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Framed Print : The skeleton of Death smokes a pipe at the fireside with old Gaffer Goodman, while his young wife is seduced by a suitor at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann

The skeleton of Death smokes a pipe at the fireside with old Gaffer Goodman, while his young wife is seduced by a suitor at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann



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The skeleton of Death smokes a pipe at the fireside with old Gaffer Goodman, while his young wife is seduced by a suitor at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann

FLO4690293 The skeleton of Death smokes a pipe at the fireside with old Gaffer Goodman, while his young wife is seduced by a suitor at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816. by Rowlandson, Thomas (1756-1827); (add.info.: The skeleton of Death smokes a pipe at the fireside with old Gaffer Goodman, while his young wife is seduced by a suitor at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.); © Florilegius

Media ID 22463358

© Florilegius / Bridgeman Images

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18"x14" Modern Frame

Step into a captivating world of dark humor and intricate details with our Media Storehouse range of Framed Prints. This particular piece, titled 'The skeleton of Death smokes a pipe at the fireside with old Gaffer Goodman, while his young wife is seduced by a suitor at the window,' beautifully captures Thomas Rowlandson's handcoloured copperplate engraving from The English Dance of Death. With its mesmerizing storytelling and stunning visuals, this print is sure to add an intriguing touch to any space. Explore Fine Art Finder for more timeless masterpieces.

16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.6cm x 35.6cm (16" x 14")

Estimated Product Size is 45.7cm x 35.6cm (18" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Thomas Rowlandson

> Arts > Artists > N > Thomas North

> Arts > Artists > R > Thomas Rowlandson

> Arts > Artists > Y > Art Young

> Arts > Dance

> Europe > Germany > Dance

> Europe > United Kingdom > England > Dance

> Europe > United Kingdom > England > London > Art > Dance

> Popular Themes > Dance


EDITORS COMMENTS
This handcoloured copperplate print by Thomas Rowlandson, titled "The skeleton of Death smokes a pipe at the fireside with old Gaffer Goodman, while his young wife is seduced by a suitor at the window" offers a macabre yet intriguing glimpse into 19th century English society. The image depicts an allegorical scene where Death himself, represented as a skeleton, casually enjoys a smoke by the fireside with old Gaffer Goodman. Meanwhile, just outside the window, Gaffer's young wife succumbs to temptation and is seduced by another man. Rowlandson's intricate engraving skillfully captures both the humor and darkness of human existence. The juxtaposition of life and death in this piece serves as a reminder that mortality spares no one, regardless of age or social standing. It also reflects on themes such as infidelity and temptation that were prevalent during this era. The artist's attention to detail is evident in every element of the composition – from the expressions on each character's face to their body language. The hand-colouring adds depth and richness to the overall image. "The English Dance of Death" series from which this print originates was published in London in 1816 by Ackermann. It stands as an important commentary on British culture at that time and continues to captivate viewers today with its darkly satirical portrayal of life's inevitable dance with death.

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