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Framed Print : View of the Colosseum from the Baths of Titus, in the year 1788

View of the Colosseum from the Baths of Titus, in the year 1788




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View of the Colosseum from the Baths of Titus, in the year 1788

STC384864 View of the Colosseum from the Baths of Titus, in the year 1788, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info.: Vue du Colisee prise des Thermes de Tite de l an 1788; Engraved by Pietro Fontana (1762-1837); from Recueil des vues au bister dessinees et lavees par Callimachus, Souvenirs d antiquites et curiosites de Rome et des environs, Deblayements et reparations du Pape Pie VII ; Pope Pius VII (1742-1823) Papacy (1800-23) Count Barnaba Niccolo Maria Luigi Chiaramonti; Built 70-76 under Vespasian and finished 80 by Titus; Restored c.230; Amphitheatrum Flavium; Flavian Amphitheatre; In 1749 Benedict XIV dedicated the Colosseum to the Passion of Jesus; Roman; architecture; Coliseum; Colosseo; ruin; ruins; remains; storeys; arches; horse; cart; overgrown; Classical; antiquity; ); The Stapleton Collection; Italian, out of copyright

Media ID 23547968

© The Stapleton Collection / Bridgeman Images


12"x10" Modern Frame

Experience the rich history of the ancient Roman Colosseum with our exquisite Framed Print from Media Storehouse. This stunning artwork, captured in 1788 by Agostino Tofanelli, showcases a breathtaking view of the iconic amphitheater from the Baths of Titus. The intricate etching, enhanced by a warm brown wash, brings the past to life in vivid detail. Hang this timeless masterpiece in your home or office to add an air of sophistication and historical charm. Courtesy of Bridgeman Images from Fine Art Finder.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 30.5cm x 25.4cm (12" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Agostino Tofanelli

> Fine Art Finder > Italy

> Architecture > Country > Italy > Related Images

> Architecture > Country > Italy > Rome

> Architecture > Styles > Classical Architecture

> Architecture > Styles > Roman Architecture

> Arts > Artists > R > Roman Roman

> Europe > Italy > Lazio > Rome

> Historic > Ancient civilizations > Colosseum in Rome


View of the Colosseum from the Baths of Titus, in the year 1788

EDITORS COMMENTS
. This etching with brown wash takes us back to Rome in the late 18th century. The artist, Agostino Tofanelli, beautifully captures a picturesque view of one of Rome's most iconic landmarks - the Colosseum. From this vantage point at the Baths of Titus, we are transported to a time when ancient Roman ruins were still surrounded by lush greenery and overgrown vegetation. The grandeur and scale of this architectural masterpiece is evident as it looms majestically against a clear blue sky. The intricate details captured by Tofanelli's skilled hand showcase not only his artistic talent but also provide valuable historical insights into how the Colosseum appeared during that era. The crumbling storeys and arches tell tales of centuries past while adding an air of mystery and intrigue to this ancient wonder. As our eyes wander through this scene frozen in time, we notice a horse-drawn cart passing by, reminding us that even amidst these awe-inspiring ruins, life continues to move forward. This print serves as both a visual feast for art enthusiasts and history buffs alike. It allows us to appreciate not only Tofanelli's masterful technique but also offers a glimpse into what daily life might have been like within these historic walls. Through this artwork, we are reminded that beauty can be found in decay; that even after centuries have

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