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Fine Art Print : The Assaults of Mara; Scenes of the Awakening Meditation of the Shakyamuni Buddha
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The Assaults of Mara; Scenes of the Awakening Meditation of the Shakyamuni Buddha
5951632 The Assaults of Mara; Scenes of the Awakening Meditation of the Shakyamuni Buddha. China, Epoque of the Five Dynasties, first half of the 10th century. Paint, ink, gold and colors on silk. by Chinese School (10th century); (add.info.: The Assaults of Mara; Scenes of the Awakening Meditation of the Shakyamuni Buddha. China, Gansu Province, Dunhuang Oasis, Mogao Caves. Period of the Five Dynasties, first half of the 10th century. Paint, ink, gold and colors on silk.); Photo eSylvain Collet; Chinese, out of copyright
Media ID 23713580
© Sylvain Collet / Bridgeman Images
20"x16" (+3" Border) Fine Art Print
Experience the captivating allure of ancient art with Media Storehouse's Fine Art Prints. Our latest addition is the mesmerizing "The Assaults of Mara; Scenes of the Awakening Meditation of the Shakyamuni Buddha" by Sylvain Collet from Fine Art Finder. This exquisite piece, inspired by a 10th-century Chinese artwork, showcases the intricate detail and vibrant colors of the original. Featuring paint, ink, gold, and colors on silk, this fine art print transports you to a time of enlightenment and spiritual growth. Adorn your walls with this timeless masterpiece and let its beauty inspire you every day.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Asia
> China
> China Heritage Sites
> Mogao Caves
> Historic
> Ancient civilizations
> Chinese Dynasties
> Historic
> Chinese dynasties paintings
> Popular Themes
> Cave Paintings
EDITORS COMMENTS
This print captures the essence of "The Assaults of Mara; Scenes of the Awakening Meditation of the Shakyamuni Buddha" a remarkable artwork from China's Epoque of the Five Dynasties in the 10th century. Painted on silk with ink, gold, and vibrant colors, this masterpiece is a testament to Chinese artistic skill and spiritual devotion. In this scene, we witness the Shakyamuni Buddha deep in meditation as he undergoes his awakening. Surrounding him are various symbolic representations of Mara's assaults - temptations and distractions aimed at disrupting his enlightenment. The intricate details and delicate brushwork bring these mythical creatures to life, showcasing their menacing presence. Located in Gansu Province's Dunhuang Oasis within the Mogao Caves, this painting holds immense historical significance. It not only serves as an artistic expression but also reflects China's rich religious heritage rooted in Buddhism. Through its depiction of Buddha's triumph over temptation and ultimate enlightenment, this artwork carries profound symbolism for those who practice Buddhism or appreciate its teachings. It invites viewers to contemplate their own struggles against worldly desires and find solace in inner peace. Thanks to Sylvain Collet's expert photography skills, we can now marvel at every stroke and hue that brings this ancient masterpiece back to life. This print allows us to appreciate both the artistry behind it and its cultural importance within Asia's religious narrative.
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