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Fine Art Print : View of the Temple of Aesculapius, pub. 1764. Creator: Robert Adam (1728-92)

View of the Temple of Aesculapius, pub. 1764. Creator: Robert Adam (1728-92)



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View of the Temple of Aesculapius, pub. 1764. Creator: Robert Adam (1728-92)

View of the Temple of Aesculapius, from Ruins of the Palace of Emperor Diocletian at Spalatro in Dalmatia, pub. 1764 (engraving)

Heritage Images features heritage image collections

Media ID 18269440

© Historica Graphica Collection / Heritage-Images

Belfast Dry Dock Liner Northern Ireland Propellor Rms Titanic Robert Adam 1728 92 Rudder Shipyard White Star Line Historica Graphica Collection Propellors


21"x14" (+3" Border) Fine Art Print

Experience the grandeur of ancient architecture with our exquisite Fine Art Print of Robert Adam's View of the Temple of Aesculapius. Published in 1764, this engraving showcases the intricate details of the Temple of Aesculapius as it once stood in the ruins of the Palace of Emperor Diocletian at Spalatro in Dalmatia. Adam's masterful depiction of the temple's classical columns and ornate decorations transports you back in time, making this a must-have addition to any art collection or decorative space. Embrace the rich history and beauty of the past with this stunning Fine Art Print from Media Storehouse.

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 51.3cm x 35.5cm (20.2" x 14")

Estimated Product Size is 68.6cm x 50.8cm (27" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > A > Robert Adam

> Arts > Artists > W > Robert White

> Europe > United Kingdom > Northern Ireland > Belfast

> Europe > United Kingdom > Northern Ireland > Palaces

> Europe > United Kingdom > Northern Ireland > Posters

> Europe > United Kingdom > Northern Ireland > Related Images

> Popular Themes > Olympics


EDITORS COMMENTS
This print showcases the remarkable "View of the Temple of Aesculapius" as envisioned by the talented creator, Robert Adam. Published in 1764, this engraving takes us back to ancient times, capturing the ruins of Emperor Diocletian's Palace at Spalatro in Dalmatia. The image transports us to a bygone era, where we witness the grandeur and architectural prowess of Adam's work. The Temple of Aesculapius stands proudly amidst the remnants of history, its intricate details and majestic columns still commanding attention even after centuries have passed. Located in Belfast during the 20th century, this photograph draws an interesting connection to Northern Ireland's shipbuilding heritage. It is impossible not to notice that it shares similarities with another iconic vessel - RMS Titanic. As part of White Star Line's Olympic class liners, this engraving subtly hints at its association with one of history's most tragic maritime disasters. While not intended for commercial use, this historical gem from Heritage Images allows us to appreciate both artistry and craftsmanship. The dry dock setting reminds us that behind every great ship lies a dedicated shipyard bustling with activity - propellers ready for action and rudders poised for steering monumental vessels through vast oceans. In summary, this print captures a harmonious blend between ancient architecture and modern engineering marvels while paying homage to Robert Adam’s creative genius alongside Northern Ireland’s rich shipbuilding legacy.

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