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Framed Print : The Tomb of the Horatii and Cuiatii, 1792 (oil on board)

The Tomb of the Horatii and Cuiatii, 1792 (oil on board)




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The Tomb of the Horatii and Cuiatii, 1792 (oil on board)

NGW336471 The Tomb of the Horatii and Cuiatii, 1792 (oil on board) by Barker of Bath, Thomas (1769-1847); 56.6x41.4 cm; National Museum Wales; National Museums & Galleries of Wales

Media ID 33069298

© National Museums & Galleries of Wales / Bridgeman Images

Derelict Horse And Cart Isolated Isolation Loneliness Lonely Remains Solitude Tombs Towers Track


12"x10" Modern Frame

Bring the timeless beauty of art into your home with our Framed Prints from Media Storehouse. This exquisite piece showcases "The Tomb of the Horatii and Cuiatii," a captivating oil on board painting by Thomas Barker of Bath, created in 1792. The National Museum Wales proudly houses this masterpiece, which depicts the legendary story of the Horatii brothers and their enemies, the Curiatii, as told by Livy. Our high-quality framed prints are meticulously crafted to preserve the brilliance of the original artwork, allowing you to enjoy the intricate details and rich colors in your personal space. Add a touch of history and elegance to your walls with this stunning Framed Print from Media Storehouse.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 25.4cm x 30.5cm (10" x 12")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Artists > Joseph Allen

> Fine Art Finder > Artists > Thomas Barker of Bath

> Fine Art Finder > Landscapes: 18th/19th C

> Arts > Art Movements > Landscapes

> Arts > Artists > B > Thomas Barker of Bath

> Arts > Fine Art

> Arts > Landscape paintings > Landscape art

> Arts > Still life artwork > Oil paintings > Landscape paintings

> Arts > Portraits > Landscape paintings > Fine art gallery

> Arts > Portraits > Landscape paintings > Oil paintings

> Arts > Realistic drawings > Landscape paintings > Fine art

> Arts > Realistic drawings > Landscape paintings > Oil paintings

> Europe > United Kingdom > Wales > Paintings


EDITORS COMMENTS
This print captures the haunting beauty of "The Tomb of the Horatii and Cuiatii" by Thomas Barker of Bath. Painted in 1792, this oil on board masterpiece measures 56.6x41.4 cm and is housed in the National Museum Wales, under the care of National Museums & Galleries of Wales. In this painting, Barker skillfully portrays a scene filled with solitude and isolation. The landscape stretches out before us, its colors vividly brought to life through his masterful brushstrokes. A horse-drawn cart stands abandoned amidst the ruins, a testament to time's relentless march. The focal point is undoubtedly the towering tomb that dominates the composition. Its crumbling remains stand as a solemn reminder of forgotten lives and lost history. The atmosphere exudes an eerie sense of loneliness as nature reclaims what was once man-made. Barker's attention to detail is evident in every aspect of this artwork - from the intricate textures on weathered stones to delicate tracks left behind by those who came before us. It invites viewers to reflect upon their own place within the grand tapestry of time. This print serves as a window into another world, transporting us back centuries ago when these tombs were still vibrant monuments rather than mere remnants frozen in time. It reminds us that even in decay there can be beauty, and that art has an extraordinary power to evoke emotions long after its creation.

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