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Framed Print : Ce qu'on appelle les séductions de Paris, 1844. Creator: Honore Daumier

Ce qu'on appelle les séductions de Paris, 1844. Creator: Honore Daumier




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Ce qu'on appelle les séductions de Paris, 1844. Creator: Honore Daumier

Ce qu'on appelle les seductions de Paris, 1844. What we call the seductions of Paris. Une estale, not bourgeois...vous entendrez chanter ce soir Mme. Dorus-Grasse et Mr. Bariolhe...une excellente estalle de parterre...douze francs...moins cher qu'au bureau!'. Ticket tout to provincial visitor: A seat in the stalls, our fine bourgeois...you will hear Madame Dorus-Grasse and Mr. Bariolhe singing this evening...an excellent seat on the ground floor...twelve francs...cheaper than at the booking office!'. From Les Etrangers a Paris, no. 9

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Media ID 36353524

© Heritage Art/Heritage Images

Daumier Honore Daumier Honore Victorin Funny H Daumier Honore Daumier Honore Victorin Daumier Lithographic Salesman Sell Seller Selling Ticket Tickets Tourist Booking Office Hard Sell Lithotint Metaphor Parody Playhouse Satirical Tout


12"x10" Modern Frame

Experience the captivating allure of 19th-century Paris with our exquisite framed print of Honore Daumier's masterpiece, 'Ce qu'on appelle les seductions de Paris, 1844.' This iconic work by the renowned French artist showcases the vibrant and seductive atmosphere of Parisian life, complete with a bourgeois couple and the enchanting sounds of Mme. Dorus-Grasse and Mr. Their intriguing encounter is brought to life in stunning detail, making this framed print an essential addition to any art collection or Parisian-themed decor. Embrace the charm and sophistication of Parisian culture with this beautiful, museum-quality framed print from Media Storehouse.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 25.4cm x 30.5cm (10" x 12")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > D > Honore Daumier

> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Canton > Cher

> Europe > France > Le Mans

> Humour > Cartoon

> Humour > Postcard

> Humour > Related Images


Ce qu'on appelle les séductions de Paris,

EDITORS COMMENTS
or "What we call the seductions of Paris," is a captivating lithograph created by the renowned French artist Honore Daumier in 1844. This intriguing piece is part of Daumier's series "Les Etrangers a Paris" (Strangers in Paris), which offers a humorous commentary on Parisian life and its attractions for tourists. The image depicts a ticket vendor, or "ticket tout," eagerly selling tickets to a provincial visitor outside a Parisian theater. The caption above the scene reads, "A seat in the stalls, our fine bourgeois...you will hear Madame Dorus-Grasse and Mr. Bariolhe singing this evening...an excellent seat on the ground floor...twelve francs...cheaper than at the booking office!" The ticket tout's hard sell is met with a skeptical look from the tourist, who clutches a map and a small bag. Daumier masterfully employs satire and parody in this lithograph, using the metaphor of the theater as a symbol for the allure and seduction of Paris. The ticket tout, with his slicked-back hair and confident posture, represents the salesman's art of persuasion and the relentless pursuit of profit. The tourist, on the other hand, embodies the naive and curious traveler, drawn to the vibrant and exciting world of Paris but unsure of how to navigate it. This work of art, with its rich history and intriguing commentary on human nature, continues to captivate audiences and art enthusiasts alike. The black and white contrast of the lithograph adds to its timeless appeal, making it a must-see for anyone interested in the history of art, satire, or the human condition. This lithograph, "Ce qu'on appelle les séductions de Paris," is a testament to Honore Daumier's artistic genius and his ability to capture the essence of Parisian life in the 19th century. It is currently housed in the Los Angeles County Museum of Art (LACMA), where it continues to inspire and delight visitors from around the world.

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