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Contemporary & Modern British Art Framed Print Collection

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66 Framed Prints

Background imageContemporary & Modern British Art Framed Print Collection: Soldiers at a Stream, 1920 (w / c on paper)

Soldiers at a Stream, 1920 (w / c on paper)
3493887 Soldiers at a Stream, 1920 (w/c on paper) by Carrington, Dora (1893-1932); Private Collection; (add.info.: Travelling through Spain to visit Gerald Brenan, Carrington)

Background imageContemporary & Modern British Art Framed Print Collection: Plage, 1928 (oil on canvas)

Plage, 1928 (oil on canvas)
NGW238929 Plage, 1928 (oil on canvas) by Nash, Paul (1889-1946); 72.8x49.5 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageContemporary & Modern British Art Framed Print Collection: Leaving Scapa Flow (pencil & w / c on paper)

Leaving Scapa Flow (pencil & w / c on paper)
BRA309370 Leaving Scapa Flow (pencil & w/c on paper) by Ravilious, Eric (1903-42); Bradford Art Galleries and Museums, West Yorkshire

Background imageContemporary & Modern British Art Framed Print Collection: Provence, c. 1925 (oil on canvas)

Provence, c. 1925 (oil on canvas)
3432727 Provence, c.1925 (oil on canvas) by Fry, Roger Eliot (1866-1934); 45.7x61 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageContemporary & Modern British Art Framed Print Collection: Listen to Britain, c.1949 (oil on canvas)

Listen to Britain, c.1949 (oil on canvas)
BOL229463 Listen to Britain, c.1949 (oil on canvas) by Jennings, Humphrey (1907-50); 76.8x102.2 cm; Bolton Museum and Art Gallery, Lancashire, UK

Background imageContemporary & Modern British Art Framed Print Collection: Untitled (pen and brown ink on paper)

Untitled (pen and brown ink on paper)
XYC162461 Untitled (pen and brown ink on paper) by Stothard, Thomas (1755-1834); 10.6x7 cm; Yale Center for British Art, New Haven, USA, Anonymous Gift

Background imageContemporary & Modern British Art Framed Print Collection: Nocturnal Landscape, 1938 (oil on canvas)

Nocturnal Landscape, 1938 (oil on canvas)
MAN258655 Nocturnal Landscape, 1938 (oil on canvas) by Nash, Paul (1889-1946); 76.5x101.5 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageContemporary & Modern British Art Framed Print Collection: O Nuit d'Amour (oil on canvas)

O Nuit d'Amour (oil on canvas)
1746597 O Nuit d'Amour (oil on canvas) by Sickert, Walter Richard (1860-1942); 90x70 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageContemporary & Modern British Art Framed Print Collection: A Woman, 1952 (oil on canvas)

A Woman, 1952 (oil on canvas)
3506308 A Woman, 1952 (oil on canvas) by Tibble, Geoffrey (1909-52); 61x51 cm; Herbert Art Gallery & Museum, Coventry, UK; © Herbert Art Gallery & Museum, Coventry

Background imageContemporary & Modern British Art Framed Print Collection: The Archer, c. 1930-42 (oil on canvas)

The Archer, c. 1930-42 (oil on canvas)
908516 The Archer, c.1930-42 (oil on canvas) by Nash, Paul (1889-1946); 71x91.5 cm; Southampton City Art Gallery, Hampshire, UK; Southampton City Art Gallery

Background imageContemporary & Modern British Art Framed Print Collection: House in the Woods (oil on canvas)

House in the Woods (oil on canvas)
WH49091 House in the Woods (oil on canvas) by Jennings, Humphrey (1907-50); Private Collection; Photo © Whitford & Hughes, London, UK; English, out of copyright

Background imageContemporary & Modern British Art Framed Print Collection: Harlequin, c. 1940-41 (watercolour on paper)

Harlequin, c. 1940-41 (watercolour on paper)
PNH419712 Harlequin, c.1940-41 (watercolour on paper) by Welch, Maurice Denton (1915-1948); 17x23 cm; Private Collection; (add.info)

Background imageContemporary & Modern British Art Framed Print Collection: The Purchaser, 1915 (woodcut)

The Purchaser, 1915 (woodcut)
397434 The Purchaser, 1915 (woodcut) by Gill, Eric (1882-1940); 12.4x7.9 cm; Private Collection; English, out of copyright

Background imageContemporary & Modern British Art Framed Print Collection: Clothes for Dignity and Adornment, 1927 (wood engraving)

Clothes for Dignity and Adornment, 1927 (wood engraving)
397442 Clothes for Dignity and Adornment, 1927 (wood engraving) by Gill, Eric (1882-1940); Private Collection; English, out of copyright

Background imageContemporary & Modern British Art Framed Print Collection: Northern Adventure (oil on canvas)

Northern Adventure (oil on canvas)
PHD41736 Northern Adventure (oil on canvas) by Nash, Paul (1889-1946); Private Collection; (add.info.: view of St. Pancras station; train terminus; possibly painted 1929?; ); English, out of copyright

Background imageContemporary & Modern British Art Framed Print Collection: The Offing, 1935 (tempera on panel)

The Offing, 1935 (tempera on panel)
BAG26883 The Offing, 1935 (tempera on panel) by Wadsworth, Edward Alexander (1889-1949); 88.9x63.5 cm; Bristol Museum and Art Gallery, UK; © Bristol Museums, Galleries & Archives; Purchased, 1952

Background imageContemporary & Modern British Art Framed Print Collection: The Picnic, 1946 (oil on board)

The Picnic, 1946 (oil on board)
PNH356360 The Picnic, 1946 (oil on board) by Meninsky, Bernard (1891-1950); 61x50.5 cm; Private Collection; Photo © Peter Nahum at The Leicester Galleries, London; English, out of copyright

Background imageContemporary & Modern British Art Framed Print Collection: Trewithal Farm (oil on canvas)

Trewithal Farm (oil on canvas)
TW427173 Trewithal Farm (oil on canvas) by Adams, Ruth (1893-1949); 61.1 x 45.7 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; Tyne & Wear Archives & Museums

Background imageContemporary & Modern British Art Framed Print Collection: A Sussex By-Pass, 1937 (tempera on canvas & panel)

A Sussex By-Pass, 1937 (tempera on canvas & panel)
MHW256658 A Sussex By-Pass, 1937 (tempera on canvas & panel) by Wadsworth, Edward Alexander (1889-1949); 52x38.5 cm; Private Collection; English, out of copyright

Background imageContemporary & Modern British Art Framed Print Collection: Cockerel and the Printing Press, 1926 (wood engraving)

Cockerel and the Printing Press, 1926 (wood engraving)
1631662 Cockerel and the Printing Press, 1926 (wood engraving) by Gill, Eric (1882-1940); Private Collection; The Stapleton Collection

Background imageContemporary & Modern British Art Framed Print Collection: Coronilla Landscape, 1929 (oil on canvas)

Coronilla Landscape, 1929 (oil on canvas)
884234 Coronilla Landscape, 1929 (oil on canvas) by Nash, Paul (1889-1946); 61.2x50.8 cm; Fitzwilliam Museum, University of Cambridge, UK; © Fitzwilliam Museum

Background imageContemporary & Modern British Art Framed Print Collection: Initial L with Woman, 1929 (wood engraving)

Initial L with Woman, 1929 (wood engraving)
397438 Initial L with Woman, 1929 (wood engraving) by Gill, Eric (1882-1940); 2.54x4.4 cm; Private Collection; English, out of copyright

Background imageContemporary & Modern British Art Framed Print Collection: Our Lady of Lourdes, 1920 (woodcut engraving)

Our Lady of Lourdes, 1920 (woodcut engraving)
1631652 Our Lady of Lourdes, 1920 (woodcut engraving) by Gill, Eric (1882-1940); Private Collection; The Stapleton Collection

Background imageContemporary & Modern British Art Framed Print Collection: Sculpture, 1930 (woodcut)

Sculpture, 1930 (woodcut)
397439 Sculpture, 1930 (woodcut) by Gill, Eric (1882-1940); Private Collection; English, out of copyright

Background imageContemporary & Modern British Art Framed Print Collection: Initial T with Woman, 1929 (wood engraving)

Initial T with Woman, 1929 (wood engraving)
397437 Initial T with Woman, 1929 (wood engraving) by Gill, Eric (1882-1940); 2.54x2.54 cm; Private Collection; English, out of copyright

Background imageContemporary & Modern British Art Framed Print Collection: The Apple Gatherers, 1943 (w / c on paper)

The Apple Gatherers, 1943 (w / c on paper)
PNH356358 The Apple Gatherers, 1943 (w/c on paper) by Meninsky, Bernard (1891-1950); 30x19 cm; Private Collection; Photo © Peter Nahum at The Leicester Galleries, London; English

Background imageContemporary & Modern British Art Framed Print Collection: The Archer, 1930-42 (oil on canvas)

The Archer, 1930-42 (oil on canvas)
SOU80730 The Archer, 1930-42 (oil on canvas) by Nash, Paul (1889-1946); 71x91.5 cm; Southampton City Art Gallery, Hampshire, UK; © Southampton City Art Gallery; English, out of copyright

Background imageContemporary & Modern British Art Framed Print Collection: Encounter in the Afternoon, 1936 (oil on canvas)

Encounter in the Afternoon, 1936 (oil on canvas)
GR24696 Encounter in the Afternoon, 1936 (oil on canvas) by Nash, Paul (1889-1946); 50.2x75.6 cm; Private Collection; (add.info.: Formerly in the collection of the English poet and collector)

Background imageContemporary & Modern British Art Framed Print Collection: Souvenir of Florence, 1929 (oil on canvas)

Souvenir of Florence, 1929 (oil on canvas)
GR24695 Souvenir of Florence, 1929 (oil on canvas) by Nash, Paul (1889-1946); 68.6x43.8 cm; Yale Center for British Art, Paul Mellon Fund

Background imageContemporary & Modern British Art Framed Print Collection: The Pond at Souldern, 1926 (oil on canvas)

The Pond at Souldern, 1926 (oil on canvas)
908513 The Pond at Souldern, 1926 (oil on canvas) by Nash, Paul (1889-1946); 71x92 cm; Wolverhampton Art Gallery, West Midlands, UK; © Wolverhampton Art Gallery; English, out of copyright

Background imageContemporary & Modern British Art Framed Print Collection: November Moon, 1942 (oil on canvas)

November Moon, 1942 (oil on canvas)
884236 November Moon, 1942 (oil on canvas) by Nash, Paul (1889-1946); 76.2x50.8 cm; Fitzwilliam Museum, University of Cambridge, UK; © Fitzwilliam Museum

Background imageContemporary & Modern British Art Framed Print Collection: Coronilla Landscape, 1929 (oil on canvas)

Coronilla Landscape, 1929 (oil on canvas)
884235 Coronilla Landscape, 1929 (oil on canvas) by Nash, Paul (1889-1946); 61.2x50.8 cm; Fitzwilliam Museum, University of Cambridge, UK; © Fitzwilliam Museum

Background imageContemporary & Modern British Art Framed Print Collection: Fortunes Well, Portland, 1921

Fortunes Well, Portland, 1921
BAL23848 Fortunes Well, Portland, 1921 by Wadsworth, Edward Alexander (1889-1949); Mayor Gallery, London, UK

Background imageContemporary & Modern British Art Framed Print Collection: James Prydes Hat, c. 1893-98 (oil on board)

James Prydes Hat, c. 1893-98 (oil on board)
PNH356231 James Prydes Hat, c.1893-98 (oil on board) by Nicholson, William (1872-1949) & Pryde, James (1866-1941); 38x30.5 cm; Private Collection; Photo © Peter Nahum at The Leicester Galleries

Background imageContemporary & Modern British Art Framed Print Collection: The White Rose and the Red Rose, 1902 (painted gesso over hessian with glass beads)

The White Rose and the Red Rose, 1902 (painted gesso over hessian with glass beads)
CH463059 The White Rose and the Red Rose, 1902 (painted gesso over hessian with glass beads) by MacDonald Mackintosh, Margaret (1865-1933)

Background imageContemporary & Modern British Art Framed Print Collection: Clivia, 1917 (oil on canvas)

Clivia, 1917 (oil on canvas)
3493892 Clivia, 1917 (oil on canvas) by Fry, Roger Eliot (1866-1934); Private Collection; (add.info.: One of twenty paintings exhibited at the Carfax Gallery in November 1917 which nearly all sold)

Background imageContemporary & Modern British Art Framed Print Collection: Figure Resting under a Tree, St. Agnes, 1915 (oil on canvas)

Figure Resting under a Tree, St. Agnes, 1915 (oil on canvas)
2639847 Figure Resting under a Tree, St. Agnes, 1915 (oil on canvas) by Fry, Roger Eliot (1866-1934); 91.4x71 cm; Private Collection; (add.info.: Pippa Strachey, an acquaintance of the artist)

Background imageContemporary & Modern British Art Framed Print Collection: Cat attacking Dog, 1913 (black wash & ink on paper)

Cat attacking Dog, 1913 (black wash & ink on paper)
PNH353049 Cat attacking Dog, 1913 (black wash & ink on paper) by Gaudier-Brzeska, Henri (1891-1915); 14x21 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; French

Background imageContemporary & Modern British Art Framed Print Collection: The Heart of the Rose, 1902 (painted gesso over hessian)

The Heart of the Rose, 1902 (painted gesso over hessian)
CH463060 The Heart of the Rose, 1902 (painted gesso over hessian) by MacDonald Mackintosh, Margaret (1865-1933); 97.8x100.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageContemporary & Modern British Art Framed Print Collection: Five Element Composition, c. 1929 (gouache)

Five Element Composition, c. 1929 (gouache)
TAY56310 Five Element Composition, c.1929 (gouache) by Jellett, Mainie (1897-1944); 48.3x33 cm; Private Collection; eTaylor Gallery, London, UK; Irish, out of copyright

Background imageContemporary & Modern British Art Framed Print Collection: Diver being prepared for descent

Diver being prepared for descent
BBC211022 Diver being prepared for descent by Ravilious, Eric (1903-42); Private Collection; English, out of copyright

Background imageContemporary & Modern British Art Framed Print Collection: Cave, Tintagel (oil on board)

Cave, Tintagel (oil on board)
PNH452599 Cave, Tintagel (oil on board) by Richmond, William Blake (1842-1921); 20.3x35.6 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English, out of copyright

Background imageContemporary & Modern British Art Framed Print Collection: Maynard Keynes, Lytton Strachey and Others, c. 1916 (pencil & w / c on paper)

Maynard Keynes, Lytton Strachey and Others, c. 1916 (pencil & w / c on paper)
3493872 Maynard Keynes, Lytton Strachey and Others, c.1916 (pencil & w/c on paper) by Carrington, Dora (1893-1932); Private Collection; (add.info)

Background imageContemporary & Modern British Art Framed Print Collection: Studland Beach, 1911 (oil on canvas)

Studland Beach, 1911 (oil on canvas)
3493861 Studland Beach, 1911 (oil on canvas) by Fry, Roger Eliot (1866-1934); Private Collection; (add.info.: This is one of several paintings of this Dorset beach made on Frys visit to Studland with)

Background imageContemporary & Modern British Art Framed Print Collection: Gladioli, c. 1915 (w / c on paper)

Gladioli, c. 1915 (w / c on paper)
3493754 Gladioli, c.1915 (w/c on paper) by Fry, Roger Eliot (1866-1934); 35.6x24.1 cm; Private Collection; Photo eThe Bloomsbury Workshop, London; English, out of copyright

Background imageContemporary & Modern British Art Framed Print Collection: Head of a Model, 1913 (oil on canvas)

Head of a Model, 1913 (oil on canvas)
3493863 Head of a Model, 1913 (oil on canvas) by Fry, Roger Eliot (1866-1934); Private Collection; (add.info.: This model was painted by Vanessa Bell on the same occasion)

Background imageContemporary & Modern British Art Framed Print Collection: Le Petit Port, St Tropez, 1922 (oil on panel)

Le Petit Port, St Tropez, 1922 (oil on panel)
3493862 Le Petit Port, St Tropez, 1922 (oil on panel) by Fry, Roger Eliot (1866-1934); Private Collection; (add.info.: Roger Fry spent some time in St Tropez in late summer 1922)

Background imageContemporary & Modern British Art Framed Print Collection: New Lamps for Old, 1900-01 (tempera on canvas)

New Lamps for Old, 1900-01 (tempera on canvas)
BIR189288 New Lamps for Old, 1900-01 (tempera on canvas) by Southall, Joseph Edward (1861-1944); 96.5x74.7 cm; Birmingham Museums and Art Gallery; English, out of copyright



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