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Framed Print : View of the Junction of the Red River and the False Washita, in Texas, 1834-1835

View of the Junction of the Red River and the False Washita, in Texas, 1834-1835



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View of the Junction of the Red River and the False Washita, in Texas, 1834-1835

Heritage Images features heritage image collections

Media ID 21233477

© Heritage Art/Heritage Images

American West Arial View Bluff Catlin George Distance Distant Elevated View George Catlin George Wilkes Barre Grassland Horizon Prairie Prairies Red River Smithsonian American Art Museum Texas United States Of America Estuary


18"x14" Modern Frame

Bring the beauty and history of the American West into your home with our exquisite Framed Prints from Media Storehouse. This stunning piece features "View of the Junction of the Red River and the False Washita, in Texas, 1834-1835" by renowned artist George Catlin. Captured from Heritage Images, this artwork transports you back in time, showcasing the breathtaking landscape and the natural splendor of the Red River. The rich, vibrant colors and intricate details of the artwork are beautifully preserved in our museum-quality frames, making it a true work of art for any space. Elevate your decor and add a touch of history to your home with our Framed Prints from Media Storehouse.

16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.6cm x 35.6cm (16" x 14")

Estimated Product Size is 45.7cm x 35.6cm (18" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Landscapes

> Arts > Artists > C > George Catlin

> Arts > Landscape paintings > Landscape art

> Arts > Landscape paintings > Scenic landscapes

> Arts > Landscape paintings > Waterfall and river artworks > Landscape paintings

> Arts > Landscape paintings > Waterfall and river artworks > Scenic landscapes

> Arts > Landscape paintings > Waterfall and river artworks

> Arts > Still life artwork > Oil paintings > Landscape paintings

> Arts > Portraits > Landscape paintings > Fine art gallery

> Arts > Portraits > Landscape paintings > Oil paintings


View of the Junction of the Red River and the False Washita - A Glimpse into America's Untamed West

EDITORS COMMENTS
. This 19th-century oil painting by George Catlin offers a breathtaking aerial view of the junction between two mighty rivers in Texas. The scene, captured with vivid colors on canvas, transports us back to a time when the American West was still largely unexplored and untamed. From an elevated vantage point, we observe a vast expanse of grassland stretching towards distant hills on the horizon. The prairies, bathed in golden sunlight, showcase nature's raw beauty and evoke a sense of awe-inspiring tranquility. The meeting point between the Red River and its tributary, known as False Washita, takes center stage in this composition. Their merging waters create an estuary that meanders through the landscape like veins carrying lifeblood to this untapped wilderness. Catlin's meticulous attention to detail allows us to appreciate not only the natural splendor but also understand its geographical significance. This painting serves as both an educational tool and a testament to America's rich heritage. As we gaze upon this masterpiece housed within Smithsonian American Art Museum's collection, we are reminded of our country's pioneering spirit and boundless potential. It is a reminder that even amidst progress and development, there will always be pockets where nature reigns supreme – offering solace for those seeking respite from modernity’s relentless pace. In "View of the Junction". George

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