Framed Print : Section Sanitaire Anglaise at Coxyde, 1917
Framed Photos From Mary Evans Picture Library
Section Sanitaire Anglaise at Coxyde, 1917
Section Sanitaire Anglaise at Coxyde, 1917. Ernest Procter, ARA NEAC (1886-1935). Ambulance Driver and Official Artist with the Friends Ambulance Unit (1916-1917) and then official War Artist for the Ministry of Information (1918-1919). Date: 1917
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14148898
© David Cohen Fine Art/Mary Evans Picture Library
1886 Ambulance Anglaise Driver Ernest Friends Information Ministry Neac Official Procter Roof Ruined Section Topographical Unit Wagon 1935
12"x10" Modern Frame
Introducing the captivating "Section Sanitaire Anglaise at Coxyde, 1917" framed print from Media Storehouse. This evocative piece, brought to you by Rights Managed from Mary Evans Prints Online, showcases the artwork of Ernest Procter (1886-1935). Procter was an esteemed artist, having been an Ambulance Driver and Official Artist with the Friends Ambulance Unit during World War I. This striking image captures the essence of the Section Sanitaire Anglaise (French Sanitary Section) at Coxyde, Belgium, in 1917. The composition beautifully encapsulates the spirit of camaraderie, resilience, and determination that characterized the war effort. The rich colors and intricate details of Procter's work are exquisitely preserved in our high-quality framed prints. Each print is meticulously crafted to ensure the utmost clarity and vibrancy, providing an authentic and captivating representation of this historical moment. Add this exquisite piece to your home or office to inspire and educate, making for a thought-provoking and engaging conversation starter. The perfect addition to any art collection, the "Section Sanitaire Anglaise at Coxyde, 1917" framed print is a timeless tribute to the courage and sacrifice of those who served during wartime.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 30.5cm x 25.4cm (12" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
Section Sanitaire Anglaise at Coxyde, 1917" is a poignant and powerful painting by British artist Ernest Procter, depicting the aftermath of the First World War battlefield at Coxyde, Belgium. Procter, an official artist with the Friends Ambulance Unit from 1916 to 1917 and later an official War Artist for the Ministry of Information from 1918 to 1919, captured the haunting beauty and devastation of the war-torn landscape in this evocative work. The painting shows a damaged cart or wagon, likely used as an ambulance, parked in the foreground amidst the ruins of a building with a ruined roof. The cart's top is open, revealing its empty interior, a stark reminder of the countless lives that had passed through it. In the background, the sea meets the sky in a horizon line, creating a sense of calm amidst the chaos. The title "Section Sanitaire Anglaise" translates to "English Sanitary Section," indicating that this was a medical or military unit that provided aid and assistance to wounded soldiers. The painting captures the sense of hope and healing that such a unit would have brought to the battlefield, even as the remnants of war surround it. Procter's use of muted colors and intricate detail adds to the painting's emotional depth, drawing the viewer in and inviting them to reflect on the history and significance of this moment in time. The painting is a testament to the resilience of the human spirit in the face of adversity and a powerful reminder of the sacrifices made during the First World War. This painting is an important historical document, offering a glimpse into the experiences of those who served on the front lines during the war. It is a must-have for any collection focused on military history, topographical art, or the history of the First World War.
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