Framed Print > Mary Evans Prints Online > New Images July 2020
Framed Print : BEGGAR - CHARLES MACKEY
Framed Photos from Mary Evans Picture Library
BEGGAR - CHARLES MACKEY
Charles Mackey, a black beggar, stands with cap in hand before an old stone cross. Date: Early 19th century
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 20150783
© Bubblepunk
1820s 1830s Beggar Beggars Blind Broom Charity Closed Community Offering Stands Mackey
18"x14" Modern Frame
Add a touch of historical authenticity to your home decor with our Framed Prints from Media Storehouse, featuring the evocative image of "Beggar - Charles Mackey" by Mary Evans Prints Online. This early 19th century photograph captures the poignant portrait of a black beggar, standing humbly with his cap in hand before an old stone cross. Each print is expertly framed to preserve the rich details and textures of this captivating image, making it a unique and thought-provoking addition to any room. Bring history into your home with our Framed Prints - order yours today.
16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 35.6cm x 40.6cm (14" x 16")
Estimated Product Size is 35.6cm x 45.7cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This evocative early 19th century image captures the poignant moment of Charles Mackey, a black beggar, humbly requesting alms before an old stone cross. The weathered cross, a symbol of faith and community, stands as a backdrop to the scene, emphasizing the intersection of charity and spirituality in the daily lives of the people of Britain during this period. Mackey, with his cap in hand, closes his eyes in a gesture of trust and hope, as if surrendering himself to the kindness and generosity of passersby. The broom leaning against the cross suggests that Mackey may have been a regular presence in the community, adding a layer of familiarity to the scene. The image, which could date from the 1820s or 1830s, offers a poignant glimpse into the lives of the less fortunate during a time when poverty and social inequality were endemic in British society. The closed eye of the beggar invites us to reflect on the humanity and dignity of those who lived on the margins of their communities, and the role that small acts of kindness and charity could play in their lives.
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