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Framed Print : City of Washington in America, 1st month, 1862. Creator: Utagawa Yoshitora

City of Washington in America, 1st month, 1862. Creator: Utagawa Yoshitora



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City of Washington in America, 1st month, 1862. Creator: Utagawa Yoshitora

City of Washington in America, 1st month, 1862

Heritage Images features heritage image collections

Media ID 20375233

© Heritage Art/Heritage Images

Crinoline Crinolines Europeans Hoop Skirt Hooped Horse And Carriage Ink And Colour On Paper Petticoat Triptych Triptych Of Polychrome Woodblock Prints Utagawa Utagawa Yoshitora Washington Washington Dc West Western Westerner Westerners Yokohama Yokohama E Yoshitora Yoshitora Utagawa Horse Drawn Horse Drawn Vehicle Horsedrawn


18"x14" Modern Frame

Step back in time with our exquisite framed print from Media Storehouse's collection. This captivating piece showcases Utagawa Yoshitora's stunning depiction of the City of Washington in America during the first month of 1862. Widely regarded as one of the most influential Japanese artists of the 19th century, Yoshitora's unique perspective offers a fascinating glimpse into the past. This museum-quality print, sourced from Heritage Images, is a must-have for history enthusiasts and art collectors alike. Framed in a classic style, this beautiful work of art adds an air of sophistication and intrigue to any room. Transport yourself back in time and bring a piece of history into your home with Media Storehouse's Framed Print of City of Washington in America, 1st month, 1862 by Utagawa Yoshitora.

16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.6cm x 35.6cm (16" x 14")

Estimated Product Size is 45.7cm x 35.6cm (18" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Western Mouse

> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > Y > Utagawa Yoshitora

> Arts > Portraits > Pop art gallery > Street art portraits

> Asia > Japan > Related Images

> Asia > Japan > Yokohama

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> North America > United States of America > Washington > Related Images


EDITORS COMMENTS
This vibrant triptych print by Utagawa Yoshitora, titled "City of Washington in America, 1st month, 1862" offers a captivating glimpse into the bustling streets of Washington D. C. during the 19th century. The artist's mastery of ukiyo-e woodblock printing brings to life a vivid tableau that showcases the fusion of Japanese and Western artistic styles. In this scene, we are transported back in time to witness an intriguing blend of cultures as European and American influences merge with traditional Japanese aesthetics. Crinolines and hoop skirts adorn fashionable women who elegantly traverse the city streets alongside men dressed in Victorian attire. Horse-drawn carriages gracefully navigate through the busy roads, adding a touch of nostalgia to this urban landscape. Yoshitora's attention to detail is evident in every brushstroke; from intricate architectural elements to meticulously crafted clothing patterns, each aspect contributes to the overall authenticity and charm of this artwork. The use of ink and color on paper further enhances its visual impact. Displayed at The Metropolitan Museum of Art (The Met), this piece serves as a testament to both cultural exchange and historical documentation. It invites viewers to explore not only the physicality but also the spirit of Washington D. C. , capturing a moment frozen in time when East met West amidst an era marked by rapid societal changes. As we admire Yoshitora's skillful craftsmanship, we are reminded that art has no boundaries – it transcends continents and centuries while preserving our shared heritage

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