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Framed Print : Study of a seated man, 1895
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Study of a seated man, 1895
Study of a seated man, 1895. A print from The Magazine of Art, Cassell and Company, Limited, London, Paris and Melbourne, 1895
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Media ID 14947085
© Print Collector / Heritage-Images
Henry Stacy Henry Stacy Marks Knees Marks Print Collector9
12"x10" Modern Frame
Add a touch of timeless charm to your home or office with our Framed Prints from Media Storehouse. This exquisite piece features a captivating Study of a Seated Man, created in 1895 by the renowned artist Henry Stacy Marks. Originally published in The Magazine of Art, this beautifully preserved image is now available as a high-quality print, showcased in a classic frame. Bring the elegance and sophistication of the late 19th century into your space, and enjoy the intricate details and rich colors of this masterful artwork. Order your Framed Print of Study of a Seated Man today and make a lasting impression.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 30.5cm x 25.4cm (12" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print, titled "Study of a seated man, 1895" offers a glimpse into the artistic world of 19th-century Britain. Created by an unknown artist and published in The Magazine of Art by Cassell and Company, Limited, this piece showcases the talent and skill prevalent during the Victorian era. The subject of the portrait is a distinguished gentleman sitting in a relaxed position. His body language exudes confidence as he holds himself with poise. With his knees slightly bent and hands resting on his lap, he emanates an air of contemplation. The monochrome palette adds depth to the composition, emphasizing the intricate details captured by Henry Stacy Marks. Every line and stroke brings out the character's features - from his strong jawline to his intense gaze. As we delve into this artwork, we are transported back in time to witness not only a study of one individual but also gain insight into British society during this period. The print collector has preserved this snapshot for us to appreciate over a century later. "Study of a seated man" invites us to ponder upon questions about identity, masculinity, and societal norms that were prevalent at that time. It serves as both an aesthetic delight and historical documentation - reminding us how art can transcend time while offering glimpses into different eras.
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