Framed Print > Arts > Cubist sculptures > Assemblage art > Geometric shapes
Framed Print : Papiers Peints, c. 1820-35 (porcelain)
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Papiers Peints, c. 1820-35 (porcelain)
1766891 Papiers Peints, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Papiers Peints / Veloutage, Foncage, Assemblage. A Sevres plate from the Service des Art Industriel depicting figures in a wallpaper workshop handblocking and colouring paper. Painted by Jean-Charles Develly (1783-1849) between 1820-1835.); Photo eChristies Images; French, out of copyright
Media ID 23308330
© Christie's Images / Bridgeman Images
1820 1820s 1830s 1835 Artist Male Artistic Artistique Assemblage Background Colour Background People Black Background Business Bystander Circle Circular Colouring Commercial Premises Creative Activity Creativity Crockery Decorative Technique Depicting Depiction Depicts Develly Early 19th Century Early Nineteenth Century Form Furnishing Gold Colour Golden Ground Homeware Household Equipment Impression Industriel Jean Charles Develly Kitchenware Making Male Artist Montage Mounted On Paper On Paper One Object Painted Papier Peint Plate Porcelain Porselein Printed Prints Service Sevres Shape Shaped Single Object Store Wallpaper Workshop Artist French French Art French Artist
12"x10" Modern Frame
Bring timeless elegance to your home with Media Storehouse's Framed Prints featuring the exquisite Papiers Peints, c.1820-35 by Jean-Charles Develly from Bridgeman Images. These intricately designed porcelain pieces, also known as Veloutage, Foncage, and Assemblage, showcase the artistry of the 19th century. Each print is meticulously framed to preserve the beauty and detail of this fine art masterpiece. Add a touch of classic sophistication to any room in your home with this stunning addition to your decor.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 25.4cm x 30.5cm (10" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "Papiers Peints, c. 1820-35 (porcelain)" by Jean-Charles Develly takes us back to the early 19th century and offers a glimpse into the world of decorative artistry. The image showcases a Sevres plate from the Service des Art Industriel, depicting figures engaged in a wallpaper workshop. In this scene, we witness the intricate process of handblocking and coloring paper, which was an essential technique used in creating exquisite wallpapers during that era. The circular plate is beautifully painted with golden hues against a black background, emphasizing the artistic skill involved in this craft. The composition exudes creativity and industry as it captures various elements such as furnishing samples, tools of trade, and even bystanders observing this creative activity. It provides insight into both the material aspects of production and the human occupation behind it. Through this artwork, Develly transports us to a bustling commercial premises where artists meticulously shape their designs onto paper. This piece not only highlights French artistry but also reflects European artistic traditions prevalent during that time. Mounted on paper for preservation purposes, this print serves as an invaluable historical document showcasing early 19th-century ceramic homeware design. Its depiction of skilled artisans at work reminds us of the importance placed on craftsmanship and attention to detail during this period. Overall, "Papiers Peints" invites viewers to appreciate both its aesthetic beauty and its significance within the context of interior decoration history.
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