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Fine Art Print : Injured Innocence and his Billet-Doo, 1860
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Injured Innocence and his Billet-Doo, 1860
Injured Innocence and his Billet-Doo, 1860. Napoleon III as a wolf in sheeps clothing. Savoy and Nice, lambs to the slaughter, hang in a string bag. He is posting his letter, intended for Britannia, care of his old friend, Duc de Persigny. On 24th March 1860 a treaty was signed by Napoleon III and the King of Sardinia concerning the annexation of Savoy and Nice to France. The voters of both Savoy and Nice were overwhelmingly in favour, but suspicion concerning Napoleons motives continued to prevail. Napoleon therefore wrote to the Duc de Persigny to complain about these unfounded suspicions concerning the policy of his Government. From Punch, or the London Charivari, August 11, 1860
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Media ID 14830524
© The Print Collector / Heritage-Images
Bonaparte Britannia Charles Louis Napoléon Charles Louis Napoleon Bonaparte Duke Of Emperor Napoleon Iii Heritage Image Partnership Lamb Letter Louis Napoleon Napoleon Bonaparte Iii Napoleon Iii Pillar Box Postbox Secret Sheep Wolf Allegorical Figure Metaphor Persigny Postal Service
20"x16" (+3" Border) Fine Art Print
Experience the haunting beauty and historical significance of 'Injured Innocence and his Billet-Doo,' a captivating fine art print from the Media Storehouse collection. This evocative image, created by the Unknown artist under the direction of Napoleon III as Duke of Persigny, depicts a chilling scene of the French emperor as a wolf in sheeps clothing, with Savoy and Nice represented as innocent lambs. Add this thought-provoking masterpiece to your home or office to spark conversation and inspire reflection. Heritage Images' high-quality print guarantees vibrant colors and intricate details, making it a must-have for history buffs and art enthusiasts alike.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 36.6cm x 50.8cm (14.4" x 20")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Injured Innocence and his Billet-Doo, 1860
EDITORS COMMENTS
is a powerful visual representation of political deceit and manipulation during the 19th century. The print depicts Napoleon III, the Emperor of France, disguised as a wolf in sheep's clothing. In this allegorical scene, Savoy and Nice are portrayed as innocent lambs hanging in a string bag, symbolizing their impending annexation to France. The central figure of the print shows Napoleon III posting a letter intended for Britannia through a pillar box. This letter was addressed to his old friend Duc de Persigny, expressing his frustration over unfounded suspicions regarding his government's policies. Despite overwhelming support from the voters of both Savoy and Nice for annexation, doubts about Napoleon's true motives persisted. The artist employs satire and caricature to convey the message that behind seemingly benevolent actions lies hidden agenda. The monochrome engraving adds depth to this historical commentary by emphasizing contrasts between light and shadow. This image serves as an important reminder of how power can be abused by those in authority. It highlights themes of deception, secrecy, communication, and national identity within its intricate details. "Injured Innocence and his Billet-Doo" captures not only a specific moment in history but also timeless concerns about trustworthiness in politics. Its enduring relevance makes it an invaluable piece for understanding past events while reflecting on contemporary issues surrounding governance and public perception.
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