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Fine Art Print : Kerley Downs Methodist Chapel, Baldhu, Kea, Cornwall. Probably early 1900s
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Kerley Downs Methodist Chapel, Baldhu, Kea, Cornwall. Probably early 1900s
A view of Billy Brays Three Eye Chapel. The chapel was built by Billy Bray in 1835 and, since its closure in 1982, is now cared for by the Billy Bray Memorial Trust as a memorial to the memory of Billy Bray. This is one of two United Methodist chapels that were located in Baldhu, the other being Bethel. William Trewartha Bray (born on 1st June 1794) was a Cornish tin miner and, for 43 years, a renowned local preacher in the Bible Christian Methodist denomination. He was 73 years old when he died on 25th May 1868 at Twelveheads. His monument and grave can be found in the churchyard to the south end of Baldhu Anglican Church, the Church of St Michael the Archangel. Photographer: Unknown
Royal Cornwall Museum is the UK's Greatest Museum For Cornish Life & Culture
TRURI : EBALkd.1
Media ID 18949272
© From the collection of the RIC
Church Methodism Parish Religion Truro
20"x16" (+3" Border) Fine Art Print
Experience the rich history of Cornwall through our exquisite Fine Art Print of Kerley Downs Methodist Chapel, Baldhu, Kea. This captivating image, taken from the Royal Cornwall Museum archives, showcases Billy Brays Three Eye Chapel, a historic landmark built in 1835. With its unique character and intriguing past, this print is a must-have for anyone with a love for Cornish heritage. Carefully reproduced to preserve the original details, this Fine Art Print is a stunning addition to any home or office, evoking the charm and nostalgia of a bygone era. The Billy Bray Memorial Trust proudly cares for this chapel as a memorial to its storied past. Bring a piece of Cornwall's history into your space with our Fine Art Print of Kerley Downs Methodist Chapel.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 66cm x 55.9cm (26" x 22")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the Kerley Downs Methodist Chapel, located in Baldhu, Kea, Cornwall. Believed to have been taken in the early 1900s, it offers a glimpse into the rich religious history of this picturesque region. The chapel depicted here is commonly referred to as "Billy Brays Three Eye Chapel" named after its builder and founder, William Trewartha Bray. Constructed by Billy Bray himself in 1835, this chapel served as a place of worship for over a century until its closure in 1982. Today, it stands as a cherished memorial to the memory of Billy Bray under the care of the Billy Bray Memorial Trust. Baldhu was home to two United Methodist chapels; Bethel being the other one apart from Kerley Downs Methodist Chapel. William Trewartha Bray was not only known for his role as a Cornish tin miner but also gained renown as a local preacher within the Bible Christian Methodist denomination for an impressive span of 43 years. William passed away at Twelveheads on May 25th, 1868 at the age of 73. His final resting place can be found in Baldhu Anglican Church's churchyard towards its southern end - St Michael the Archangel Church. The photographer responsible for capturing this remarkable image remains unknown. Nevertheless, through their lens we are transported back in time to witness both architectural beauty and historical significance intertwined with religion and parish life within Cornwall's vibrant community.
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