Framed Print > British Film Institute > British "Quota" Movies
Framed Print : Olive Sloane and Diana Dors in Maurice Elveys My Wifes Lodger (1952)
Framed Photos from British Film Institute
Olive Sloane and Diana Dors in Maurice Elveys My Wifes Lodger (1952)
Olive Sloane and Diana Dors in My Wifes Lodger (1952)
The British Film Institute (BFI) are UK's lead organisation for film, television and the moving image
Media ID 1352819
© Adelphi Films - All Rights Reserved
18"x14" Modern Frame
Step back in time with our stunning Framed Prints from the Media Storehouse collection. This exquisite piece features Olive Sloane and Diana Dors from the classic British film "My Wifes Lodger" (1952) by Maurice Elvey, as captured by the British Film Institute. Add a touch of vintage glamour to your home decor with this beautifully preserved image, expertly framed to preserve its authenticity and elegance. A must-have for film enthusiasts and art collectors alike. Order yours today and bring a piece of cinematic history into your living space.
16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 40.6cm x 35.6cm (16" x 14")
Estimated Product Size is 45.7cm x 35.6cm (18" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
In this print from the British Film Institute, we are transported back to 1952 and find ourselves in the midst of Maurice Elvey's film "My Wife's Lodger". The image features two stunning actresses, Olive Sloane and Diana Dors, who effortlessly command our attention. As our gaze is drawn towards them, it becomes evident that they are standing by a door. This doorway serves as a symbolic threshold between reality and the cinematic world they inhabit. With their hair styled in curlers, both women exude an air of playfulness and anticipation for what lies beyond that very door. Diana Dors' magnetic presence cannot be ignored; her striking beauty captivates us instantly. Her luscious locks cascade down her shoulders with effortless glamour. Meanwhile, Olive Sloane stands beside her with equal charm and elegance, showcasing a different yet equally captivating hairstyle. This photograph not only captures these talented actresses at the height of their careers but also offers us a glimpse into the fashion trends of the era. The carefully placed curlers in their hair remind us of the meticulous grooming rituals that were prevalent during those times. With its timeless appeal and undeniable allure, this print transports us to a bygone era filled with glitz and glamour. It serves as a testament to the enduring legacy of British cinema while leaving us yearning for more stories from these remarkable leading ladies.
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