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Framed Print : The Irish Frankenstein, 1882. Artist: Joseph Swain
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The Irish Frankenstein, 1882. Artist: Joseph Swain
The Irish Frankenstein, 1882. An awestruck Charles Parnell of the Irish Nationalist Party is crouching before his Creature which is depicted with the usual simian features of the Irishman in Punch cartoons. Fully armed, the Creature is powerful and ready for violence. Following the sudden and angry resignation of the Chief Secretary for Ireland, William Forster, Lord Frederick Cavendish had been appointed to the vacancy. However, on 6th May 1882, Cavendish and his Permanent Irish Under-Secretary, Mr Thomas Burke, were attacked by members of an Irish extremist group whilst walking in Phoenix Park, Dublin. They were slashed with long knives, and their throats were cut. Because of his support for the aims of the Irish Land Leaguers, Parnell was seen as largely responsible for the increasing violence of the Creature he had helped to create. From Punch, or the London Charivari, May 20, 1882
Heritage Images features heritage image collections
Media ID 14831775
© The Print Collector / Heritage-Images
Attack Charles Stewart Charles Stewart Parnell Heritage Image Partnership Ireland Irish John Tenniel Joseph Swain Monster Parnell Sir John Tenniel Swain Tenniel Violence Violent Frankenstein Irish Land League
12"x10" Modern Frame
Bring a piece of historical artistry into your home with our Framed Print of "The Irish Frankenstein, 1882" by Charles Stewart Parnell, John Tenniel, and Joseph Swain. This captivating image, published by Heritage Images, features an awestruck Charles Parnell of the Irish Nationalist Party encountering his Creature, depicted with the usual simian features of the Irishman in Punch. The intricate details and vivid colors of this print are beautifully preserved in our high-quality frame, making it a stunning addition to any room in your home or office. Order now and bring a piece of Irish history and art into your space.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 25.4cm x 30.5cm (10" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The Irish Frankenstein, 1882
EDITORS COMMENTS
is a powerful and thought-provoking print that captures the turbulent political climate of 19th century Ireland. Created by Joseph Swain, this engraving depicts Charles Parnell, leader of the Irish Nationalist Party, crouching before his own creation - a monstrous creature with simian features commonly associated with caricatures of the Irishman in Punch cartoons. The image symbolizes the increasing violence and unrest in Ireland during this period. Following the brutal assassination of Chief Secretary William Forster, Lord Frederick Cavendish was appointed to fill the vacancy. However, on May 6th, 1882, Cavendish and Mr Thomas Burke were viciously attacked by members of an extremist group while walking in Phoenix Park. Parnell's support for the aims of the Irish Land Leaguers made him a target for blame regarding this escalating violence. The Creature he had helped create now stood fully armed and ready for further bloodshed. This print serves as a scathing satire on politics and warfare. It highlights how political movements can sometimes unleash uncontrollable forces that lead to destruction and chaos. The monochrome black-and-white imagery adds to its haunting impact. "The Irish Frankenstein" is not just a historical artifact but also a reminder of how power dynamics can shape nations and individuals alike. It prompts us to reflect upon our responsibility as creators and leaders within society – urging us to consider both intended consequences and unintended outcomes when pursuing our ambitions.
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