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Fine Art Print : Tatler cover - Mrs Adrian Bethell
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Tatler cover - Mrs Adrian Bethell
Clarissa Madeleine Georgiana Felicite Tennant (1896-1960), daughter of 1st Baron Glenconner pictured at the time of her marriage to her first husband. She was one of the last debutantes to be presented at court in the summer of 1914, before the Great War interrupted the tradition. She married three times, first to Adrian Bethell in 1915 (divorced 1918), then to Major Lionel Tennyson and finally to James Beck. Barbara Cartland described her as, " the most beautiful woman I had ever seen." Date: 1915
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Media ID 14155768
© Illustrated London News Ltd/Mary Evans
Adrian Bethell Clarissa Classes Covers Magazines Tatler Tennant Upper
21"x14" (+3" Border) Fine Art Print
Introducing the exquisite range of Fine Art Prints from Media Storehouse, featuring this stunning Tatler cover image of Mrs Adrian Bethell (Lady Glenconner) by Rights Managed from Mary Evans Prints Online. Capturing the elegance and sophistication of the 1920s, this timeless photograph of Clarissa Tennant, dressed in a beautiful white gown and veil, is a true masterpiece. Each print is meticulously produced using the highest quality materials and techniques, ensuring a vibrant and detailed representation of this iconic image. Add a touch of timeless charm to your home or office with this beautiful Fine Art Print from Media Storehouse.
21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 31.9cm x 53.3cm (12.6" x 21")
Estimated Product Size is 50.8cm x 68.6cm (20" x 27")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this striking black-and-white photograph, we find Clarissa Tennant, later known as Mrs. Adrian Bethell, gracefully posing for the cover of Tatler magazine in 1915. Born in 1896 as Clarissa Madeleine Georgiana Felicite Tennant, she was the daughter of the 1st Baron Glenconner, making her a prominent figure in British high society. This portrait captures Clarissa at the pivotal moment of her life, just before her marriage to her first husband, Adrian Bethell. The year 1915 marked the end of an era, as it was the last summer that saw the grand tradition of debutantes being presented at court. The looming threat of the Great War was about to disrupt this long-standing custom, making Clarissa's appearance on the Tatler cover a poignant reminder of a bygone era. Clarissa's beauty was legendary, with Barbara Cartland, the famous romance novelist, once declaring her as "the most beautiful woman I had ever seen." Her captivating presence and elegant demeanor are evident in this photograph, which showcases her in an exquisite gown, adorned with intricate beading and lace. Throughout her life, Clarissa married three times, first to Adrian Bethell (divorced 1918), then to Major Lionel Tennyson, and finally to James Beck. This photograph, taken at the beginning of her journey, stands as a testament to her timeless beauty and the opulence of the era. This evocative image offers a glimpse into the world of the upper classes during the early 20th century, a time of grandeur, tradition, and impending change. The photograph, with its historical significance and aesthetic appeal, continues to captivate viewers and provide a window into the past.
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