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Framed Print : End of the Harvest, 1890s. Creator: Charles Angrand (French, 1854-1926)

End of the Harvest, 1890s. Creator: Charles Angrand (French, 1854-1926)




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End of the Harvest, 1890s. Creator: Charles Angrand (French, 1854-1926)

End of the Harvest, 1890s. The startling technique of this drawing reflects the ideas of the French painting movement known as Pointillism or Divisionism. Its most famous practitioner, Georges Seurat (1859-1891), developed a technique of dividing broad areas of colour into short strokes of individual hues of paint. Seurats friend Charles Angrand was influenced by this method, and both artists developed a related technique for their drawings. In the sheet shown here, Angrand used a black, manufactured charcoal stick on a paper textured with tiny ridges. The highest of these ridges hold the charcoal, but the paper shows through in the small spaces between them. This creates the effect of a soft, diffuse, evening light that dissolves the curved shapes of haystacks and turns the landscape into an expansive abstraction of nature

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Media ID 19620123

© Heritage Art/Heritage Images

Conté Crayon


12"x10" Modern Frame

Experience the timeless beauty of art with our Framed Print of "End of the Harvest, 1890s" by renowned French artist Charles Angrand. This exquisite piece showcases the captivating Pointillist technique of the French painting movement, Divisionism. Immerse yourself in the rich colors and intricate details that bring the essence of the 1890s harvest to life. Each print is carefully framed to preserve and enhance the artwork's brilliance, making it a stunning addition to any home or office decor. Bring a piece of history into your space with our Framed Print of "End of the Harvest, 1890s" by Charles Angrand.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 30.5cm x 25.4cm (12" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Landscapes

> Arts > Artists > A > Charles Angrand

> Arts > Artists > Georges Seurat > Art techniques

> Arts > Artists > Georges Seurat > Divisionism

> Arts > Artists > Georges Seurat > Landscape painting

> Arts > Artists > Georges Seurat > Pointillism

> Arts > Artists > Georges Seurat

> Arts > Artists > S > Georges Seurat

> Arts > Contemporary art > Landscapes > Nature landscapes

> Arts > Landscape paintings > Landscape art


End of the Harvest, 1890s

EDITORS COMMENTS
is a captivating print that showcases the remarkable technique of Charles Angrand, a French artist from the late 19th century. Inspired by the revolutionary painting movement known as Pointillism or Divisionism, Angrand's drawing reflects his mastery in dividing broad areas of color into short strokes of individual hues. In this particular piece, Angrand employs a black charcoal stick on textured paper with tiny ridges. The clever use of these ridges allows for an interplay between light and shadow, creating an ethereal effect reminiscent of soft evening light. As a result, the curved shapes of haystacks dissolve into abstraction while maintaining their organic essence. Angrand was greatly influenced by his friend Georges Seurat, who pioneered this technique in painting. Both artists developed a related approach for their drawings, showcasing their dedication to exploring new artistic possibilities. This print not only captures Angrand's technical brilliance but also serves as a testament to his contribution to art history during the late 19th century in France. It is through works like "End of the Harvest" that we can appreciate how artists pushed boundaries and challenged traditional notions of representation. Displayed at The Cleveland Museum of Art and preserved by Heritage Art/Heritage Images, this masterpiece invites viewers to immerse themselves in its delicate details and experience nature transformed into an abstracted landscape.

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