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Fine Art Print : Our Siamese Twins, 1869. Artist: John Tenniel

Our Siamese Twins, 1869. Artist: John Tenniel



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Our Siamese Twins, 1869. Artist: John Tenniel

Our Siamese Twins, 1869. Mr Gladstone was the new Prime Minister following 1868s late General Election. One of his first acts was to start preparing for the disestablishment of the Irish Church. Many feared that this would lead to attempts to disestablish the English Church but Gladstone and his supporters denied that the English Church would suffer in any way. Here, then, Mr Gladstone prepares to sever the bond between the two Churches as Mr Bull watches anxiously. From Punch, or the London Charivari, February 13, 1869

Heritage Images features heritage image collections

Media ID 14831188

© The Print Collector / Heritage-Images

Conjoined Twins Famous People Gladstone Heritage Image Partnership Ireland Irish John Bull John Tenniel Knife Knives Prime Minister Sir John Tenniel Tenniel Twin Twins William Ewart William Ewart Gladstone Allegorical Figure Siamese Twins


20"x16" (+3" Border) Fine Art Print

Step into the captivating world of history with this exquisite fine art print from Media Storehouse. Featuring the iconic image of "Our Siamese Twins" by John Tenniel, this print offers a glimpse into the past. Dated 1869, this captivating artwork was created during a significant time in history when William Ewart Gladstone, newly appointed as Prime Minister, began the process of disestablishing the Irish Church. This print is a stunning addition to any home or office, transporting you back in time with its intricate details and rich history. Experience the beauty and depth of this timeless masterpiece, brought to you by the renowned artist John Tenniel from Heritage Images.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 36cm x 50.8cm (14.2" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > I > William Ireland

> Arts > Artists > T > John Tenniel

> Arts > Artists > W > John White

> Arts > Artists > W > William White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Asia > Thailand > Related Images

> Europe > United Kingdom > England > London > Politics > Related Images

> Europe > United Kingdom > England > London > Politics > William Ewart Gladstone

> Europe > United Kingdom > England > London > Related Images


EDITORS COMMENTS
In this print titled "Our Siamese Twins, 1869" artist John Tenniel skillfully captures the political climate of the time. The year marked a significant moment in British history as William Ewart Gladstone took office as the new Prime Minister after a late General Election in 1868. One of his first actions was to prepare for the disestablishment of the Irish Church, causing widespread concern among many who feared that it would lead to similar attempts against the English Church. In this allegorical depiction, Mr. Gladstone is seen preparing to sever the bond between these two Churches while an anxious Mr. Bull watches closely. Published in Punch, or the London Charivari on February 13th, 1869, Tenniel's cartoon serves as a satirical commentary on religion and politics during that era. The image showcases not only Tenniel's artistic prowess but also his ability to convey complex ideas through visual representation. The monochrome engraving adds depth and intensity to this thought-provoking piece. As we delve into this heritage image partnership with print collector1, we are reminded of how art can serve as a powerful tool for social commentary and historical documentation. This print immortalizes an important moment in British history and allows us to reflect upon the intricate relationship between religion, politics, and society during the nineteenth century.

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