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Framed Print : Olympia seduced by Jupiter, Polyphemus guarding Acis and Galatea, Pasiphae entering the cow constructed by Daedalus, from the Sala di Amore e Psiche, 1527-31 (fresco) (post restoration)

Olympia seduced by Jupiter, Polyphemus guarding Acis and Galatea, Pasiphae entering the cow constructed by Daedalus, from the Sala di Amore e Psiche, 1527-31 (fresco) (post restoration)




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Olympia seduced by Jupiter, Polyphemus guarding Acis and Galatea, Pasiphae entering the cow constructed by Daedalus, from the Sala di Amore e Psiche, 1527-31 (fresco) (post restoration)

ALG154704 Olympia seduced by Jupiter, Polyphemus guarding Acis and Galatea, Pasiphae entering the cow constructed by Daedalus, from the Sala di Amore e Psiche, 1527-31 (fresco) (post restoration) by Romano, Giulio (1492-1546); Palazzo del Te, Mantua, Italy; (add.info.: hollow cow made so Pasiphae could approach the bull which Poseidon had made her passionate for; wife of Minos, king of Crete; )

Media ID 25462338

© Bridgeman Images

Bare Bestiality Cupid Dedale Erotic Galatee Mannerist Polypheme Psyche Seduction Lovers Pagan Paganism Pagans Polytheism Polytheist Semi Nude


12"x10" Modern Frame

Add a touch of ancient mythology to your home decor with our exquisite range of Framed Prints from Bridgeman Images. This captivating composition, titled "Olympia seduced by Jupiter, Polyphemus guarding Acis and Galatea, Pasiphae entering the cow constructed by Daedalus," is a restored fresco from the Sala di Amore e Psiche, created between 1527-31. Witness the intriguing tales of Jupiter's seduction of Olympia, Polyphemus' protection of Acis and Galatea, and Pasiphae's desperate attempt to conceal her love for a bull, all brought to life in stunning detail. Elevate your interior design with this timeless work of art and embark on a daily journey through the captivating world of mythology.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 30.5cm x 25.4cm (12" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > Giulio Romano

> Fine Art Finder > Mythological

> Animals > Farm > Cattle > Related Images

> Animals > Mammals > Vespertilionidae > Daedalus

> Arts > Artists > R > Giulio Romano

> Arts > Fine Art

> Europe > Italy > Heritage Sites > Mantua and Sabbioneta

> Europe > Italy > Lombardy > Mantua

> Europe > Italy > Paintings

> Europe > Italy > Posters

> Popular Themes > Religious Images


EDITORS COMMENTS
This fresco, titled "Olympia seduced by Jupiter, Polyphemus guarding Acis and Galatea, Pasiphae entering the cow constructed by Daedalus" transports viewers into a world of mythological intrigue. Painted by Giulio Romano between 1527-31 and recently restored to its former glory, this masterpiece adorns the walls of the Sala di Amore e Psiche in Palazzo del Te, Mantua. The scene is filled with an array of mythical characters entangled in their own tales. In the foreground, we witness Olympia being seduced by Jupiter himself while Polyphemus stands guard over Acis and Galatea. The intricate details showcase Romano's mastery as he captures each figure's emotions and expressions flawlessly. One cannot overlook Pasiphae entering the hollow cow created by Daedalus; a symbol of her insatiable passion for a bull that Poseidon had enchanted her with. This particular episode sheds light on Pasiphae's role as Minos' wife and her involvement in Greek mythology. Romano's work beautifully blends elements of eroticism, mythology, religion, and paganism. The painting exudes sensuality through its depiction of nudity and semi-nudity while simultaneously exploring complex themes from ancient myths. Commissioned by the Gonzaga family during Italy's Mannerist period, this artwork showcases Romano's unique style characterized by elongated figures and exaggerated poses. As we gaze upon this remarkable

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