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Fine Art Print : Ebisu (Shobishin), from the series "A Parody of the Seven Gods of Good Fortune...", c. 1828. Creator: Gakutei. Ebisu (Shobishin), from the series "A Parody of the Seven Gods of Good Fortune...", c. 1828. Creator: Gakutei
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Ebisu (Shobishin), from the series "A Parody of the Seven Gods of Good Fortune...", c. 1828. Creator: Gakutei. Ebisu (Shobishin), from the series "A Parody of the Seven Gods of Good Fortune...", c. 1828. Creator: Gakutei
Ebisu (Shobishin), from the series "A Parody of the Seven Gods of Good Fortune (Mitate shichifukujin)", c. 1828
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Media ID 36209195
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Boxes Cover Ebisu Gakutei Gakutei Harunobu Gakutei Yashima Sadaoka Geometric Geometrical God Of Fortune Gods Gogaku Harunobu Sugawara Harunobu Yashima Hiruko Hokyo Horikawa Taro Ichiro Kagurado Koen Maruya Onikichi Nanzan Onikichi Maruya Ryosa Sadaoka Yashima Seven Gods Of Fortune Shikishi Ban Shikishiban Shikishiban Surimono Shingakudo Shinkado Sugawara Harunobu Taro Horikawa Webisu Yashima Yashima Gakutei Yashima Harunobu Yashima Sadaoka Yotei Color Woodblock Print Young Man
20"x16" (+3" Border) Fine Art Print
Experience the vibrant and whimsical world of Japanese folklore with our exquisite fine art print of Ebisu (Shobishin) from the series "A Parody of the Seven Gods of Good Fortune" by renowned artist Gakutei. Created in the late 1820s, this captivating print showcases Ebisu, the god of fishermen, in a playful and humorous interpretation. The intricate details and bold colors bring the mischievous spirit of Ebisu to life, making this a stunning addition to any art collection. Embrace the rich cultural heritage and the enchanting allure of Japanese mythology with our fine art print.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 40.6cm x 45.2cm (16" x 17.8")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Ebisu (Shobishin) from the series 'A Parody of the Seven Gods of Good Fortune' by Gakutei, c. 1828, is a stunning color woodblock print that showcases the playful and creative interpretation of the deity Ebisu during the Edo period in Japan. Ebisu, the god of fishermen and good fortune, is depicted in this print with a mischievous grin, holding a large wooden box filled with smaller boxes. The boxes are intricately patterned with geometric designs, and Ebisu wears a traditional headdress adorned with a fish and a red cap. The print is a part of the Mitate shichifukujin series, which features parodies of the Seven Gods of Good Fortune. The playful title "Shobishin" means "laughing Ebisu," reflecting the lighthearted and humorous take on the deity. The print is attributed to Gakutei, also known as Harunobu Yashima or Sadaoka Yashima, who was a prominent artist of the time. The use of vibrant green color adds to the lively and energetic atmosphere of the print, while the intricate details and patterns showcase the skillful craftsmanship of the artist. The print also features other characters from Japanese mythology, such as Hokyo, Ryosa, and Ichiro, adding to the rich and intriguing narrative of the scene. Overall, this print is a beautiful example of the artistic creativity and cultural heritage of Japan during the 19th century.
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