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Framed Print : Effigy of Sir John Stanley, St. Peters Church, Elford, Staffordshire, England

Effigy of Sir John Stanley, St. Peters Church, Elford, Staffordshire, England




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Effigy of Sir John Stanley, St. Peters Church, Elford, Staffordshire, England

779745 Effigy of Sir John Stanley, St. Peters Church, Elford, Staffordshire, England, 1848-9 (hand coloured engraving) by Richardson, Edward M. (1812-69); Private Collection; (add.info.: 15th century alabaster tomb of Sir John Stanley (1423-74). The coats of arms on the shields depict the Stanley emblems of three stags heads and also carved beside Sir Johns head is the Stanley family crest of an eagle and baby, commemorating the legend of an ancestor finding a baby in an eagles nest. This story has been preserved in several pub signs in England, of which the most celebrated is The Eagle and Child in St Giles, Oxford. The drawings of the Elford monuments were made by Richardson for his Monumental Effigies and Tombs in Elford Church, published in 1852.); British, out of copyright

Media ID 22736160

© Bridgeman Images

Alabaster Crest Eagle Effigy Fifteenth Stanley Elford Heraldry


12"x10" Modern Frame

Add a touch of historical charm to your home or office with our Framed Prints featuring the Effigy of Sir John Stanley from Bridgeman Images. This exquisite piece, captured by Edward M. Richardson in 1848-9, showcases the intricately detailed effigy of Sir John Stanley, located in St. Peter's Church, Elford, Staffordshire, England. Hand-coloured engraving brings out the vibrant details and rich history of this beautiful artwork. Elevate your space with this stunning addition to your collection.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 30.5cm x 25.4cm (12" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Peters Mouse

> Arts > Art Movements > Medieval Art

> Arts > Sculpture

> Europe > United Kingdom > England > Oxford

> Europe > United Kingdom > England > Sculptures

> Europe > United Kingdom > England > Staffordshire > Elford

> Europe > United Kingdom > England > Staffordshire > Related Images

> Europe > United Kingdom > England > Staffordshire > Stanley

> Historic > Monuments and landmarks > Monuments and memorials


EDITORS COMMENTS
This print captures the exquisite effigy of Sir John Stanley, located in St. Peters Church, Elford, Staffordshire, England. Created between 1848-9 by Edward M. Richardson, this hand-coloured engraving showcases the remarkable 15th-century alabaster tomb of Sir John Stanley (1423-74). The attention to detail is evident in the coats of arms adorning the shields; they depict the iconic Stanley emblems of three stags heads. Additionally, beside Sir John's head lies a beautifully carved representation of the Stanley family crest—an eagle and baby—commemorating the legendary tale of an ancestor discovering a child within an eagle's nest. This enchanting story has been immortalized in various pub signs across England, with The Eagle and Child in St Giles, Oxford being one of its most renowned depictions. Richardson meticulously captured these Elford monuments for his publication "Monumental Effigies and Tombs in Elford Church" released in 1852. Through this image, we are transported back to medieval times as we admire the intricate armor worn by Sir John and marvel at his knightly presence. The use of alabaster adds a touch of elegance to this monumental sculpture while preserving its historical significance. This print serves as a testament to both Richardson's artistic skill and our enduring fascination with medieval artistry and heritage.

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