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Framed Print : Scene in a Farce called The Quaker, December 22, 1783. December 22, 1783
Framed Photos From Heritage Images
Scene in a Farce called The Quaker, December 22, 1783. December 22, 1783
Scene in a Farce called The Quaker, December 22, 1783
Heritage Images features heritage image collections
Media ID 19988067
© Heritage Art/Heritage Images
Bannister Comic Opera Dibdin Jack Parsons Quaker Rowlandson Rowlandson Thomas Thomas Rowlandson William Parsons Charles Dibdin Vocalist
12"x10" Modern Frame
Step into the whimsical world of 18th-century theater with our framed print featuring 'Scene in a Farce called The Quaker, December 22, 1783' by Thomas Rowlandson. Capturing the essence of this comedic masterpiece, this artwork from Heritage Images will add a touch of historical charm to any space. Immerse yourself in the lively atmosphere and intricate details of this delightful scene brought to life through our high-quality framed prints.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 30.5cm x 25.4cm (12" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Scene in a Farce called The Quaker, December 22,1783 - A Glimpse into the World of Eighteenth-Century British Entertainment
EDITORS COMMENTS
. This print takes us back to December 22,1783, immersing us in the vibrant world of theater during the eighteenth century. Captured by Thomas Rowlandson, a renowned artist of his time, this etching showcases a scene from a farce titled "The Quaker". Intriguingly depicted are actors Bannister Jack and Bannister John alongside Charles Dibdin and William Parsons. These talented performers bring life to their roles as they engage in comic opera on stage. Amidst the laughter-inducing plotlines and catchy tunes sung by vocalists like Parsons himself, we witness an enchanting fusion of music and acting. One cannot help but notice the presence of a female character dressed as a Quaker woman. This portrayal adds depth to the storyline while also exploring themes related to religion and Christianity. Rowlandson's attention to detail is evident in every stroke of his etching. From facial expressions that convey emotions to intricate costumes that reflect the fashion trends of that era - all these elements contribute to making this artwork truly remarkable. Preserved at The Metropolitan Museum of Art, this print offers us an invaluable glimpse into both the profession and entertainment enjoyed by people during eighteenth-century Britain. It serves as a testament to how art has always been an
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