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Fine Art Print : Jerusalem, Enceinte du Temple, Face Nord de l angle Nord-Est, 1854

Jerusalem, Enceinte du Temple, Face Nord de l angle Nord-Est, 1854



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Jerusalem, Enceinte du Temple, Face Nord de l angle Nord-Est, 1854

Heritage Images features heritage image collections

Media ID 20138568

© Heritage Art/Heritage Images

Archaeological Auguste Auguste Salzmann City Walls Enclosure Holy Land Israel Jerusalem Jerusalem Israel Palestine Precinct Salted Paper Print Salzmann Salzmann Auguste Step Steps Town Wall Walled City Walled Town Walls Zion


20"x16" (+3" Border) Fine Art Print

Experience the rich history and culture of Jerusalem through the captivating lens of 19th-century French photographer Auguste Salzmann. Our Fine Art Print of "Enceinte du Temple, Face Nord de l'angle Nord-Est, 1854" transports you back in time, offering a unique perspective of the ancient city's northern temple wall. This stunning, high-quality print brings the intricate details and authenticity of Salzmann's original work to your home or office, making it a beautiful and thoughtful addition to any space. Immerse yourself in the timeless beauty of Jerusalem with this exquisite piece from Media Storehouse's Fine Art Prints collection.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 36.7cm x 50.8cm (14.4" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Country > France

> Architecture > Related Images

> Architecture > Religious

> Architecture > Temples

> Asia > Israel > Jerusalem Heritage Sites > Old City of Jerusalem and its Walls

> Asia > Israel > Jerusalem

> Asia > Israel > Related Images

> Asia > Palestine > Jerusalem

> Asia > Palestine > Related Images

> Europe > France > Canton > Landes


EDITORS COMMENTS
This photograph, titled "Jerusalem, Enceinte du Temple, Face Nord de l angle Nord-Est, 1854" transports us back to the enchanting city of Jerusalem in the 19th century. Taken by the talented French photographer Auguste Salzmann, this image captures a mesmerizing view of the northern face of the northeastern corner of Temple Mount. The architectural beauty and historical significance are evident as we gaze upon the ancient city walls that enclose Jerusalem. The intricate details of these sturdy structures reveal their rich heritage and artistry. It is as if time stands still within these walls. Salzmann's mastery in capturing light and shadows adds depth to this monochromatic composition. The contrast between light and dark enhances our perception of every step on those worn stone stairs leading towards an unknown destination. As we delve into this archaeological site through Salzmann's lens, we can't help but feel a sense of reverence for this holy land. Its religious importance resonates with each brick laid within its precincts. Displayed at The Metropolitan Museum of Art, this salted paper print allows us to embark on a visual journey through history. It serves as a reminder that even though centuries have passed since Salzmann captured this moment in time, Jerusalem remains an enduring symbol of faith and cultural significance for people around the world.

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