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Fine Art Print : 72nd Duke of Albanys Own Highlanders advancing at Peiwar Kotal, 1879 (w / c)
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72nd Duke of Albanys Own Highlanders advancing at Peiwar Kotal, 1879 (w / c)
5929536 72nd Duke of Albanys Own Highlanders advancing at Peiwar Kotal, 1879 (w/c) by Simkin, Richard (1840-1926); National Army Museum, London; (add.info.: 72nd Duke of Albanys Own Highlanders advancing at Peiwar Kotal, 1878.
Watercolour by Richard Simkin (1851-1926), 1915 (c).
The 72nd Highlanders was one of Major-General Frederick RobertsA most trusted regiments in the Kurram Valley Field Force. As the latter advanced along the Kurram Valley towards Kabul their route was blocked at Peiwar Kotal by an enemy force of 18, 000 men with 11 artillery pieces. While a feint attack was made on the Afghans, Roberts commanded a turning movement by the 72nd, the 5th Goorkha Regiment (The Hazara Goorkha Battalion) and other troops, which succeeded in dislodging the enemy, inflicted heavy casualties and capturing all their artillery.
Roberts lost fewer than 100 killed and wounded. This defeat resulted in the flight of the Amir, Sher Ali, and his replacement by Yakub Khan, who signed the Treaty of Gandamak, ending the first phase of the 2nd Afghan War (1878-1880).); eNational Army Museum; English, out of copyright
Media ID 23665444
© National Army Museum / Bridgeman Images
21"x14" (+3" Border) Fine Art Print
Experience the rich history of the 72nd Duke of Albany's Own Highlanders in this stunning fine art print. Depicting the regiment advancing at Peiwar Kotal during the Second Afghan War in 1879, this captivating work by renowned artist Richard Simkin brings the past to life. Each print is meticulously reproduced from the original watercolor at the National Army Museum, ensuring the highest quality and authenticity. Add this historical masterpiece to your collection and transport yourself back in time.
21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 53.3cm x 33.1cm (21" x 13")
Estimated Product Size is 68.6cm x 50.8cm (27" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The captivating print titled "72nd Duke of Albany's Own Highlanders advancing at Peiwar Kotal, 1879" by Richard Simkin depicts a significant moment in history. The artwork showcases the brave soldiers of the 72nd Highlanders as they advance towards Peiwar Kotal during the Afghan War in 1879. Led by Major-General Frederick Roberts, the 72nd Highlanders were an esteemed regiment within the Kurram Valley Field Force. Their mission was to push forward along the treacherous Kurram Valley towards Kabul. However, their path was obstructed by a formidable enemy force consisting of 18,000 men and armed with 11 artillery pieces. In this intense battle scene captured beautifully through watercolor by Simkin in 1915, we witness Roberts' strategic brilliance come into play. While a diversionary attack distracted the Afghans, Roberts commanded a turning movement involving not only the courageous soldiers of the 72nd Highlanders but also other troops such as the Hazara Goorkha Battalion. This audacious maneuver successfully dislodged and defeated their adversary while inflicting heavy casualties upon them. Remarkably, Roberts' forces suffered fewer than one hundred killed and wounded throughout this engagement. The outcome of this pivotal battle resulted in Sher Ali Khan fleeing from power and being replaced by Yakub Khan who subsequently signed the Treaty of Gandamak. This treaty marked an end to the initial phase of what would become known as the Second Anglo-Afghan War (1878-1880). Simkin's evocative artwork immortalizes these valiant soldiers and commemorates their triumph at Peiwar Kotal against overwhelming odds.
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