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Fine Art Print : La hache qui le coupera n'est pas encore trempée, 1871. Creator: Honore Daumier
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La hache qui le coupera n'est pas encore trempée, 1871. Creator: Honore Daumier
La hache qui le coupera n'est pas encore trempee, 1871.
The axe that will cut it is not yet soaked
Heritage Images features heritage image collections
Media ID 36290846
© Heritage Art/Heritage Images
Actualites Caricatures Cartoons Daumier Honore Daumier Honore Victorin Gillotype Gillotype On Newsprint H Daumier Honore Daumier Honore Victorin Daumier Newsprint Photo Engraving Suffrage Title Tools Universal Suffrage Vote Votes Voting Parody Satirical Titled
20"x16" (+3" Border) Fine Art Print
Experience the timeless beauty of Honore Daumier's masterpiece, "La hache qui le coupera n'est pas encore trempee" (The axe that will cut it is not yet soaked), from our Media Storehouse Fine Art Prints collection. This iconic 1871 lithograph showcases Daumier's exceptional artistic skill and wit, as he masterfully captures the essence of human emotion and struggle. Our high-quality prints bring the intricate details and rich colors of this historic work to life, allowing you to enjoy Daumier's artistry in your home or office. Each print is carefully produced using museum-grade materials, ensuring the vibrancy and longevity of the image. Add a touch of history and sophistication to your space with this exquisite Fine Art Print from Media Storehouse.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 40.6cm x 45.1cm (16" x 17.8")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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La hache qui le coupera n'est pas encore trempee,
EDITORS COMMENTS
or "The axe that will cut it is not yet soaked," is a captivating caricature created by the renowned French artist Honore Daumier in 1871. This monochrome print, featuring a humorous and satirical depiction, is a testament to the rich cultural heritage of the 19th century. Daumier's masterful use of line and form brings to life a scene of two men standing in a forest, each wielding an axe, as they contemplate a tree. The title of the work suggests that the tree's fate is not yet sealed, but the ominous presence of the axes and the determined expressions on the men's faces hint at an impending act of destruction. The print, which is a gillotype on newsprint, showcases Daumier's exceptional skill as a caricaturist and his ability to infuse his work with political and social commentary. The use of black and white contrasts effectively to highlight the figures and the texture of the tree and the forest background. Daumier's "La hache qui le coupera n'est pas encore trempee" is a fascinating glimpse into the past, offering a glimpse into the daily life and the concerns of the people of France during the 19th century. The print is a must-see for anyone interested in the history of art, politics, and satire. This work is part of a larger series by Daumier that explores the themes of nature, politics, and the human condition. It is a valuable addition to any art collection or gallery, and its timeless humor and relevance continue to resonate with audiences today. The National Gallery of Art in Washington, D.C. is just one of the many prestigious institutions that have recognized the importance of Daumier's work and have included it in their permanent collections.
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