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Framed Print : Badinguet on the beginning of 1873; the nickname attributed by his opponents to Napoleon

Badinguet on the beginning of 1873; the nickname attributed by his opponents to Napoleon




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Badinguet on the beginning of 1873; the nickname attributed by his opponents to Napoleon

LSE4330742 Badinguet on the beginning of 1873; the nickname attributed by his opponents to Napoleon III (Charles Louis Napoleon Bonaparte 1808-1873); on the wall, the drawings evoke the Franco-Prussian War of 1870, which led to the defeat of the French troops and sealed the end of the regime of the second empire (established by a coup d etat in 1851). Graffiti from 1873, on the wall of an apartment at 31, rue de l horloge in Sedan. Photography Leonard de Selva, France, 2008. by French School, (19th century); Private Collection; (add.info.: Badinguet on the beginning of 1873; the nickname attributed by his opponents to Napoleon III (Charles Louis Napoleon Bonaparte 1808-1873); on the wall, the drawings evoke the Franco-Prussian War of 1870, which led to the defeat of the French troops and sealed the end of the regime of the second empire (established by a coup d etat in 1851). Graffiti from 1873, on the wall of an apartment at 31, rue de l horloge in Sedan. Photography Leonard de Selva, France, 2008.); Photo eLeonard de Selva; French, out of copyright

Media ID 22299968

© Leonard de Selva / Bridgeman Images

Defeat Graffiti Napoleon Iii Iii 3rd 1808 1873 Rivalry


12"x10" Modern Frame

Bring a piece of historical art into your home with the Media Storehouse Framed Print of "Badinguet on the Beginning of 1873; The Nickname Attributed by His Opponents to Napoleon III" by Leonard de Selva. This captivating artwork, copyrighted by Fine Art Finder (LSE4330742), transports you back in time to the 19th century, featuring the iconic figure of Napoleon III, also known as 'Badinguet.' Experience the rich history and intrigue of this era through the masterful brushstrokes of Leonard de Selva. Our high-quality framed print is a perfect addition to any room, adding a touch of sophistication and character to your space.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 30.5cm x 25.4cm (12" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
This photograph captures a piece of history frozen in time. The image showcases a print titled "Badinguet on the beginning of 1873" referring to the nickname given by Napoleon III's opponents to Charles Louis Napoleon Bonaparte (1808-1873). The backdrop is an apartment wall at 31, rue de l'horloge in Sedan, adorned with graffiti from 1873. The drawings etched onto the wall serve as poignant reminders of the Franco-Prussian War that took place in 1870. This devastating conflict resulted in the defeat of French troops and marked the downfall of Napoleon III's second empire, which had been established through a coup d'état in 1851. Photographer Leonard de Selva expertly captured this historical artifact during his visit to France in 2008. His lens immortalizes not only the intricate details of these century-old markings but also their significance within French history. As we gaze upon this photograph, we are transported back to a tumultuous era when political tensions ran high and nations were divided. It serves as a visual testament to both human resilience and our ability to learn from past mistakes. Leonard de Selva's skillful composition allows us to appreciate not only the artistry behind these graffiti but also their profound historical context. Through this image, we are reminded that even amidst destruction and turmoil, fragments of history can be preserved for generations to come.

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