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Fine Art Print : Coopers Hall, Bristol a98_04318

Coopers Hall, Bristol a98_04318



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Historic England

Fine Art Prints from Historic England

Coopers Hall, Bristol a98_04318

COOPERs HALL, King Street, Bristol. Perspective view of Coopers Hall, Bristol, with the first two gables of St Nicholas Almshouse just visible. The Hall was designed by William Halfpenny and built in 1743. Photographed by Eric de Mare between 1945 and 1980

Historic England is the public body that champions and protects England's historic places

Media ID 4974653

© Historic England

Georgian


20"x20" (+3" Border) Fine Art Print

Experience the rich history of Bristol with our exquisite Fine Art Print of Coopers Hall by Eric de Mare from Historic England. This stunning representation of Coopers Hall on King Street captures the essence of the past, with the first two gables of St Nicholas Almshouse subtly peeking in the background. Add a touch of timeless beauty to your home or office with this museum-quality print, expertly crafted to bring history to life. Each print is meticulously produced using premium materials and state-of-the-art printing techniques, ensuring a vibrant and long-lasting image. Elevate your space with a piece of art that tells a story – order your Coopers Hall Fine Art Print today.

20x20 image printed on 26x26 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 50.8cm x 50.8cm (20" x 20")

Estimated Product Size is 66cm x 66cm (26" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > K > Nicholas King

> Asia > Georgia > Related Images

> Europe > United Kingdom > England > Bristol > Bristol

> Popular Themes > Eric de Mare

> Historic England > Architecture > Georgian Architecture

> Historic England > Historic Images > Famed Photographers > Eric de Mare Collection (1955-1980)

> Historic England > Towns and Cities > Bristol

> Historic England > The way we were > Georgian Life > Georgian Buildings


EDITORS COMMENTS
This print captures the timeless beauty of Coopers Hall, nestled in the heart of Bristol's historic King Street. Standing proudly against a backdrop of cobblestone streets and centuries-old architecture, this Georgian gem exudes an air of elegance and sophistication. Designed by the renowned architect William Halfpenny and completed in 1743, Coopers Hall is a testament to Bristol's rich architectural heritage. Its intricate facade showcases exquisite details that have withstood the test of time, while its grandeur commands attention from all who pass by. In this perspective view captured by Eric de Mare between 1945 and 1980, we are treated to a glimpse of not only Coopers Hall but also the first two gables of St Nicholas Almshouse peeking through in the distance. This juxtaposition highlights both buildings' historical significance and their harmonious coexistence within Bristol's urban fabric. De Mare's expert composition allows us to appreciate every nuance of these architectural marvels – from the delicate carvings adorning Coopers Hall to the weathered bricks that tell tales of centuries gone by. The play between light and shadow adds depth and drama to this already mesmerizing scene. As we gaze upon this photograph print, we cannot help but be transported back in time – imagining bustling streets filled with horse-drawn carriages, merchants conducting business within these hallowed walls, and whispers echoing through narrow alleyways. It serves as a poignant reminder that history lives on through our built environment – connecting

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