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Fine Art Print : Guy Fawkes for 1859, 1859
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Guy Fawkes for 1859, 1859
Guy Fawkes for 1859, 1859. Victor Emmanuel of Italy on the left, and Napoleon III on the right, preparing to burn Pope Pius IX on a bonfire. There is a bunch of faggots tied to the front of the pyre and the pope is balanced precariously on some barrels of gunpowder. The smile of Victor Emmanuel suggests the joy of a child on Guy Fawkes night. This cartoon relates to the rumours in France that Pope Pius IX had threatened to excommunicate Napoleon. This threat may have been in response to Napoleons agreement earlier in the year with Francis Joseph of Austria under the terms of which the pope would become the titular head of a confederation of Italian states. In addition, the papacy would lose large areas of the Papal States which would instead be added to a new state of central Italy. Neither of these proposals found favour with Pius IX. From Punch, or the London Charivari, 1859
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Media ID 14829309
© The Print Collector / Heritage-Images
5 November Bonaparte Bonfire Bonfire Night Charles Louis Napoléon Charles Louis Napoleon Bonaparte Emperor Napoleon Iii Fireworks Night Giovanni Maria Giovanni Maria Mastai Ferretti Gunpowder Guy Fawkes Night Heritage Image Partnership Louis Napoleon Mastai Ferretti Napoleon Bonaparte Iii Napoleon Iii Pius Ix Pope Pope Pius Ix Roman Catholicism
21"x14" (+3" Border) Fine Art Print
Step back in time with our exquisite Fine Art Print from Media Storehouse, featuring an intriguing image of historical figures Victor Emmanuel II, King of Italy, and Napoleon III of France, standing before a bonfire with an effigy of Pope Pius IX, depicted as Guy Fawkes, in 1859. This captivating, vintage photograph offers a unique glimpse into the past, perfect for history enthusiasts, art collectors, or those seeking to add a touch of timeless elegance to their home or office decor. With exceptional detail and stunning visual appeal, this Fine Art Print is a must-have for anyone interested in European history.
21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 33cm x 53.3cm (13" x 21")
Estimated Product Size is 50.8cm x 68.6cm (20" x 27")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Caption: "A satirical print from 1859 depicting the political tensions between France, Italy, and the Catholic Church during that time. The image shows Guy Fawkes night celebrations with a twist - Victor Emmanuel of Italy and Napoleon III are preparing to burn Pope Pius IX on a bonfire. The smile on Victor Emmanuel's face reflects the joy of a child enjoying Guy Fawkes night festivities. This cartoon is based on rumors circulating in France that Pope Pius IX had threatened to excommunicate Napoleon III. The threat was believed to be in response to Napoleon's agreement with Francis Joseph of Austria earlier that year, which would have made the pope the titular head of a confederation of Italian states but also resulted in significant territorial losses for the Papal States. The engraving captures the religious and political tensions of 19th-century Europe, highlighting conflicts between Catholicism and secular powers. It showcases how satire was used as a means to comment on contemporary events and express public opinion. This historical artifact serves as evidence of the complex relationships between religion, politics, and power during this period. It provides valuable insights into an era marked by significant changes in European society. "
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