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Fine Art Print : First annual picnic of the "Knights of Labor"- more fun for the spectators
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First annual picnic of the "Knights of Labor"- more fun for the spectators
1078691 First annual picnic of the " Knights of Labor" - more fun for the spectators than for the performers, 1882 (colour litho) by Keppler, Joseph (1838-94); Collection of the New-York Historical Society, USA; (add.info.: First annual picnic of the " Knights of Labor" - more fun for the spectators than for the performers. Print shows Jay Gould, William H. Vanderbilt, Cyrus Field, Russell Sage, and John Roach riding in a carriage past a crowd of laborers labeled " Knights of Labor" and " Pittsburgh Free Strikers" who are watching a man labeled " Workingman" trying to climb a " Greased" pole carrying a child on his back and with a woman and child hanging from his belt. The pole is greased with " Monopoly Grease", at top are " Higher Wages, Bread, Tobacco, Wine, [and] Ham". The view from the pole shows factories in the middle distance and the " Roach Monopolist Ship Builder" facility in the background. Published in Puck, June 21, 1882.
); eNew York Historical Society; American, out of copyright
Media ID 22634074
© New York Historical Society / Bridgeman Images
Annual Audience Capitalism Capitalists Climbing Corruption Economic Economy Exploitation Inequality Labor Labourers Monopoly Performers Picnic Pittsburgh Puck Rich Strike Strikers Striking Struggle Wages Cyrus Field Jay Gould Knights Of Labor
21"x14" (+3" Border) Fine Art Print
Step back in time with our exquisite Fine Art Print from Media Storehouse, featuring the captivating image "First annual picnic of the 'Knights of Labor' - more fun for the spectators than for the performers" by Keppler. This stunning 1882 color lithograph from Bridgeman Images transports you to a bygone era, showcasing the lively first picnic of the Knights of Labor. Add a touch of history and charm to your space with this beautiful, museum-quality print.
21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 34.1cm x 53.3cm (13.4" x 21")
Estimated Product Size is 50.8cm x 68.6cm (20" x 27")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This vibrant and satirical lithograph captures the essence of the first annual picnic of the "Knights of Labor" in 1882. Created by Joseph Keppler, this print showcases a scene that is more entertaining for the onlookers than for the performers themselves. The image depicts prominent figures such as Jay Gould, William H. Vanderbilt, Cyrus Field, Russell Sage, and John Roach riding in a carriage while passing a crowd labeled as "Knights of Labor" and "Pittsburgh Free Strikers". These laborers eagerly watch a workingman attempting to climb a greased pole with a child on his back and two others hanging from his belt. The pole itself is coated with "Monopoly Grease" symbolizing the challenges faced by workers against powerful monopolies during this era. Atop the pole are words like "Higher Wages" "Bread" "Tobacco" "Wine" and even "Ham" representing basic necessities that many struggled to afford at that time. In the background, factories can be seen amidst an industrial landscape, emphasizing both economic growth and inequality. Notably, there is also mention of the controversial figure John Roach's shipbuilding facility. Published in Puck magazine on June 21st, 1882, this artwork offers social commentary on labor rights issues prevalent during its time. It serves as a reminder of historical struggles faced by workers while highlighting their determination to improve their conditions despite facing significant obstacles imposed by wealthy elites.
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