Fine Art Print : St Luke / Royaumont 1724
Fine Art Prints from Mary Evans Picture Library
St Luke / Royaumont 1724
SAINT LUKE the Evangelist busy writing his book; hes fond of the bull, but he keeps a vase of flowers between it and him, to disguise the smell
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 625555
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10068993
1724 Bull Busy Disguise Evangelist Fond Luke Smell Vase
20"x16" (+3" Border) Fine Art Print
Experience the timeless beauty of art with our exquisite selection from the Media Storehouse range of Fine Art Prints. This captivating piece, titled "St. Luke the Evangelist" by Mary Evans Picture Library from Mary Evans Prints Online, showcases the renowned artist's interpretation of St. Luke, the patron saint of artists and physicians. In this masterpiece from 1724, St. Luke is depicted in deep concentration as he diligently writes the Gospel of Luke. Surrounded by symbols of his patronage, the bull and the vase of flowers, this print invites you to appreciate the intricacies of the past, while adding a touch of elegance and sophistication to any space. Embrace the rich history and artistic excellence with our Fine Art Prints.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 50.2cm x 40.6cm (19.8" x 16")
Estimated Product Size is 66cm x 55.9cm (26" x 22")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
1. Title: St. Luke the Evangelist: A Scene of Devotion and Contemplation in 18th-Century France This evocative image, dated 1724, depicts St. Luke the Evangelist in a quiet moment of introspection and creativity. The painting, held in the Mary Evans Picture Library, captures the essence of St. Luke's role as the patron saint of artists, physicians, and butchers. In the scene, St. Luke is shown seated at a table, engrossed in the task of writing his Gospel. The soft light filters in through a window, casting a warm glow over the room. The saint's quill hovers above the parchment, poised to make the next stroke. The concentration on his face is palpable, as he pours his divine inspiration into his words. Despite his role as the patron saint of butchers, St. Luke is often depicted with a bull in his imagery. In this painting, however, the bull is absent, but its presence is suggested by a decorative bull's head adorning the wall behind the saint. Instead, a vase of fragrant flowers sits between St. Luke and the bull's head, serving as a delightful and subtle disguise for any unpleasant odors that might emanate from the symbolic bull. The inclusion of the vase of flowers adds a touch of elegance and refinement to the scene, reflecting the 18th-century European aesthetic. The delicate petals and vibrant colors of the blossoms contrast beautifully with the rough, textured surface of the bull's head, creating a visually striking juxtaposition. This image invites us to reflect on the importance of creativity, devotion, and the transformative power of art. St. Luke's focused expression and the harmonious blend of symbolism in the painting serve as a reminder of the enduring influence of the past on our contemporary understanding of faith, art, and the human experience.
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