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Framed Print : The Orangery, Kensington Palace, c1950. Creator: Shirley Markham
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The Orangery, Kensington Palace, c1950. Creator: Shirley Markham
The Orangery, Kensington Palace, c1950. The baroque Orangery, next to Kensington Palace in London, was built in 1704-1705, probably by Nicholas Hawksmoor. It had under-floor heating and was used as a conservatory for delicate plants. Shirley Markham (1931-1999) studied Graphic Design and Illustration at Central School of Art in London from 1950-1952. The writer, artist, poet, and illustrator Mervyn Peake (1911-1968) was one of her tutors, and her style of drawing was also influenced by other British illustrators such as Edward Ardizzone, Quentin Blake and Edward Bawden. Markham spent time in the Dolomite Mountains in Italy, and also visited Rome, sketching classical buildings. After graduating from Central, she worked as a graphic designer, producing book illustrations, cartoons for comics, menus and programmes. She gave up her promising career however when she got married in 1957. Middle-class women at that time were expected to devote their energies to bringing up children and running the home, and despite her obvious talent, she lacked the confidence to return to illustration. Her portfolio remained in the family attic for many years, but now her work is published here for the first time
Heritage Images features heritage image collections
Media ID 18266593
© Shirley Markham Collection / Heritage-Images
1950s Fifties Hawksmoor Kensington Kensington And Chelsea Kensington Palace Markham Nicholas Nicholas Hawksmoor Orangery Shirley Shirley Jane Shirley Jane Markham Shirley Markham Shirley Waite Waite Wash Windows
18"x14" Modern Frame
Bring a piece of historical beauty into your home with our Framed Print of "The Orangery, Kensington Palace, c1950" by Shirley Markham from Heritage Images. This stunning photograph showcases the iconic baroque Orangery located next to Kensington Palace in London, built in 1704-1705 by Nicholas Hawksmoor. The intricate details of the Orangery's architecture are captured perfectly in this timeless image, making it an elegant addition to any room. Our Framed Prints are made with the highest quality materials and are sure to add character and charm to your space. Order now and enjoy a piece of history in your very own home.
16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 40.6cm x 35.6cm (16" x 14")
Estimated Product Size is 45.7cm x 35.6cm (18" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases "The Orangery, Kensington Palace" in the 1950s, captured by talented artist Shirley Markham. The baroque architecture of the Orangery, located adjacent to Kensington Palace in London, dates back to its construction between 1704 and 1705 under the supervision of Nicholas Hawksmoor. Notably, this stunning structure boasted innovative features like under-floor heating and served as a conservatory for delicate plants. Shirley Markham's artistic journey began at Central School of Art in London from 1950 to 1952, where she studied Graphic Design and Illustration. During her time there, she had the privilege of being mentored by Mervyn Peake—a renowned writer, artist, poet, and illustrator. Influenced by esteemed British illustrators such as Edward Ardizzone, Quentin Blake, and Edward Bawden; Markham developed a distinctive style that reflected their creative prowess. Markham's passion for art extended beyond her studies as she embarked on inspirational trips to Italy's Dolomite Mountains and Rome—sketching classical buildings along the way. After graduating from Central School of Art, she pursued a successful career as a graphic designer—creating book illustrations, comic cartoons menus, and programs. However promising her path seemed professionally, Makrham made the difficult decision to prioritize marriage in 1957—an expectation placed upon middle-class women during that era—to dedicate herself solely to raising children and managing household responsibilities. Despite possessing undeniable talent, Makrham lacked confidence when it came to returning to illustration after taking this break. For many years following her departure from professional artistry, the remarkable collection of Makrham's work remained tucked away in her family attic until now. This publication marks an exciting moment—the first time these hidden gems are shared with the world—allowing us all an opportunity to appreciate Shirley Makrham's extraordinary talent. (not commercial use)
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