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Framed Print : Italy, Spatial concept, The End of God
Framed Photos from Universal Images Group (UIG)
Italy, Spatial concept, The End of God
Lucio Fontana (1899-1968), Spatial Concept. The End of God, 1963, 178x123 cm
Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide
Media ID 9455955
© DEA PICTURE LIBRARY
1963 20th Century Style Bizarre Eccentric Ideas Mystery Out Of Context Oval Spotted Surreal
12"x10" Modern Frame
Experience the thought-provoking art of Lucio Fontana with our Media Storehouse Framed Print of 'The End of God' from Universal Images Group. This iconic piece, created in 1963, showcases Fontana's revolutionary 'Spatial Concept' series. The large-format monochromatic artwork invites contemplation with its slashed canvas, challenging traditional notions of art and spirituality. Elevate your home or office décor with this captivating and thought-provoking addition.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 25.4cm x 30.5cm (10" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print from Universal Images Group (UIG) transports viewers into the enigmatic world of Lucio Fontana's "Spatial Concept. The End of God". Created in 1963, this fine art painting measures 178x123 cm and belongs to the eccentric realm of surrealism. The oval-shaped pattern spotted across the canvas adds an air of mystery, drawing us deeper into its bizarre allure. Fontana's work is known for pushing boundaries and challenging traditional artistic norms, and this piece is no exception. Its vertical composition creates a sense of movement, as if we are being pulled towards an unknown destination. The absence of people allows us to focus solely on the artwork itself, immersing ourselves in its otherworldly atmosphere. The juxtaposition between the title "The End of God" and the visual representation sparks curiosity and invites contemplation about profound ideas beyond our immediate understanding. This 20th-century masterpiece embodies Fontana's signature style, showcasing his mastery in blending illustration with painting techniques. As we gaze upon this out-of-context image, we find ourselves captivated by its surreal qualities that transcend time and place. It serves as a reminder that art has the power to transport us to new dimensions where imagination reigns supreme. Whether displayed in a gallery or cherished within our own personal spaces, this print offers an opportunity for introspection while adding a touch of sophistication to any setting.
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