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Fine Art Print : West Indian Women of Color, with a Child and Black Servant, ca. 1780

West Indian Women of Color, with a Child and Black Servant, ca. 1780



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West Indian Women of Color, with a Child and Black Servant, ca. 1780

West Indian Women of Color, with a Child and Black Servant; Two West Indian Women of Color, a Child Holding the Hand of One and attendant Black Servant, ca. 1780

Heritage Images features heritage image collections

Media ID 20764689

© Heritage Art/Heritage Images

Agostino Brunias Bare Feet British West Indies Brunias Agostino Creole Four People Indies Local People Paintings Pointing Servant Servants West Indian West Indies Yale Center For British Art Barefoot British Empire


20"x16" (+3" Border) Fine Art Print

Experience the rich history and culture of the Caribbean in the 18th century with our exquisite Fine Art Print from Agostino Brunias, titled "West Indian Women of Color, with a Child and Black Servant." This captivating artwork, available through Media Storehouse from Heritage Images, showcases the beauty and strength of West Indian women, as they are depicted with their child and attendant servant. The intricate details and vibrant colors bring this historical scene to life, transporting you back in time. Add this stunning piece to your home or office to inspire and educate, and make a bold statement about the importance of representation and diversity in art.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.7cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > Agostino Brunias

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > Italy > Paintings

> Europe > United Kingdom > England > London > Sights > British Museum


EDITORS COMMENTS
This 18th-century oil painting by Agostino Brunias, titled "West Indian Women of Color, with a Child and Black Servant" offers a glimpse into the complex social dynamics of the British West Indies during that era. The composition features four individuals: two West Indian women of color, a child holding onto one woman's hand, and an attendant black servant. The artist masterfully captures the diversity within this group, showcasing the rich heritage and cultural fusion prevalent in the region. The women are dressed in vibrant traditional attire, their headdresses adorned with intricate details. Their bare feet suggest a connection to their indigenous roots and perhaps signify their humble status. The child appears curious yet cautious as they hold tightly onto their guardian's hand. Meanwhile, the black servant stands nearby, fulfilling his occupation dutifully. Through subtle gestures and expressions, Brunias conveys a sense of unity among these individuals despite societal hierarchies. This thought-provoking portrait not only highlights the beauty of its subjects but also prompts reflection on power dynamics within colonial societies. It serves as a testament to Brunias' skill in capturing both physical likeness and emotional depth through his brushstrokes. Displayed at Yale Center for British Art Museum today, this remarkable piece continues to inspire dialogue about race, identity, and representation in art history.

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