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Fine Art Print : Hyakuman, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. Hyakuman, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka

Hyakuman, from the series 'Pictures of No Performances (Nogaku Zue)', 1898. Creator: Kogyo Tsukioka. Hyakuman, from the series 'Pictures of No Performances (Nogaku Zue)', 1898. Creator: Kogyo Tsukioka



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Hyakuman, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. Hyakuman, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka

Hyakuman, from the series "Pictures of No Performances (Nogaku Zue)", 1898

Heritage Images features heritage image collections

Media ID 24372193

© Heritage Art/Heritage Images

Bennosuke Tsukioka Cross Dressing Drag Female Impersonator Hanyu Sadanosuke Kogyo Sakamaki Kogyo Tsukioka Kohan Mask Masked Meiji Era Meiji Period Nenkyu Onnagata Oyama Sadanosuke Hanyu Sakamaki Kogyo Show Tsukioka Bennosuke Tsukioka Kogyo Colour Woodblock Print Playhouse


21"x14" (+3" Border) Fine Art Print

Experience the captivating allure of Japanese woodblock art with our exquisite offering from the Media Storehouse range of Fine Art Prints. This stunning piece, titled "Hyakuman" from the series "Pictures of No Performances (Nogaku Zue)", was created in 1898 by the renowned artist Kogyo Tsukioka. The image showcases Hyakuman, a character from traditional Japanese Noh theatre, with an enigmatic expression and intricate attire. Each print is meticulously reproduced from the original woodblock, preserving the intricate details and vibrant colors of this timeless masterpiece. Bring a touch of rich cultural history into your home or office with this beautiful work of art.

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 53.3cm x 35.5cm (21" x 14")

Estimated Product Size is 68.6cm x 50.8cm (27" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Arts > Artists > J > Japanese School Japanese School

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EDITORS COMMENTS
This print titled "Hyakuman, from the series 'Pictures of No Performances (Nogaku Zue)', 1898" by Kogyo Tsukioka transports us to the vibrant world of Japanese theater in the late 19th century. The image showcases a mesmerizing scene from a Noh performance, capturing the essence of this traditional art form. Intricately detailed and richly colored, this woodblock print depicts a male actor dressed as a female character, known as an onnagata or oyama. Adorned in exquisite clothing and an elaborate mask, he embodies grace and elegance with every movement. The artist's skillful portrayal captures both the physical beauty and emotional depth that are integral to Noh theater. The playfulness of cross-dressing is evident in this image, challenging societal norms while celebrating artistic expression. It offers insight into Japan's cultural heritage and its unique theatrical traditions that have captivated audiences for centuries. Displayed at the Art Institute of Chicago's Asian Art collection, this piece exemplifies Kogyo Tsukioka's mastery in ukiyo-e printing technique. Through his work, he immortalizes not only individual performers but also their dedication to preserving Japan's theatrical legacy. As we gaze upon Hyakuman’s striking presence frozen in time through Tsukioka’s lens, we are reminded of the enduring power of art to transcend boundaries and transport us into different realms.

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