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Fine Art Print : Christ Carrying the Cross (Panel from an Altarpiece), 1400s. Creator: Unknown

Christ Carrying the Cross (Panel from an Altarpiece), 1400s. Creator: Unknown



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Christ Carrying the Cross (Panel from an Altarpiece), 1400s. Creator: Unknown

Christ Carrying the Cross (Panel from an Altarpiece), 1400s. This panel, most likely one of five narrative scenes representing the Passion of Christ, comes from a now dismembered altarpiece. The central panel was undoubtedly a scene of the Crucifixion. Such carvings in alabaster were frequently painted in vibrant colours with added gilding. The flesh areas of the figures were often left unpainted, with the exception of villains and executioners whose faces were " blackened, " as in this example, a convention that may derive from the medieval stage. English alabaster sculptures were in high demand throughout Europe during the 1300s and 1400s, and exported to Portugal, Spain, Scandinavia, Iceland, and other countries. A soft stone suitable only for interior sculpture, English alabaster was highly prized for its creamy translucency. Of the English quarries, those near Nottingham in the Midlands were the most active

Heritage Images features heritage image collections

Media ID 19626581

© Heritage Art/Heritage Images

Nottingham


20"x16" (+3" Border) Fine Art Print

Step into the sacred realm of the past with our exquisite Fine Art Print of Christ Carrying the Cross, hailing from a 1400s altarpiece. This captivating panel, an unknown masterpiece from Heritage Art/Heritage Images, showcases the profound devotion and intricate craftsmanship of the era. A poignant representation of Christ's unwavering commitment to his destiny, this print invites you to reflect on the depth of faith and sacrifice. Bring the beauty of this timeless artwork into your home or office and let it inspire you every day.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Medieval Art

> Arts > Sculpture

> Europe > Iceland > Posters

> Europe > Iceland > Related Images

> Europe > Iceland > Sculptures

> Europe > Portugal > Posters

> Europe > Portugal > Related Images

> Europe > Portugal > Sculptures

> Europe > Spain > Sculptures

> Europe > United Kingdom > England > Cleveland


EDITORS COMMENTS
This print showcases a panel from an altarpiece titled "Christ Carrying the Cross" created by an unknown artist in the 1400s. Believed to be one of five narrative scenes depicting the Passion of Christ, this panel is a testament to the exquisite craftsmanship and artistic skill of its time. The central panel, which is missing from this dismembered altarpiece, was likely a depiction of the Crucifixion. The remaining panel exhibits intricate carvings in alabaster that were often painted with vibrant colors and adorned with gilding. Interestingly, while most figures have their flesh left unpainted, villains and executioners like those portrayed here had their faces deliberately "blackened". This convention may have originated from medieval stage performances. English alabaster sculptures gained immense popularity across Europe during the 14th and 15th centuries. Quarried primarily near Nottingham in the Midlands, English alabaster was highly sought-after for its creamy translucency. Although it could only be used for interior sculpture due to its soft nature, it remained prized for its aesthetic appeal. This remarkable print not only captures a momentous piece of religious art but also serves as a reminder of England's contribution to European artistic heritage during this period.

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