x 6 1, 2 in.)

Background image1510 Collection: Lucretia Workshop Carl von Egeri Swiss 1510 1562

Lucretia Workshop Carl von Egeri Swiss 1510 1562
Lucretia; Workshop of Carl von Egeri (Swiss, 1510 - 1562); 1561; Pot-metal and colorless glass, vitreous paint, and silver stain; lead came; 33 x 23 cm (13 x 9 1, 16 in.)

Background image1510 Collection: Crucifixion French Lorraine Burgundy France 1500

Crucifixion French Lorraine Burgundy France 1500
The Crucifixion; French; Lorraine, Burgundy, France; about 1500 - 1510; Pot-metal, flashed, and colorless glass, vitreous paint, and silver stain; lead came; 225 x 64 x 1 cm (88 9, 16 x 25 3, 16 x 3)

Background image1510 Collection: Way Cross North Netherlandish North Netherlands

Way Cross North Netherlandish North Netherlands
The Way of the Cross; North Netherlandish; North Netherlands; about 1510 - 1520; Colorless glass, vitreous paint, and silver stain; lead came; 59 x 50.8 x 1 cm (23 1, 4 x 20 x 3, 8 in.)

Background image1510 Collection: Flagellation North Netherlandish North Netherlands

Flagellation North Netherlandish North Netherlands
The Flagellation; North Netherlandish; North Netherlands; about 1510 - 1520; Colorless glass, vitreous paint, and silver stain; lead came; 59 x 50.8 x 1 cm (23 1, 4 x 20 x 3, 8 in.)

Background image1510 Collection: Benedictine Abbot Saint Donor French Lorraine

Benedictine Abbot Saint Donor French Lorraine
Benedictine Abbot Saint with a Donor; French; Lorraine, France; about 1510 - 1515; Pot-metal and colorless glass, vitreous paint, and silver stain; lead came; 127.8 x 40.6 x 1 cm (50 5, 16 x 16 x 3)

Background image1510 Collection: Arrest Christ North Netherlandish North Netherlands

Arrest Christ North Netherlandish North Netherlands
The Arrest of Christ; North Netherlandish; North Netherlands; about 1510 - 1520; Colorless glass, vitreous paint, and silver stain; lead came; 59 x 50.8 x 1 cm (23 1, 4 x 20 x 3, 8 in.)

Background image1510 Collection: Saint Christopher Donor French Lorraine Burgundy

Saint Christopher Donor French Lorraine Burgundy
Saint Christopher and a Donor; French; Lorraine, Burgundy, France; about 1500 - 1510; Pot-metal, flashed, and colorless glass, vitreous paint, and silver stain; lead came; 225 x 64 x 1 cm (88 9)

Background image1510 Collection: Saint Fiacre French Lorraine France 1510 1515

Saint Fiacre French Lorraine France 1510 1515
Saint Fiacre; French; Lorraine, France; about 1510 - 1515; Pot-metal and colorless glass, vitreous paint, and silver stain; lead came; 127.8 x 40.6 x 1 cm (50 5, 16 x 16 x 3, 8 in.)

Background image1510 Collection: Head Angel Last Judgment English Gloucestershire

Head Angel Last Judgment English Gloucestershire
Head of an Angel from the Last Judgment; English; Gloucestershire, England; about 1510 - 1517; Colorless glass, vitreous paint, and silver stain; set in modern clear glass; 17 x 15.5 x 1 cm (6 11)

Background image1510 Collection: Rest Flight Egypt South Netherlandish Bruges

Rest Flight Egypt South Netherlandish Bruges
Rest on the Flight into Egypt; South Netherlandish; Bruges (?), South Netherlands; about 1510; Colorless glass, vitreous paint, and silver stain; 22 x 1 cm (8 11, 16 x 3, 8 in.)

Background image1510 Collection: Arrest Christ North Netherlandish Master Death

Arrest Christ North Netherlandish Master Death
The Arrest of Christ; North Netherlandish, after the Master of the Death of Absolom; North Netherlands; about 1500 - 1510; Colorless glass, vitreous paint, and silver stain; 27.4 x 1 cm (10 13)

Background image1510 Collection: Heraldic Roundel Arms Rummel von Lichtenau German

Heraldic Roundel Arms Rummel von Lichtenau German
Heraldic Roundel with the Arms of Rummel von Lichtenau; German; Nuremberg (?), Southern Germany; about 1510 - 1530; Brown oxide glass paint and silver stain on tint glass

Background image1510 Collection: Initial D Noah Directing Construction Ark Master B. F

Initial D Noah Directing Construction Ark Master B. F
Initial D: Noah Directing the Construction of the Ark; Master B.F. (Italian, active about 1495 - 1510); Lombardy, Italy; about 1495 - 1510; Tempera colors, gold leaf

Background image1510 Collection: Initial I Virgin Child Gentleman Cologne Toledo

Initial I Virgin Child Gentleman Cologne Toledo
Initial I: The Virgin and Child with the Gentleman from Cologne; Toledo, Spain; about 1500 - 1510; Tempera colors, gold, and ink on parchment; Leaf: 95 x 63.8 cm (37 3, 8 x 25 1, 8 in.)

Background image1510 Collection: Oval Plate Attributed Bernard Palissy French

Oval Plate Attributed Bernard Palissy French
Oval Plate; Attributed to Bernard Palissy (French, about 1510 - 1590); France; mid-16th century; Lead-glazed earthenware; 6.2 × 33 × 25.3 cm (2 7, 16 × 13 × 9 15, 16 in.)

Background image1510 Collection: Plate 1510 Painter Royal Procession Italian Tin-glazed earthenware

Plate 1510 Painter Royal Procession Italian Tin-glazed earthenware
Plate, c. 1510. Painter of the Royal Procession (Italian). Tin-glazed earthenware (maiolica); diameter: 29.2 cm (11 1/2 in.)

Background image1510 Collection: Milkmaid 1510 Lucas van Leyden Dutch 1494-1533

Milkmaid 1510 Lucas van Leyden Dutch 1494-1533
The Milkmaid, 1510. Lucas van Leyden (Dutch, 1494-1533). Engraving

Background image1510 Collection: Covered Cup Grape Festoon mid 1500s Copy Antonio Fantuzzi

Covered Cup Grape Festoon mid 1500s Copy Antonio Fantuzzi
Covered Cup with Grape Festoon, mid 1500s. Copy after Antonio Fantuzzi (Italian, c. 1510-c. 1550). Etching; sheet: 33.3 x 25.5 cm (13 1/8 x 10 1/16 in.); platemark: 31.7 x 24.8 cm (12 1/2 x 9 3/4 in.)

Background image1510 Collection: Return Prodigal Son 1510 Lucas van Leyden Dutch

Return Prodigal Son 1510 Lucas van Leyden Dutch
Return of the Prodigal Son, c. 1510. Lucas van Leyden (Dutch, 1494-1533). Engraving

Background image1510 Collection: Large Passion Betrayal Christ 1510 Albrecht Dürer

Large Passion Betrayal Christ 1510 Albrecht Dürer
The Large Passion: The Betrayal of Christ, 1510. Albrecht Durer (German, 1471-1528). Woodcut

Background image1510 Collection: Large Passion Last Supper 1510 Albrecht Dürer

Large Passion Last Supper 1510 Albrecht Dürer
The Large Passion: The Last Supper, 1510. Albrecht Durer (German, 1471-1528). Woodcut

Background image1510 Collection: Great Passion Resurrection 1510 Albrecht Dürer

Great Passion Resurrection 1510 Albrecht Dürer
The Great Passion: The Resurrection, 1510. Albrecht Durer (German, 1471-1528). Woodcut; sheet: 39.2 x 27.6 cm (15 7/16 x 10 7/8 in.)

Background image1510 Collection: Christ Healing Lepers 1608 Guiseppe Rossigliani

Christ Healing Lepers 1608 Guiseppe Rossigliani
Christ Healing the Lepers, 1608. Guiseppe Rossigliani (Italian, c. 1510-), after Parmigianino (Italian, 1503-1540). Chiaroscuro woodcut (in two shades of gray and black); sheet

Background image1510 Collection: Bathsheba Bath 1549 Cornelis Massys Flemish 1510

Bathsheba Bath 1549 Cornelis Massys Flemish 1510
Bathsheba in the Bath, 1549. Cornelis Massys (Flemish, 1510/11-1556/57). Engraving

Background image1510 Collection: St. Jerome Study 1510 Giovanni Antonio da Brescia

St. Jerome Study 1510 Giovanni Antonio da Brescia
St. Jerome in His Study, c. 1510. Giovanni Antonio da Brescia (Italian), after Filippino Lippi (Italian, 1457-1504). Engraving

Background image1510 Collection: Martyrdom St. Simeon 1510 15 Lucas Cranach German

Martyrdom St. Simeon 1510 15 Lucas Cranach German
Martyrdom of St. Simeon, c. 1510/15. Lucas Cranach (German, 1472-1553). Woodcut

Background image1510 Collection: Christ House Lazarus 1510 Hans Burgkmair German

Christ House Lazarus 1510 Hans Burgkmair German
Christ in the House of Lazarus, 1510. Hans Burgkmair (German, 1473-1531). Woodcut

Background image1510 Collection: Leaf Book Hours Adoration Magi recto Text Illustrated Border

Leaf Book Hours Adoration Magi recto Text Illustrated Border
Leaf from a Book of Hours: Adoration of the Magi (recto) and Text with Illustrated Border (verso) (3 of 3 Excised Leaves), c. 1510. France, Rouen, 16th century

Background image1510 Collection: Leaf Book Hours Adoration Magi recto 1510 France

Leaf Book Hours Adoration Magi recto 1510 France
Leaf from a Book of Hours: Adoration of the Magi (recto), c. 1510. France, Rouen, 16th century. Ink, tempera and liquid gold on vellum; leaf: 19.5 x 13 cm (7 11/16 x 5 1/8 in.)

Background image1510 Collection: Leaf Book Hours Calendar Page recto June verso

Leaf Book Hours Calendar Page recto June verso
Leaf from a Book of Hours: Calendar Page for May (recto) and Calendar Page for June (verso) (2 of 3 Excised Leaves), c. 1510. France, Rouen, 16th century

Background image1510 Collection: Leaf Book Hours Calendar Page June verso 1510

Leaf Book Hours Calendar Page June verso 1510
Leaf from a Book of Hours: Calendar Page for June (verso), c. 1510. France, Rouen, 16th century. Ink, tempera and liquid gold on vellum; leaf: 19.5 x 13 cm (7 11/16 x 5 1/8 in.)

Background image1510 Collection: Leaf Book Hours Calendar Page recto 1510 France

Leaf Book Hours Calendar Page recto 1510 France
Leaf from a Book of Hours: Calendar Page for May (recto), c. 1510. France, Rouen, 16th century. Ink, tempera and liquid gold on vellum; leaf: 18.1 x 12.9 cm (7 1/8 x 5 1/16 in.)

Background image1510 Collection: Leaf Book Hours Text Illustrated Border verso

Leaf Book Hours Text Illustrated Border verso
Leaf from a Book of Hours: Text with Illustrated Border (verso), c. 1510. France, Rouen, 16th century. Ink, tempera and liquid gold on vellum; leaf: 19.5 x 13 cm (7 11/16 x 5 1/8 in.)

Background image1510 Collection: Printed Book Hours Rome fol 98v St. John Evangelist

Printed Book Hours Rome fol 98v St. John Evangelist
Printed Book of Hours (Use of Rome): fol. 98v, St. John the Evangelist, 1510. Guillaume Le Rouge (French, Paris, active 1493-1517). 112 Printed folios on parchment, bound

Background image1510 Collection: Printed Book Hours Rome 1510 Guillaume Le Rouge

Printed Book Hours Rome 1510 Guillaume Le Rouge
Printed Book of Hours (Use of Rome), 1510. Guillaume Le Rouge (French, Paris, active 1493-1517). 112 printed folios on parchment, bound; overall: 16.7 x 10.5 x 3 cm (6 9/16 x 4 1/8 x 1 3/16 in.)

Background image1510 Collection: Printed Book Hours Rome fol 99v St. Paul 1510

Printed Book Hours Rome fol 99v St. Paul 1510
Printed Book of Hours (Use of Rome): fol. 99v, St. Paul, 1510. Guillaume Le Rouge (French, Paris, active 1493-1517). 112 Printed folios on parchment, bound

Background image1510 Collection: Printed Book Hours Rome fol 99r St. Peter 1510

Printed Book Hours Rome fol 99r St. Peter 1510
Printed Book of Hours (Use of Rome): fol. 99r, St. Peter, 1510. Guillaume Le Rouge (French, Paris, active 1493-1517). 112 Printed folios on parchment, bound

Background image1510 Collection: Printed Book Hours Rome fol 73r Lazarus 1510

Printed Book Hours Rome fol 73r Lazarus 1510
Printed Book of Hours (Use of Rome): fol. 73r, Lazarus, 1510. Guillaume Le Rouge (French, Paris, active 1493-1517). 112 Printed folios on parchment, bound

Background image1510 Collection: Printed Book Hours Rome fol 7v June calendar illustration

Printed Book Hours Rome fol 7v June calendar illustration
Printed Book of Hours (Use of Rome): fol. 7v, June calendar illustration, 1510. Guillaume Le Rouge (French, Paris, active 1493-1517). 112 Printed folios on parchment, bound

Background image1510 Collection: Printed Book Hours Rome fol 6v calendar illustration

Printed Book Hours Rome fol 6v calendar illustration
Printed Book of Hours (Use of Rome): fol. 6v, May calendar illustration, 1510. Guillaume Le Rouge (French, Paris, active 1493-1517). 112 Printed folios on parchment, bound



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In the year 1510, Leonardo da Vinci's remarkable talent and curiosity knew no bounds. Through his pen and ink studies, he delved into the intricate details of human anatomy, capturing the essence of life itself. His c1510 sketches of a human fetus reveal his relentless pursuit to understand the beginnings of existence. Meanwhile, in the Eastern Netherlands, an artist depicted Christ on a cold stone around the same time. The chilling portrayal evokes a sense of solemnity and contemplation as we witness Christ's sacrifice for humanity. Leonardo continued his exploration with pen and ink studies of various body parts - from hands to thorax, pelvic bones to leg bones. Each stroke captured not only their physical structure but also hinted at their hidden secrets. The human spinal column became another subject that fascinated da Vinci during this period. His meticulous attention to detail shines through in these c1510-11 drawings, showcasing both its complexity and beauty. Not limited to anatomy alone, Leonardo expanded his artistic repertoire by studying arm muscles and superficial vessels. With every stroke of his pen, he unraveled layers upon layers of knowledge about our own bodies. Beyond anatomical studies lay other captivating works from 1510. St Francisco De Borgia emerges as a figure shrouded in mystery while Tournament Tents transport us back to an era filled with chivalry and grandeur. An intriguing glimpse into history comes in the form of heart anatomy from the 16th century - a testament to mankind's enduring fascination with understanding our most vital organ. Anonymous yet enchanting is "Woman with Unicorn, " painted circa 1510. This enigmatic artwork invites us into a world where reality merges seamlessly with mythological symbolism. Virtues triumph over vices in Flemish tapestry created around 1510 - an exquisite weaving that reminds us how timeless moral lessons can be conveyed through artistry alone. Lastly, Villa Farnesina stands proudly in Rome, Italy, a testament to architectural brilliance.