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Framed Print : His Excellency Hamet Ben Hamet Ben Haddu Otter, published by John Lloyd, 1682 (mezzotint)

His Excellency Hamet Ben Hamet Ben Haddu Otter, published by John Lloyd, 1682 (mezzotint)




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His Excellency Hamet Ben Hamet Ben Haddu Otter, published by John Lloyd, 1682 (mezzotint)

XJF437948 His Excellency Hamet Ben Hamet Ben Haddu Otter, published by John Lloyd, 1682 (mezzotint) by Luttrell, Edward (c.1650-1724); Private Collection; (add.info.: Also known as Mohammed bin Hadou or Muhammed ben Haddu al Attar; " Ambassador Extraordinary from ye Emperor of Fez & Morocco to his Magesty of Great Britain anno 1682" ; Ambassador Ben Hadou was sent to the English court of Charles II by Muley Ismail from 1681-82; According to the contemporary English commentator John Evelyn (1620-1706) he proved to be " the fashion of the season" in London; This ambassadorial exchange was part of the ongoing Anglo-Moroccan alliance that was established at the end of the 16th Century on the basis of a mutual enmity to Spain; Print publisher John Lloyd (fl.1682-92); ); English, out of copyright

Media ID 12880872

© www.bridgemanart.com

Diplomacy Morocco Oval Frame


12"x10" Modern Frame

Experience the rich history of art with our exquisite Framed Prints, featuring the captivating portrait of "His Excellency Hamet Ben Hamet Ben Haddu Otter," published by John Lloyd in 1682. This stunning mezzotint masterpiece, created by Edward Luttrell around 1682, showcases the intricate details and depth that only this art form can deliver. Each Framed Print is meticulously crafted to preserve the authenticity and beauty of the original work, presented in a sleek and elegant frame. Bring this piece of history into your home and add a touch of sophistication and character to any room. Order now and relish in the timeless allure of this magnificent artwork.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 25.4cm x 30.5cm (10" x 12")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Men 17th Century

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> Arts > Still life artwork > Contemporary artwork > Portraits

> Arts > Modern art pieces > Contemporary art > Portraits

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> Arts > Pop art > Contemporary art > Fine art gallery

> Arts > Street art graffiti > Portraits > Contemporary art


EDITORS COMMENTS
This mezzotint print, titled "His Excellency Hamet Ben Hamet Ben Haddu Otter" offers a glimpse into the fascinating world of diplomacy and cultural exchange in the 17th century. Published by John Lloyd in 1682, this artwork showcases the esteemed Ambassador Extraordinary from the Emperor of Fez & Morocco to Great Britain. The subject of this portrait, also known as Mohammed bin Hadou or Muhammed ben Haddu al Attar, holds an air of regality and intrigue. His dignified presence is captured beautifully by Edward Luttrell, who skillfully portrays him in an oval frame with a half-length composition. Ambassador Ben Hadou's visit to the English court during Charles II's reign was not only significant politically but also culturally. According to contemporary commentator John Evelyn, he became a symbol of fashion and sophistication during his time in London. This artistic representation serves as a testament to the enduring Anglo-Moroccan alliance that originated centuries earlier out of shared animosity towards Spain. The ongoing diplomatic relationship between these nations played a crucial role in shaping history. As we admire this historical masterpiece today, we are transported back to a time when international relations were forged through personal connections and visual representations like this exquisite mezzotint print. It reminds us of the power art has to preserve moments from our past and shed light on forgotten chapters in our collective story.

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